Eye For Film >> News & Feature Stories >> Feature Story Archive by Jennie Kermode

A dark time
by Jennie Kermode
Kim Sung Soo on capturing history and getting a shot at an Oscar with 12.12: The Day
Magnificent creatures
by Jennie Kermode
Jayro Bustamante on giving the girls of Hogar Seguro a voice in Rita
Clocking in
by Jennie Kermode
Michael Felker on how he learned to time travel and Things Will Be Different
Dancing to his tune
by Jennie Kermode
Anthony Waller on guilt, ambiguity and being married to Elizabeth Hurley in Piper
A spell in the woods
by Jennie Kermode
Eduardo Sánchez and Daniel Myrick on The Blair Witch Project
The treasure hunter
by Jennie Kermode
Edmund Hartman on recovering the work of Richard Lyford
In hot water
by Jennie Kermode
Blake Rice on the sting of first love, the importance of fun on set, and Tea
Going to the mat
by Jennie Kermode
Amir Zargara on paying tribute to Navid Afkari with A Good Day Will Come
Small town problems
by Jennie Kermode
Boston McConnaughey and Renny Grames on Utah, demolition derbies and Alien Country
Leaning to darkness
by Jennie Kermode
Aislinn Clarke on the Na Sidhe, Ireland's troubled history, and Fréwaka
A father's choice
by Jennie Kermode
Luke Morgan and Jake Morgan on leprosy, shooting in Nepal and The Boat
Halloween listings 2024
by Jennie Kermode
Scary screenings to enjoy across the UK
Making it big
by Jennie Kermode
Joseph Pierce on exploring opium addiction through rotoscoping in Scale
Out of the shadows
by Jennie Kermode
Ben Model on the restoration and legacy of The Bat
Lights, gunfire, action
by Jennie Kermode
Scott Adkins on acting, fighting and having fun in Take Cover
Celebrating Scottish diversity
by Jennie Kermode
Indigo Korres on the evolution of the Scottish Queer International Film Festival
Making a splash
by Jennie Kermode
Hayley Easton Street on art direction, VFX and directing The Climb and Something In The Water
Family feud
by Jennie Kermode
Paul Reiser and Colm Meaney on The Problem With People
The endless highway
by Jennie Kermode
Robert Harmon on Rutger Hauer, C Thomas Howell and making The Hitcher
Reaching for a drowning man
by Jennie Kermode
JK Simmons on playing a desperate father in Little Brother
A dream come true
by Jennie Kermode
Jason Yu on casting, chemistry and keeping it simple in Sleep
Stay-at-Home Seven: September 23 to 29
by Jennie Kermode and Amber Wilkinson
Films to stream or watch on TV this week
Wisdom known only to the worm
by Jennie Kermode
Stuart Ortiz, Peter Zizzo and Terri Apple on Strange Harvest: Occult Murder In The Inland Empire
See what's underneath
by Jennie Kermode
Jennifer Kent on creating a legend in The Babadook
Wild card
by Jennie Kermode
Emile Hirsch on playing poker, suffering for his art and Dead Money
Life in full colour
by Jennie Kermode
Fawzia Mirza on intergenerational connection, Bollywood, queerness and The Queen Of My Dreams
Body electric
by Jennie Kermode
Daria Kashcheeva on developing and animating Electra
A race with his own heart
by Jennie Kermode
Liev Schreiber on Venice, Hemingway, and Across The River And Into The Trees
Taking back power
by Jennie Kermode
Lucía Forner Segarra on reinventing the revenge film in Berta
A piece of cake
by Jennie Kermode
Yasuda Jun’ichi on sweetness and keeping it real in A Samurai In Time
An assault on the senses
by Jennie Kermode and Paul Risker
JT Mollner and Giovanni Ribisi on colour, chemistry and creativity in Strange Darling
True colours
by Jennie Kermode
Aurélia Mengin on depicting schizophrenia in Scarlet Blue
Style and substance: the best of Frightfest 2024
by Jennie Kermode
Strange Darling, Children Of The Wicker Man, The Dead Thing, Scared Shitless and Scarlet Blue
Metal monster
by Jennie Kermode
Kyle Sevenoaks and Christopher Wiborg on uniting music and horror in Taste In Music
Mythical beast
by Jennie Kermode
Nick Johnson on re-envisioning the desert in Sunburnt Unicorn
Time to kill
by Jennie Kermode
Neil Marshall on gangsters, gore, diamonds and Duchess
Things to come
by Jennie Kermode
Scooter McCrae, Damian Maffei and Yvonne Emilie Thälker on Black Eyed Susan
Running with the wolves
by Jennie Kermode
Annick Blanc on asking people to open their eyes with Hunting Daze
Something under the earth is drooling
by Jennie Kermode
Toby Poser and John Adams on Hell Hole
Family forever
by Jennie Kermode
Isaac Ezban on exploring a troubled world through children's eyes in Parvulos
Killing on the clock
by Jennie Kermode
Araki Shinji on keeping viewers guessing in Penalty Loop
Los Angeles after dark
by Jennie Kermode
Elric Kane on the nocturnal city and The Dead Thing
Making the call
by Jennie Kermode
Steven Kostanski on making monsters in Frankie Freako
A moment of transformation
by Jennie Kermode
Miguel Llansó on the changing nature of humanity and Infinite Summer
All the buzz
by Jennie Kermode
Sander Maran and Peeter Maran on Chainsaws Were Singing
Under gaslight
by Jennie Kermode
Tatjana Anders on identifying toxic relationships and making Your Reality
In the moment
by Jennie Kermode
Alice Englert on planning, instinct and letting rip in Bad Behaviour
Five highlights of Fantasia 2024
by Jennie Kermode
Oddity, The Tenants, The G, Infinite Summer and The Missing
Diving ambition
by Jennie Kermode
Christian Wehrle on World War II: The Shipwrecks Of Truk Lagoon and Red Sea: Brother Islands – A Scuba Dive Adventure
Action woman
by Jennie Kermode
Kelsey Egan on stars, stunts, world building and the 11 year journey of making The Fix
A new vision
by Jennie Kermode
Sofia Alaoui on deconstruction, interconnectedness and Animalia
Light and shadow
by Jennie Kermode
Katherine Waugh on science, philosophy and cinema in I See A Darkness
Life in New Lodge
by Jennie Kermode
Alessandra Celesia on capturing the stories of The Flats
The land remembers
by Jennie Kermode
Simon Aeppli on the folk horror landscape of 1970s Northern Ireland
Making a scene
by Jennie Kermode
Dave Habeeb on the Boston music scene and Beautiful Was The Fight
Streaming Spotlight: in the garden
by Jennie Kermode and Amber Wilkinson
Seven films to welcome in the summer
An island in the darkness
by Jennie Kermode
Moin Hussain on creating the world of Sky Peals
The weight of the past
by Jennie Kermode
Muayad Alayan and Sheherazade Farrell on Palestinian experiences and A House In Jerusalem
Making filmmaking fun
by Jennie Kermode
Harrison Xu and Ivan Leung on Extremely Unique Dynamic
On reflection
by Jennie Kermode
Sav Rodgers on Ben Affleck, Kevin Smith, coming of age on camera and Chasing Chasing Amy
Streaming Spotlight: the films of Roger Corman
by Jennie Kermode
Seven highlights of the great director's work which you can watch right now
Living in limbo
by Jennie Kermode
Letitia Wright on playing an asylum seeker in Aisha
Dancing, in a more violent way
by Jennie Kermode
Olga Kurylenko on stunts, comedy, work-life balance and Chief Of Station
Insult and injury
by Jennie Kermode
MH Murray, Mark Clennon and Nat Patricia Manuel on I Don’t Know Who You Are
Making magic
by Jennie Kermode
Austin Andrews and Andrew Holmes on shooting in remote locations for The Island Between Tides
Just trying to live
by Jennie Kermode
Sébastien Vanicek on suburban life in France, spiders and Infested
Siege tactics
by Jennie Kermode
Will Gilbey and Chris Reilly on storytelling and action in Jericho Ridge
A place out of time
by Jennie Kermode
Austin Andrews and Andrew Holmes on Paloma Kwiatkowski, Donal Logue, David Mazouz and The Island Between Tides
A Northern tale
by Jennie Kermode
Chris Cronin on the ancient legacy behind The Moor
All fun and games
by Jennie Kermode
Megan Seely on play and making Puddysticks
The price of seeing
by Jennie Kermode
Gary Lennon on the work of Cathal McNaughton and I Dream In Photos
Speaking the unspeakable
by Jennie Kermode
Christine Wiederkehr on starting urgent conversations with 7 Fois
Seeing through his eyes
by Jennie Kermode
Iggy London on leading with emotion in Area Boy
Action with heart
by Jennie Kermode
Jack Gleeson on the legacy of Joffrey, working with the greats and In The Land Of Saints And Sinners
Never say die
by Jennie Kermode
Ilango Ramanathan and Hiranya Perera on the remarkable journey of Tentigo
An extraordinary drive
by Jennie Kermode
George Jaques and Ken Petrie on Black Dog
Gateway between worlds
by Jennie Kermode
Anu Valia on expectations, reality and We Strangers
In search of liberty
by Jennie Kermode
Rodrigo Moreno on freedom and character development in The Delinquents
Complete love
by Jennie Kermode
Apollo Bakopoulos on self-realisation, dance, Athens, New York and Aligned
A whale of a time
by Jennie Kermode
Cutter Hodierne on cryptocurrency, character creation and Cold Wallet
The monster within
by Jennie Kermode
Kourtney Roy and Chloe Pirrie discuss Kryptic
Cathedral in the sand
by Jennie Kermode
Brian J Smith on his love for the Pines and A House Is Not A Disco
Shooting for the stars
by Jennie Kermode
Shaun Seneviratne, Sathya Sridharan, Anastasia Olowin and Doron JePaul Mitchell on Ben And Suzanne: A Reunion In 4 Parts
The man who sold Utopia
by Jennie Kermode
Matthew Wells on the early days of Hollywood and Frank Capra: Mr America
Hex, lies and videotape
by Jennie Kermode
Tiago Teixeira on creating magic in Custom
In tune with the darkness
by Jennie Kermode
Paul Duane on music, monstrosities and All You Need Is Death
Behind the bias cut
by Jennie Kermode
Kevin Macdonald on fashion, alcoholism, cancel culture and High & Low – John Galliano
Every little moment
by Jennie Kermode
Samyuktha Vijayan on getting real about transition in Blue Sunshine
Some form of melancholy
by Jennie Kermode
Aylin Tezel on exploring intersecting journeys in Falling Into Place
Turning up the heat
by Jennie Kermode
Sean Garrity, Jonas Chernick and Sara Canning on The Burning Season
Stay-at-Home Seven: February 19 to 25
by Jennie Kermode
Films to stream or watch on telly this week
Under the influence
by Jennie Kermode
Christine Vrem-Ydstie and Brian Wiebe on I Am A Channel
Coming to life
by Jennie Kermode
Ethan Barrett on depression, crayons and Rosemary AD (After Dad)
A kind of immortality
by Jennie Kermode
Yasmin Afifi on shattering stereotypes in Jellyfish And Lobster
Loss and laughter
by Jennie Kermode
Lasse Lyskjær Noer and Christian Norlyk on grief, humour and Knight Of Fortune
Into the labyrinth
by Andrew Robertson and Jennie Kermode
Linus Sandgren, Suzie Davies, Siân Miller and Sophie Canale on creating the world of Saltburn
Night rider
by Jennie Kermode
Jeremiah Kipp and Tryphena Wade on The Geechee Witch: A Boo Hag Story
Without air
by Jennie Kermode
Vincente René-Lortie on remembering a friend with Invincible
Stay-at-Home Seven: January 22 to 28
by Jennie Kermode
Films to catch on TV this week
Put to the test
by Jennie Kermode
Nazrin Choudhury on abortion access in the US and Red, White And Blue
Flying high
by Jennie Kermode
Iain Softley on entering a strange world in The Shepherd
Okay not to be okay
by Jennie Kermode
Misan Harriman on the creative process behind The After
Action with impact
by Jennie Kermode
Renny Harlin on keeping it real in The Bricklayer
Beside the seaside
by Jennie Kermode
Andy Edwards on the magic of the seaside, British horror and making Punch
Animated magic
by Jennie Kermode
Daniel Snaddon and Samantha Cutler discuss The Smeds And The Smoos
Out of the silent land
by Jennie Kermode
Kevin Macdonald on Afghan music, an extraordinary orchestra and Last Song From Kabul
A difficult age
by Jennie Kermode
Flóra Anna Buda on the challenges facing young adults, and making 27
Stepping into character
by Jennie Kermode
Glenn Howerton on character creation and learning to like his work in BlackBerry
The world builder
by Jennie Kermode
VFX wizard Marcus Taormina on Rebel Moon: Part One – A Child Of Fire
The cost of truth
by Jennie Kermode
Tamara Denic, Christian Siée, Nika Rozman and Milica Vuksanovic on Istina
A moment of discovery
by Jennie Kermode
Ary Zara, Ivo Canelas, Frederico Serra, Andreia Nunes and Elliot Page on An Avocado Pit
Out of this world
by Jennie Kermode
Chad Stahelski on stunts and fantasy in John Wick: Chapter 4
Coming out in the wash
by Jennie Kermode
Ahmad Alyaseer and Rana Alyaseer on Our Males And Females
The believers
by Jennie Kermode
Jenn Wexler on exploring her favourite horror tropes in The Sacrifice Game
Out of the ruins
by Jennie Kermode
Um Tae-hwa and Lee Byung-hun discuss South Korean Oscar submission Concrete Utopia
Holding on to the magic
by Jennie Kermode
Thomas von Steinaecker on Werner Herzog – Radical Dreamer
Like a fever dream
by Jennie Kermode
Jesse Eisenberg on exploring troubled masculinity in Manodrome
One second warning
by Jennie Kermode
Scott Bateman on the extraordinary creation of 5000 Space Aliens
Beyond normalcy
by Jennie Kermode
Niels Arden Oplev on portraying mental illness in Rose
From the cradle to the grave
by Jennie Kermode
John Trengove on masculinity in crisis and Manodrome
The dreamers
by Jennie Kermode
Ian Hunt-Duffy and Pollyanna McIntosh discuss Irish horror and Double Blind
A cuckoo in the nest
by Jennie Kermode
Nate Dushku on queer community, psychopathy, realism and Birder
Always within her
by Jennie Kermode
Elene Naveriani on the recognition of beauty and Blackbird Blackbird Blackberry
Double jeopardy
by Jennie Kermode
Karoline Lyngbye on mixing it up in Superposition
A pretty picture
by Jennie Kermode
Samuel Clemens on art, ancient mythology, acting and The Waterhouse
Metropolis in blue
by Jennie Kermode
Gabriel Grieco and Nicanor Loreti on Eighties inspirations and making Maria
Halloween listings 2023
by Jennie Kermode
Spooky cinema around the UK
Between two worlds
by Jennie Kermode
Bishal Dutta on introducing the West to new myths and old scares in It Lives Inside
A film about words
by Jennie Kermode
Olivier Peyon on adapting the work of Philippe Besson in Lie With Me
A film of two halves
by Jennie Kermode
Alan Scott Neal and Taylor Sardoni on writing and shooting Last Straw
Elephants never forget
by Jennie Kermode
Mikey Murray on delving into the secrets of one couple's relationship in Mind-Set
The diner at the end of time
by Jennie Kermode
Francis Galluppi talks about making The Last Stop In Yuma County
Reclaiming roots
by Jennie Kermode
Katja Gauriloff on making the first ever film in Skolt Sámi, Je’vida
Stay-at-Home Seven: September 25 to October 1
by Jennie Kermode
Films to catch on telly this week
Back to the Bo-Kaap
by Jennie Kermode
More from John Barker, Bronté Snell and Shamilla Miller on The Umbrella Men: Escape From Robben Island
A taste of honey
by Jennie Kermode
Nicholas Tomnay on the corporate nightmare in What You Wish For
When Hollywood met Manchester
by Jennie Kermode
Jake West on the story behind Mancunian Man: The Legendary Life Of Cliff Twemlow
Bringing the stories home
by Jennie Kermode
Suvi West and Anssi Kömi on the repatriation of artefacts from museums and making Homecoming
Charting the way forwards
by Jennie Kermode
Lucy Tulugarjuk on life as an Inuit woman and Tautuktavuk
The women who get things done
by Jennie Kermode
John Barker, Bronté Snell and Shamilla Miller on stunts, sharks and The Umbrella Men: Escape From Robben Island
An act of observance
by Jennie Kermode
Atom Egoyan on interpreting Salome and making Seven Veils
Reckoning with the past
by Jennie Kermode
Ian Gabriel, Noxolo Dlamini, Anthony Oseyemi, Irshaad Ally, S’Thandiwe Kgoroge and Inez Robertson on Death Of A Whistleblower
Searching for the supernatural
by Jennie Kermode
Tony Reames and Vanessa Ionta Wright discuss Spookt
Girl reimagined
by Jennie Kermode
Jennifer Reeder on the power of femininity and the agency of blood in Perpetrator
A strange feeling
by Jennie Kermode
George Baron on David Lynch, Ray Wise, Olivia Scott Welch and The Blue Rose
Unlikely heroes
by Jennie Kermode
Konstantinos Koutsoliotas and Elizabeth E Schuch on Greek culture, monsters and the making of Minore
Sharing the terror
by Jennie Kermode
Sarah Appleton and Jasper Sharp discuss Japanese cinema and The J-Horror Virus
Off the map
by Jennie Kermode
Barnaby Clay on capturing intensity and eternity in The Seeding
Beyond the dark planet
by Jennie Kermode
Doug Bradley and Douglas Schulze on special effects, villains and Thorns
Altered perspective
by Jennie Kermode
John Rosman on character, tension and the music of Bob Dylan in New Life
Inheritance
by Jennie Kermode
Stewart Thorndike on motherhood, snow, chainsaws and Bad Things
Prometheus in practice
by Jennie Kermode
Laura Moss on raising the dead in Birth/Rebirth
Bodily pleasures
by Jennie Kermode
Joe Lynch on Lovecraft, sex, horror and comedy in Suitable Flesh
Ready for action
by Jennie Kermode
Elizabeth Blake-Thomas on women getting physical in Hunt Club
In pursuit of a feeling
by Jennie Kermode
Goran Stolevski on capturing time and place in Of An Age
They wanted to believe
by Jennie Kermode
Steve J Adams and Sean Horlor on Michelle Remembers, the Satanic Panic and Satan Wants You
Goldfish story
by Jennie Kermode
Lin Hei-yau on making The Moon, The Sky And You
Time to reflect
by Jennie Kermode
Jared Moshé on making rules, coping with uncertainty, and Aporia
All the fun of the fair
by Jennie Kermode
The Adams family discusses Where The Devil Roams
Within the silences
by Jennie Kermode
Paris Zarcilla and Chi Thai discuss the legacy of colonialism and Raging Grace
A switch in time
by Jennie Kermode
Kim Jae-hoon on the body-swapping genre, music and fighting in Devils
Too close for comfort
by Jennie Kermode
Victor Ginzburg on vampires, Viktor Pelevin, Russian censorship and Empire V
Beaver fever
by Jennie Kermode
Mike Cheslik and Ryland Brickson Cole Tews discuss Hundreds Of Beavers
Sex miseducation
by Jennie Kermode
Mark H Rapaport on well intentioned parental mistakes and Hippo
Heart to heart
by Jennie Kermode
Kim Albright and Anna Maguire discuss With Love And A Major Organ
Letting the cat out of the bag
by Jennie Kermode
Mary Dauterman on grief, comedy and making Booger
Something in the trees
by Jennie Kermode
Teresa Sutherland on filming in the forest and Lovely, Dark, And Deep
Everything under the moon
by Jennie Kermode
Larry Fessenden on werewolves, the monsters within us and Blackout
Not just anybody
by Jennie Kermode
Zach Clark on body snatching, special effects and The Becomers
Out of the aeons
by Jennie Kermode
Charles Band on the five decades of work behind stop motion spectacular The Primevals
Listen up
by Jennie Kermode
Tamara Scherbak discusses misophonia and making White Noise
True friendship
by Jennie Kermode
Sarah Kambe Holland on platonic love and Egghead & Twinkie
Picking up the chainsaw
by Jennie Kermode
Lee Cronin on putting his own stamp on Evil Dead Rise
Hidden treasures at Fantasia 2023
by Jennie Kermode
The smaller films worth seeking out in Montreal
The eyes of the world
by Jennie Kermode
Alex Winter on the changing social media landscape and The YouTube Effect
Off the beaten path
by Jennie Kermode
Rodrigo Gudiño on special effects, scoring with Slash, and The Breach
Barbie: the inside story
by Jennie Kermode
Susan Stern on the secret life of the world's most famous doll, and Barbie Nation
Crossing different fields
by Jennie Kermode
Cara Holmes and Orla Barry on art, farming and Notes From Sheepland
Uncovering the truth
by Jennie Kermode
Margo Harkin on the Irish mother and baby homes scandal and Stolen
Unpredictable
by Jennie Kermode
Noam Kaplan on women, technology, Israeli hubris and The Future
Body and soul
by Jennie Kermode
Eivind Landsvik on teenage life, empathy and making Tits
After the eclipse
by Jennie Kermode
Scott Haze on the wilderness, stunts and The Seeding
Homecoming
by Jennie Kermode
Elise Finnerty on finding magic in the elements for The Ones You Didn’t Burn
Particle men
by Jennie Kermode
Gabriel Foster Prior on the story behind The Bystanders
Rollercoaster ride
by Jennie Kermode
Trevor Anderson on getting closer to characters in Before I Change My Mind
All the hidden colours
by Jennie Kermode
Elham Ehsas on life for women under the Taliban, and Yellow
The forbidden forest
by Jennie Kermode
Juan Sebastián Torales on the declining forest, LGBT experiences and Almamula
Redefining justice
by Jennie Kermode
Michelle Danner on depicting a landmark legal case in Miranda’s Victim
The art of unease
by Jennie Kermode
Matthias Hoene on shooting thrillers and Little Bone Lodge
Pulling the strings
by Jennie Kermode
Evan Marlowe on the holes in cinema, working with puppets, and Abruptio
The non-stop star
by Jennie Kermode
Amber Doig-Thorne on back-to-back filmmaking and Winnie The Pooh: Blood And Honey
First fan
by Jennie Kermode
Patrick Read Johnson on being the first fan to see Star Wars, and making 5-25-77
Breaking the rules
by Jennie Kermode
Perci Intalan on I Love You, Beksman and About Us But Not About Us
Something magnetic
by Jennie Kermode
Karen Robson on the mysterious power of Picnic At Hanging Rock
The art of noise
by Jennie Kermode
Sam Green on documenting 32 Sounds and more
Still human
by Jennie Kermode
Chie Hayakawa on age, empathy and Plan 75
A timeless tale
by Jennie Kermode
Colin West on space, science, emotion and Linoleum
Strange transmissions
by Jennie Kermode
Onur Tukel on unconscious creation and That Cold Dead Look In Your Eyes
Making choices
by Jennie Kermode
Alex Trewhitt on rollerskating, magic, messy characters and Cherry
Death and rebirth
by Jennie Kermode
Stacey Tenenbaum on new ideas for old objects and making Scrap
Terms and conditions
by Jennie Kermode
Mike Doxford on Non-Negotiable
A world off kilter
by Jennie Kermode
Ted Geoghegan on casting, design and the supernatural in Brooklyn 45
The man who stayed behind
by Jennie Kermode
Thorvaldur Kristjansson on bringing literature to life in A Letter From Helga
Disembodied
by Jennie Kermode
Reuben Hamlyn on non-consensual deepfake pornography and Another Body
Anatomy of a panic
by Jennie Kermode
Richard Squires on the history of homophobia and The Perpetrators
Speaking out
by Jennie Kermode
Michael Ironside on opening up conversations and Confession
A slice of the action
by Jennie Kermode
Jonas Trukanas on making Lithuania's first slasher film, Pensive
Strange bedfellows
by Jennie Kermode
Marie Alice Wolfszahn on hidden history and Mother Superior
The pursuit of justice
by Jennie Kermode
Alberto Rodriguez on Spanish history and Prison 77
Exploring identities
by Jennie Kermode
Jena Malone on Adopting Audrey and Consecration
Military man
by Jennie Kermode
David Wagner on Eismayer, the man and the movie
A spell in the country
by Jennie Kermode
Tereza Nvotová on superstition, misogyny and Nightsiren
Always the dream
by Jennie Kermode
Anthony Shim on multitasking and avoiding compromises to make Riceboy Sleeps
Out of this world
by Jennie Kermode
Edouard Salier on stretching the bounds of genre in Tropic
Hell to pay
by Jennie Kermode
Ellie Foumbi on child soldiers, second chances and Our Father, The Devil
The fruits of chaos
by Jennie Kermode
Matt Johnson on relinquishing control and making BlackBerry
Family life
by Jennie Kermode
Corey Deshon on exploring archetypes in Daughter
Made in the moment
by Jennie Kermode
Pete Ohs, Andy Faulkner, Ashley Denise Robinson, Callie Hernandez and Will Madden discuss Jethica
The woman who wouldn't let go
by Jennie Kermode
Gabriel Bier Gislason on occult horror, Jewish mothers and Attachment
Aurora Avenue story
by Jennie Kermode
Elisa Levine on facing the unexpected and forging connections in Sweetheart Deal
First crush
by Jennie Kermode
Julianna Notten on Erin’s Guide To Kissing Girls
Inseparable
by Jennie Kermode
Mariano Biasin on intense friendships, music and Sublime
Stay-At-Home Seven - January 22 to 30
by Jennie Kermode
Films to stream or catch on telly this week
Personal space
by Jennie Kermode
Nils Keller, Jonas Lembeck, Georg Nikolaus, Susanne Wolff, Jeremias Meyer and Stephan Kampwirth on Almost Home
Breaking the rules
by Jennie Kermode
John Patton Ford on doing things differently and Emily The Criminal
Breaking through the ice
by Jennie Kermode
Anders Walter, Pipaluk K Jorgensen, Kim Magnusson, Rebecca Pruzan and Mila Heilmann Kreutzmann on Ivalu
Taking a lesson
by Jennie Kermode
Diego Lerman on the heroism of teachers, and The Substitute
Off the rails
by Jennie Kermode
Eirik Tveiten, Gaute Lid Larssen, Sigrid Kandal Husjord, Ola Hoemsnes Sandum and Axel Barø Aasen on Night Ride
The colour of her heart
by Jennie Kermode
Cyrus Neshvad, Guillaume Levil and Nawelle Ewad on The Red Suitcase
Something to say
by Jennie Kermode
Adrian Moyse Dullin, Lucas Tothe, Aya Halal and Ramatoulaye Ndongo discuss The Right Words
Out of nightmare
by Jennie Kermode
Oliver Park on Jewish horror, taking it slowly, and The Offering
Pattern recognition
by Jennie Kermode
Kyle Edward Ball on crafting terror in Skinamarink
The man behind the monster
by Jennie Kermode
Jeff Daniel Phillips on working with Rob Zombie to recreate The Munsters
Answering the call
by Jennie Kermode
Filipe Melo on the Oscars, the Eisners and The Lone Wolf
Bringing the lot lizards to life
by Jennie Kermode
John Swab and Sam Quartin on making magic in Candy Land
In tune with history
by Jennie Kermode
Andreas Kessler on telling war stories, moral dilemmas and Nakam
Everything under the stars
by Jennie Kermode
Gabriel Martins on life in a changing Brazil, and Mars One
Streaming Spotlight: Happy New Year!
by Jennie Kermode
Seven sensational films with which to welcome in 2023
At home with film
by Jennie Kermode
David Bryant on high quality low budget filmmaking and Splinter
The film that changed everything
by Jennie Kermode
Mya Taylor discusses her career and the legacy of Tangerine
Bringing a vision to life
by Jennie Kermode
Rama Rajamouli, Sabu Cyril, KK Senthil Kumar and MM Keeravani talk RRR
A knock at the door
by Jennie Kermode
Jacob Thomas Pilgaard on The Deportation Of A Model Citizen
Streaming Spotlight: Adapting Jane Austen
by Jennie Kermode
We celebrate the author's birthday - and cinematic legacy
Finding the way home
by Jennie Kermode
Huda Razzak on poetry, family, art and The Ocean Duck
A dog's life
by Jennie Kermode
Samantha Wishman and Monda Wooten on animal rescue and Free Puppies
A musical tragedy
by Jennie Kermode
Marc Fouchard and Julien Russo on Out Of This World (Hors Du Monde)
The woman who wouldn't back down
by Jennie Kermode
Jo Ingabire Moys on genocide prevention, Zura Karuhimbi and Bazigaga
Legacy of love
by Jennie Kermode
Dan Kwan, Daniel Scheinert, Jamie Lee Curtis and Ke Huy Quan on Everything Everywhere All At Once
Chasing the dream
by Jennie Kermode
Peter Stormare on seizing the moment, music, and Food And Romance
Divine fury
by Jennie Kermode
Travis Stevens on artistic collaboration in A Wounded Fawn
A taste of reality
by Jennie Kermode
Sean Lionadh on the making of Scottish BAFTA winner Too Rough
A star on the rise
by Jennie Kermode
Dallas Dupree Young on Cobra Kai, The Royal and 1-800-Hot-Nite
A film that meant everything
by Jennie Kermode
Jeremy Pope and Elegance Bratton discuss making The Inspection
The collaborator
by Jennie Kermode
Andy Edwards on Midnight Peepshow, The Ghosts Of Monday, Punch and the future of British horror
The droids you're looking for
by Jennie Kermode
Ryan White, Helen Kearns, Blake Neely and Rejh Cabrera on Good Night Oppy
A different angle on life
by Jennie Kermode
Michael Koch and Michèle Brand discuss Swiss Oscar submission A Piece Of Sky
Out of control
by Jennie Kermode
Timothée Hochet and Lucas Pastor on found footage, stunts and Stéphane
A sense of the cinematic
by Jennie Kermode
Luis Javier Henaine on Mexican witchcraft and Disappear Completely
A good story
by Jennie Kermode
PJ Palmer on actors, animals, minority rights and North Star
Love me, love my dog
by Jennie Kermode
Viljar Bøe on putting a news spin on Beauty And The Beast in Good Boy
A unexpected turning
by Jennie Kermode
Rahul Kohli on working with Mali Elfman and Katie Parker on Next Exit
Growing old disgracefully
by Jennie Kermode
Caroline Young on Crazy Old Ladies: The Story Of Hag Horror and What Ever Happened To Baby Jane?
Out of the closet
by Jennie Kermode
Shariff Nasr on the importance of communication in The Love (El Houb)
Returning to the fray
by Jennie Kermode
Daniel Stamm on going back to exorcism horror in Prey For The Devil
Halloween on the big screen
by Jennie Kermode
Special cinema events taking place around the UK
Out of the bloody pit
by Jennie Kermode
Bob Gorman and Brad Roberts discuss This Is GWAR
Open season
by Jennie Kermode
Tommy Boulding on class politics and shooting in the great outdoors for Hounded
"What comes first is love"
by Jennie Kermode
Micheal Rice on Black queer culture and making Black As U R
A primal thing
by Jennie Kermode
Goran Stolevski on witchcraft, overlapping identities and You Won’t Be Alone
The height of ambition
by Jennie Kermode
Julian Gilbey on climbing, fearlessness and compulsion in Summit Fever
Extending her limits
by Jennie Kermode
Júlia Murat on violence, desire and patriarchal society, and Rule 34
Streaming Spotlight: adapting to space
by Jennie Kermode
Seven of the best screen adaptations of stories set in space
Hear her roar
by Jennie Kermode
Gia Elliot on supporting survivors and Take Back The Night
An eye for an eye
by Jennie Kermode
Yoav Paz on trauma, revenge and uncovering history in Plan A
A friend till the end
by Jennie Kermode
Kyra Elise Gardner on growing up with a killer doll and making Living With Chucky
Kingmakers
by Jennie Kermode
Daphné Baiwir on the work of Stephen King and making King On Screen
A flame of hope
by Jennie Kermode
Kristina Buozyte and Bruno Samper on looking beyond collapse, and Vesper
On the money
by Jennie Kermode
John Barker, Jaques De Silva, Shamilla Miller, Keenan Arrison and Bronté Snell talk further about The Umbrella Men
Putting on a show
by Jennie Kermode
Amanda Kramer on live shows, colour, taking risks and Give Me Pity!
The violence we don't see
by Jennie Kermode
Carlota Pereda on bullying, normalised violence and Piggy
Stay-at-Home Seven: September 19 to 25
by Jennie Kermode
Films to catch on streaming services and TV this week
Getting away with it
by Jennie Kermode
John Barker, Jaques De Silva, Shamilla Miller, Keenan Arrison and Bronté Snell on The Umbrella Men
Changing the narrative
by Jennie Kermode
Joshua Seftel on the power of kindness and Stranger At The Gate
Looking for lost magic
by Jennie Kermode
Jonas Chernick on writing and starring in The End Of Sex
Eye For Books
by Jennie Kermode and Andrew Robertson
Crazy Old Ladies: The Story Of Hag Horror, The Lost Adventures Of James Bond, and The Frightfest Guide To Vampire Movies
Shooting on a shoestring
by Jennie Kermode
Patrick Rea on low budget filmmaking and They Wait In The Dark
Between life and death
by Jennie Kermode
Keishi Kondo on eternity, the loss of boundaries, and New Religion
Down the rabbit hole
by Jennie Kermode
Justin Benson and Aaron Moorhead on Something In The Dirt
Laughter in dark places
by Jennie Kermode
Steve Oram talks characters, comedies, science fiction and Cerebrum
Frightfest films you shouldn’t miss
by Jennie Kermode
Highlights of this year’s festival
Cinema with bite
by Jennie Kermode
Nathaniel Thompson discusses The Frightfest Guide To Vampire Movies
To the end of the world
by Jennie Kermode
Ishizuka Atsuko on telling stories through emotion in Goodbye Don Glees!
Reclaiming Welsh horror
by Jennie Kermode
Lee Haven Jones and Annes Elwy on Welsh cinema, folk horror and The Feast
Bathroom buddies
by Jennie Kermode
Rebekah McKendry discusses working with Ryan Kwanten and JK Simmons on Glorious
Investigating a death
by Jennie Kermode
July Jung on student exploitation, suicide and Next Sohee
Best friends forever?
by Jennie Kermode
Hannah Barlow and Kane Senes on friendship, trauma and Sissy
The stuff that dreams are made of
by Jennie Kermode
Andy Mitton on Covid, nightmares, infectious ideas and The Harbinger
Diet of worms
by Jennie Kermode
Alex Phillips and Ben Gojer on psychosis, special effects and All Jacked Up And Full Of Worms
Small is beautiful
by Jennie Kermode
Yeom Ji-ho on making a small space work to his advantage in Next Door
Mind and matter
by Jennie Kermode
Franklin Ritch on artificial intelligence, ethics and The Artifice Girl
Red in tooth and claw
by Jennie Kermode
Berkley Brady on venturing into the wild with Dark Nature
All the buzz
by Jennie Kermode
Avalon Fast on female centred filmmaking in Honeycomb
The drive to succeed
by Jennie Kermode
Park Dae-min on working with Park So-dam and shooting action in Special Delivery
Nashville story
by Jennie Kermode
Mickey Reece on imagining conversations and shooting Country Gold
Eye For Books
by Jennie Kermode
House Of Psychotic Women (Expanded Edition) by Kier-La Janisse
Back to the House
by Jennie Kermode
Kier-La Janisse discusses expanding her influential book House Of Psychotic Women
The preservation of life
by Jennie Kermode
Juliana Curi on the collaborative work behind Uýra – The Rising Forest
Drag sisterhood
by Jennie Kermode
Jordan Danger on ageing, drag and God Save The Queens
Living in the truth
by Jennie Kermode
Mark Slutsky and Sarah Watts on religion, romance and You Can Live Forever
On the borderland
by Jennie Kermode
Nico van den Brink on Dutch history and folklore and Moloch
Inside his head
by Jennie Kermode
Addison Heimann on experiencing a breakdown and making Hypochondriac
The art of being seen
by Jennie Kermode
Silas Howard, Harry Dodge and Steak House look back at By Hook Or By Crook
What’s in at Outfest 2022
by Jennie Kermode
Highlights of this year's festival in Los Angeles
Reel to reel
by Jennie Kermode
John Magaro on approaching politics through comedy in 18½
Stay-at-Home Seven: July 11 to 17
by Jennie Kermode
Films to watch on TV and streaming services this week
Fantasia 2022: a feast of film
by Jennie Kermode
Highlights of this this year's festival in Montreal
Crimes and passion
by Jennie Kermode
Dana Aliya Levinson and Zen Pace on economical storytelling in Fraud
Keeping it simple
by Jennie Kermode
Paul Solet on partnering with Adrien Brody to make Clean
Still waters
by Jennie Kermode
Ed Accura on changing the narrative with Blacks Can’t Swim: Rewind
Finding trust
by Jennie Kermode
Phillip Lewitski and Joshua Odjick on working relationships, wasps and Wildhood
Outside time
by Jennie Kermode
Jacqueline Lentzou on time, space and Moon, 66 Questions
The price of bread
by Jennie Kermode
Gayatri Kumar on child marriage, Afghanistan today, and Coffined At 15
Fair and square
by Jennie Kermode
Olivia Peace on teenage friendships and Tahara
The substance of style
by Jennie Kermode
Kevin Hegge on Tramps! and the artistic legacy of the New Romantics
Under the eternal blue sky
by Jennie Kermode
Robert H Lieberman discusses his travels in Mongolia and Echoes Of The Empire: Beyond Genghis Khan
The outside story
by Jennie Kermode
Juan Felipe Zuleta, Matthew Jeffers and Sarah Hay on Unidentified Objects
Highs and lows
by Jennie Kermode
Thomas Robsahm on dream projects and Aha The Movie
Running into the air
by Jennie Kermode
Thomas Robsahm on centring the music in A-ha The Movie
Radical empathy
by Jennie Kermode
Stefan Forbes on policing, psychology, masculinity and making Hold Your Fire
Beneath the surface
by Jennie Kermode
James Nunn on the challenges of shooting Shark Bait
Finding the beauty in everything
by Jennie Kermode
Adam Kalderon on his own sporting past and The Swimmer
Lighting a fire
by Jennie Kermode
Nigel Askew on getting beyond nostalgia in Wake Up Punk
Streaming Spotlight: new lesbian film
by Jennie Kermode
Highlights from the new generation of films about women in love
Mysteries and mazes
by Jennie Kermode
Alexis Bruchon on the complexity of keeping it simple in The Eyes Below
Hiding in the cosmos
by Jennie Kermode
Jane Schoenbrun on American melancholy and We’re All Going To The World’s Fair
Vintage filmmaking
by Jennie Kermode
Eve Symington on the dark side of wine country, crafting film noir, and Brut Force
Streaming Spotlight – censored!
by Jennie Kermode
Seven films banned for bizarre reasons, currently streaming in the UK
Through the screen
by Jennie Kermode
Jane Schoenbrun on intentional ambiguities and We’re All Going To The World’s Fair
Descent into darkness
by Jennie Kermode
Brendan Muldowney on revitalising classic horror tropes in The Cellar
Streaming Spotlight – who was that masked man?
by Jennie Kermode
From secret identities to mystery and mayhem, a look at masks in the movies
A family story
by Jennie Kermode
Iliana Sosa on telling her grandfather's story in What We Leave Behind
A slippery subject
by Jennie Kermode
Antoneta Alamat Kusijanovic on shooting underwater and looking through a teenager's eyes in Murina
The darkness before the dawn
by Jennie Kermode
Jennifer Reeder on directing round corners and screen-based storytelling in Night’s End
The agony and the ecstasy
by Jennie Kermode
Leigh Brooks on Life Of Agony and documentary The Sound Of Scars
Bringing Dune to life
by Jennie Kermode
Donald Mowat on the make-up that has earned him an Oscar nomination
Fighting back for families
by Jennie Kermode
Maria Grasso and Julie Collazo discuss immigrant justice and Split At The Root
Extreme filmmaking
by Jennie Kermode
Howard J Ford on a near death experience, shooting at height and The Ledge
On the crest of a wave
by Jennie Kermode
Martyn Robertson on Ride The Wave and surfing star Ben Larg
In sacred places
by Jennie Kermode
Kate Dolan on Irish folklore, depicting mental illness and You Are not My Mother
Unhappy in their own way
by Jennie Kermode
Sebastian Godwin on Homebound and what he's afraid of
The collapse in the dance
by Jennie Kermode
Agnieszka Woszczynska on Silent Land and the fragility of European values
Streaming spotlight – the best of Glasgow past
by Jennie Kermode and Andrew Robertson
A selection of highlights from previous Glasgow Film Festivals
Getting to the root of it
by Jennie Kermode
Lynne Davison on making magic in Mandrake
Something in the water
by Jennie Kermode
Jonas Chernick and Jeremy LaLonde on taking risks and making Ashgrove
What to watch in Glasgow
by Jennie Kermode
A Banquet, Tigers, Rebel Dread, Benedetta, True Things and You Are Not My Mother
The homecoming
by Jennie Kermode
Max Currie on trans representation, masculinity and Rurangi
Hollowed out
by Jennie Kermode
Ruth Paxton on neatness, food, a pervading sense of dread, and A Banquet
In a different light
by Jennie Kermode
Sam H Freeman and Ng Choon Ping discuss Femme
The power of a picture
by Jennie Kermode
Interview with Andrew Levitas about W Eugene Smith, Johnny Depp and Minamata
Streaming Spotlight: the geometry of love
by Jennie Kermode
A selection of films for when Valentine's Day is complicated
The contender
by Jennie Kermode
Kali Reis on indigenous representation, Catch The Fair One, and her independent Spirit nominations
The monster within
by Jennie Kermode
Kelly Murtagh on surviving eating disorders and making Shapeless
Streaming Spotlight: political scandals
by Jennie Kermode
Seven films about what people in power get up to and sometimes get away with
Exposed to the elements
by Jennie Kermode
Jeremiah Kipp on bullying, ambiguity, and directing Mike Manning and August Maturo in Slapface
Good call
by Jennie Kermode
Tom Berkeley and Ross White discuss BAFTA-longlisted short film Roy
Streaming Spotlight - imposters
by Jennie Kermode
Impersonation and double dealing in film
Getting in on the action
by Jennie Kermode
Skyler Davenport on authentic casting, action scenes and See For Me
Reaching out with film
by Jennie Kermode
Dan Warrender and Scott Macpherson on Mental Health in Movies
A different kind of horror
by Jennie Kermode
Mark Rapaport on taking risks and The Scary Of Sixty-First
Cotton versus polyester
by Jennie Kermode
Suzannah Mirghani on the violence in Sudan, arranged marriage, cultural change and Al-Sit
Secrets and spies
by Jennie Kermode
Gwen Wynne on the hidden truths within families, and Wild About Harry
All or nothing
by Jennie Kermode
Lauren Hadaway on obsession, self harm and shooting The Novice
Breaking the cage
by Jennie Kermode
Ronnie Sandahl on the treatment of young footballers and Swedish Oscar submission Tigers
O unholy night
by Jennie Kermode
Sean Nichols Lynch on vampires, festive horror and Red Snow
Out of the shadows
by Jennie Kermode
Leroy Kincaide on sleep paralysis, his past as a wrestler, and The Last Rite
Showing up, speaking out
by Jennie Kermode
Mitch Kalisa on challenging prejudice and finding an authentic voice with Play It Safe
A matter of instinct
by Jennie Kermode
Craig David Wallace and Lora Burke on Motherly
Keeping it real
by Jennie Kermode
Richard Miller and Grant Archer on crafting a science fiction story and Repeat
A fractured family
by Jennie Kermode
Ben Charles Edwards on going back to basic fears with Father Of Flies
Non-stop action
by Jennie Kermode
Scott Adkins on shooting stunts, One Shot and John Wick: Chapter 4
No escape
by Jennie Kermode
Victoria Wharfe McIntyre on Australia's history of violence and The Flood
Streaming Spotlight: cinematic spectres
by Jennie Kermode
Seven great ghost-themed films for you to enjoy this Halloween
Raising their voices
by Jennie Kermode
TJ Parsell on Nashville, misogyny and Invisible: Gay Women In Southern Music
Stay-at-Home Seven - October 25 to 31
by Jennie Kermode
Films to catch on TV and streaming services this week
In the picture
by Jennie Kermode
Brian Vincent on the art of Edward Brezinski and Make Me Famous
What's on: our guide to Halloween 2021
by Jennie Kermode
All the scary films you can eat, whether you're staying in or going out
Survival instinct
by Jennie Kermode
Marianne Farley on abortion rights, the Oscars and Frimas
Bowled over
by Jennie Kermode
Lyle Kash on creating new narratives and making Death And Bowling
A Lebanese story
by Jennie Kermode
Eliane Raheb on showing the filmmaking process and making Miguel’s War
Streaming Spotlight - Quick on the draw
by Jennie Kermode
We look at the wonders of hand-drawn animation
Streaming Spotlight – pirates at the pictures
by Jennie Kermode
Hoist the mainsail as we set out on the high seas
Getting her due
by Jennie Kermode
Marianna Palka on the debt industry, making room for women, and Collection
In pursuit of justice
by Jennie Kermode
Marco Kreuzpaintner on taking on the past in The Collini Case
Falling from the sky
by Jennie Kermode
Kazik Radwanski and Deragh Campbell discuss Anne At 13,000 Ft
The incredible dog-headed movie-maker
by Jennie Kermode
Josh Stifter on the magic of no-budget filmmaking and Greywood’s Plot
The little film that could
by Jennie Kermode
Phillip Escott on realism, censorship and The Found Footage Phenomenon
Listening closely
by Jennie Kermode
Alex Noyer on inclusivity, creating intimacy and Sound Of Violence
At close quarters
by Jennie Kermode
Sierra McCormick on pandemic filmmaking and We Need To Do Something
Just another killer
by Jennie Kermode
Amber Sealey on deconstructing the myth of Ted Bundy in No Man Of God
A shock to the system
by Jennie Kermode
Eric Steele and Laura Montgomery Bennett on public service, vampires and Boy #5
Going her own way
by Jennie Kermode
Clare Foley on the appeal of dark roles and starring in The Changed
Grassroots guts
by Jennie Kermode
Julie Kauffman on capturing the world of no budget filmmaking in The Brilliant Terror
Spellbound
by Jennie Kermode
Hayley Garrigus on magic, manipulation and You Can’t Kill Meme
From song to sword
by Jennie Kermode
MASUMI on moving between singing and acting for Yakuza Princess
A taste of Frightfest
by Jennie Kermode
Five unmissable horror highlights set to thrill fans in London
First contact
by Jennie Kermode
Brielle Brilliant on forming connections, becoming more free, and Firstness
Taking wing
by Jennie Kermode
Theodore Schaefer on magical realism, working with animals and Giving Birth To A Butterfly
The object of her affections
by Jennie Kermode
Mariel Sharp and Kaye Adelaide on monsters, queerness, puppeteering and Monster Dyke
A film of two halves
by Jennie Kermode
Mickey Reece on Agnes and making films that feel new
Into the woods
by Jennie Kermode
Kier-La Janisse on Woodlands Dark And Days Bewitched: A History Of Folk Horror
Keeping the wolf from the door
by Jennie Kermode
Perry Blackshear on working through hard times and When I Consume You
A dark imaginary
by Jennie Kermode
Ruth Platt on childhood, religion, luck and Martyrs Lane
Five must-see films at OutFest LA
by Jennie Kermode
LGBTQ+ films breaking the mould
Unforgettable
by Jennie Kermode
Kelsey Egan on memory, fairy tales, pandemics and Glasshouse
Raising hell
by Jennie Kermode
Toby Poser, John Adams and Zelda Adams on Hellbender and making films as a family
Something wild
by Jennie Kermode
Zita Bai, Vas Provatakis and Qiyu Zhou on Baby, Don't Cry
Fantasia highlights you won’t want to miss
by Jennie Kermode
We look at the pick of this year’s line-up
Closely observed
by Jennie Kermode
Annalise Lockhart on ghosts, invisibility and making Inheritance
The wealth of a nation
by Jennie Kermode
Jan Philipp Weyl on Running Against The Wind and the real Ethiopia
Changing the narrative
by Jennie Kermode
Marian Vosumets on diet culture, disordered eating and The Body Fights Back
Striking the right tone
by Jennie Kermode
Rob Schroeder, Conor Stechschulte and Zak Engel on Ultrasound
Streaming spotlight: away with the faeries
by Jennie Kermode
We explore an enchanted cinematic world in celebration of Midsummer
Hungry for laughs
by Jennie Kermode
DW Thomas on monsters, comedy and Too Late
Listening to the silence
by Jennie Kermode
Jeanne Leblanc on Les Nôtres and the importance of perspective
Stay-At-Home Seven: June 14 to June 20
by Jennie Kermode
Telly and streaming picks for the coming week
Streaming spotlight: musicians turned actors
by Jennie Kermode
We celebrate stars who have shone in more than one firmament
A taste for blood
by Jennie Kermode
Amelia Moses on Bleed With Me, Bloodthirsty and reimagining the werewolf
Stay-At-Home Seven: June 7 to June 13
by Jennie Kermode
Telly and streaming picks for the coming week
Three's company
by Jennie Kermode
Marion Hill on queer identity, polyamory and Ma Belle, My Beauty
Looking back, moving forward
by Jennie Kermode
Stephanie Lamorre on filming Narragansett life for Being Thunder
A natural thing
by Jennie Kermode
Park Kun-young on A Distant Place and the ongoing struggle for acceptance in South Korea
Starting a dialogue
by Jennie Kermode
Philippe Talavera on LGBTQ+ life in Namibia and making Kapana
Playing a blinder
by Jennie Kermode
Tyler Savage on teamwork, Los Angeles, social awkwardness and Stalker
Streaming Spotlight: family time
by Jennie Kermode
Kith and kin who stick together through thick and thin
On a dark and stormy night
by Jennie Kermode
Cody Calahan on storytelling and shooting The Oak Room
Up close and personal
by Jennie Kermode
Inon Shampanier and Natalie Shampanier on Paper Spiders
Streaming Spotlight on the union movement
by Jennie Kermode
Trade unions, strikes and solidarity as seen on the silver screen
Streaming Spotlight: visions of England
by Jennie Kermode
Seven films for St George's Day
The witching hour
by Jennie Kermode
Neil Marshall and Charlotte Kirk on The Reckoning
Streaming Spotlight: great escapes
by Jennie Kermode
How to break out of prison, movie style
Stay-At-Home Seven: April 5-12
by Amber Wilkinson, Jennie Kermode
Unmissable films on TV and streaming services this week
Streaming Spotlight - Rabbits on film
by Amber Wilkinson, Jennie Kermode
Bunnies who have hopped their way into cinematic history
Dream trip
by Jennie Kermode
Tara Miele and Katie Byron on time, memory and storytelling in Wander Darkly
Walls within walls
by Jennie Kermode
Kevin Pontuti and Alexandra Loreth on The Yellow Wallpaper
Streaming Spotlight: moving house in the movies
by Jennie Kermode
The thrills, spills and perils of relocation
After the shooting
by Jennie Kermode
Megan Park on trauma, recovery, unexpected success and The Fallout
The bearer of stories
by Jennie Kermode
Leah Purcell on indigenous voices and The Drover’s Wife: The Legend Of Molly Johnson
Between two women
by Jennie Kermode
Mari Walker, Pooya Mohseni and Lynn Chen discuss getting real in See You Then
Stay-At-Home Seven: March 15 to 22
by Amber Wilkinson, Jennie Kermode
Films to catch on TV and streaming services in the coming week
Streaming Spotlight - Contemporary British Women directors
by Amber Wilkinson, Jennie Kermode
It was International Women's Day earlier this week, so we're looking at some of our recent homegrown talent
Reconnecting with tradition
by Jennie Kermode
Christopher Alender, Marcos Gabriel and Brigitte Kali Canales on the themes of The Old Ways
Stay-At-Home Seven: March 8-14
by Amber Wilkinson, Jennie Kermode
More Glasgow Film Festival highlights and films to stream this week
Back on the trail
by Jennie Kermode
Anna Kerrigan on depicting mental illness and creating backstories for Cowboys
Streaming Spotlight - Court in the act
by Amber Wilkinson, Jennie Kermode
We're on the case this week
Portrait of a killing
by Jennie Kermode
Woo Min-ho on the death of President Park and The Man Standing Next
Secret agent men
by Jennie Kermode
Ollie Aslin and Gary Lennon on low budget espionage and Castro’s Spies
Taking possession
by Jennie Kermode
Christopher Alender, Marcos Gabriel and Brigitte Kali Canales on The Old Ways
Brothers on a journey
by Jennie Kermode
Nick and Alex Bourne on Down syndrome, siblings, and travelling the world to film Handsome
Montana story
by Jennie Kermode
Anna Kerrigan on gender, casting and locations in Cowboys
Steps to success
by Jennie Kermode
Alexis Bruchon on doing it himself in The Woman With Leopard Shoes
Capturing Guantánamo
by Jennie Kermode
Kevin Macdonald on Mohamedou Ould Salahi, Guantánamo Bay and making The Mauritanian
Shouting and silence
by Jennie Kermode
Eugen Jebeleanu on homophobia, Poppy Field and moving from theatre to film
A family story
by Jennie Kermode
Lee Isaac Chung, Steven Yeun, Noel Cho and Alan Kim on making Minari
Hidden heroes
by Jennie Kermode
Adam Egypt Mortimer on graphic novels, superheroes and Archenemy
Balance of power
by Jennie Kermode
Shatara Michelle Ford on marginalisation, Test Pattern and the importance of nuance
Streaming Spotlight: a taste of romance
by Jennie Kermode
Seven delicious films for your Valentine
That crucial moment
by Jennie Kermode
Kemp Powers and Aldis Hodge on four legendary men and One Night In Miami
The eyes have it
by Jennie Kermode
Svend Rothmann Bonde and Maria Pareja on animating the wolves in Wolfwalkers
Promethean efforts
by Jennie Kermode
Nora Unkel on Mary Shelley, the act of creation and A Nightmare Wakes
Stay-At-Home Seven: February 1 to 7
by Jennie Kermode
Films to watch on streaming services and television this week
Body of law
by Jennie Kermode
Jo Ardinger on Personhood and the US laws restricting pregnant women's lives
Streaming Spotlight: archaeology on film
by Jennie Kermode, Amber Wilkinson and Anne-Katrin Titze
Seven great films about digging up the past
Out of the shadows
by Jennie Kermode
Mickey Reece on Climate Of The Hunter and how to get away with putting art first
Streaming Spotlight: the games we play
by Jennie Kermode
Get on board with these contest and puzzle-focused films
Iceland's Oscar hopefuls
by Jennie Kermode
Silja Hauksdóttir, Donna Cruz and Katla M Þorgeirsdóttir on Agnes Joy
Streaming Spotlight: Santa on screen
by Jennie Kermode and Amber Wilkinson
Father Christmas as you’ve never seen him before
The thing in the walls
by Jennie Kermode
Tate Steinsiek on creature creation. HP Lovecraft and Castle Freak
Streaming spotlight on seasonal scares
by Jennie Kermode
Festive films to make you shiver
Out in the rising sun
by Jennie Kermode
Graham Kolbeins on capturing the passions and politics of outsider communities in Queer Japan
Streaming Spotlight on disability in film
by Jennie Kermode
Disabled characters as we rarely see them
Electric dreams
by Jennie Kermode
Marc Collin on Le Choc Du Futur and celebrating female pioneers
Streaming spotlight: against the odds
by Jennie Kermode
Seven cinematic battles that defy expectations
Expanding horizons
by Jennie Kermode
Melina León on Song Without A Name and opening doors for Peruvian women
Halloween horrors at home
by Jennie Kermode
Film treats for a spooktastic Saturday
Stay-At-Home Seven: October 12 to 18
by Jennie Kermode
TV and streaming recommendations for the week ahead
Streaming Spotlight: extraordinary girls
by Jennie Kermode
Seven films to watch for International Day Of The Girl Child
The bigger picture
by Jennie Kermode
Lisa Olivieri on Blindsided, domestic abuse and the meaning of being an artist
Cape Town after dark
by Jennie Kermode
Ryan Kruger on Fried Barry and the future of South African film
Streaming Spotlight: climate change documentaries
by Jennie Kermode
Seven films to check out for Climate Week
Finding her voice
by Jennie Kermode
Caroline Goodall on bringing The Bay Of Silence to the screen
The insider
by Jennie Kermode
Ruben Pla on moving from acting to directing with The Horror Crowd
Fragmented memories
by Jennie Kermode
Sabrina Mertens and Jan Fabi on capturing something amiss in Time Of Moulting
Streaming Spotlight: trains on film
by Jennie Kermode
It's full steam ahead with this selection of classics and action spectaculars
Shooting the pandemic
by Jennie Kermode
Dr Nidhi Gupta on Covid-19, safe filmmaking and Start. Stop. Repeat
Bringing the house down
by Jennie Kermode
Gabriel Carrer and Reese Eveneshen on directing action and destroying a house in For The Sake Of Vicious
Big cat energy
by Jennie Kermode
Bao Tran on ageing, martial arts, film finance and Paper Tigers
Up the creek
by Jennie Kermode
Jordan Waller on cannibals, Brexit and Two Heads Creek
A flavour of happiness
by Jennie Kermode
Mike Mosallam on love, food, Superman and Breaking Fast
Five FrightFest films to get your teeth into
by Jennie Kermode
The Columnist, A Ghost Waits, Clapboard Jungle, Av: The Hunt and Two Heads Creek
The wild side
by Jennie Kermode
Daria Woszek on femininity, tradition, menopause and Marygoround
The play's the thing
by Jennie Kermode
Fionn Watts and Toby Watts on Playhouse, Caithness and the power of the unseen
A stroke of fortune
by Jennie Kermode
Natasha Kermani on Lucky and working with Brea Grant
Leave that phone alone
by Jennie Kermode
Mariel Sharp and Kaye Adelaide on low-budget filmmaking, crystals and Don’t Text Back
Going behind the scenes
by Jennie Kermode
Justin McConnell on Clapboard Jungle and what it takes to make a movie
Strides ahead
by Jennie Kermode
Elza Kephart on villainy, fast fashion and Slaxx
A phoenix from the ashes
by Jennie Kermode
Josie Hess and Isabel Peppard on Morgana and female sexual freedom
Five treats for Fantasia fans
by Jennie Kermode
Crazy Samurai Musashi, The Oak Room, Time of Moulting, Fried Barry and Slaxx
Kiss and tell
by Jennie Kermode
Wendy Jo Carlton on exploring different kinds of attraction in Good Kisser
Streaming spotlight: cat ladies
by Jennie Kermode
Feline friendships in film
Streaming spotlight: seven deadly sins
by Jennie Kermode
Cinema's tales of temptation
Streaming spotlight: inventors in the movies
by Jennie Kermode
Cinema's take on scientific creativeness
Streaming spotlight: dog days
by Jennie Kermode
The best of canine cinema you can catch online
Setting the pace
by Jennie Kermode
Riyaana Hartley on Lella Lombardi, Beyond Driven and women in Formula One
Lost in the fog
by Jennie Kermode
Ingvar Sigurdsson on braving the elements to make A White, White Day
A radical vision
by Jennie Kermode
Thomas Clay on England's forgotten history and Fanny Lye Deliver’d
Secret appetites
by Jennie Kermode
Carlo Mirabella-Davis on telling the stories of people who go unseen in Swallow
Streaming spotlight: dinosaurs
by Jennie Kermode
Prehistoric monsters bare their teeth
Adapt to survive
by Jennie Kermode
David Marmor on locations, violence, rental nightmares and 1BR
Against the odds
by Jennie Kermode
David Marmor on how neither fire not disappearing actors could stop him making 1BR
A lot to carry
by Jennie Kermode
Freddy McConnell on pregnancy, telling trans people's stories and Seahorse: The Dad Who Gave Birth
Sweet home Chicago
by Jennie Kermode
Rob Christopher on storytelling, hidden truths, Barry Gifford and Roy’s World
Streaming spotlight: films to be proud of
by Jennie Kermode
How cinema has recorded and influenced LGBTI history
That’s the way to do it
by Jennie Kermode
Mirrah Foulkes on timelessness, theatricality and Judy & Punch
Changing visions
by Jennie Kermode
Nicholas Ashe Bateman on doing things differently in The Wanting Mare
Forbidden fruit
by Jennie Kermode
Keola Racela on wholesomeness, horror and comedy in Porno
Bringing fantasy to life
by Jennie Kermode
Nicholas Ashe Bateman on fantasy, technology, time and The Wanting Mare
Streaming spotlight: the need for speed
by Jennie Kermode
The car movies you can't live without
Streaming Spotlight: Healthcare workers in film
by Jennie Kermode
Doctors, nurses and carers on the silver screen
Fantasia through the looking glass
by Jennie Kermode
Mitch Davis on the challenge of taking the famous Montreal festival online
Streaming spotlight: dreams in darkness
by Jennie Kermode
High Gothic drama, horror and romance you can watch from home
Streaming Spotlight - In on the action
by Jennie Kermode
The best sports documentaries to watch online
Bottoms up
by Jennie Kermode
Tyler Cornack on the ins and outs of Butt Boy
Shakespeare films to watch online
by Jennie Kermode
Cinema takes on the bard
Exploring an inner life
by Jennie Kermode
Ric Burns on capturing empathy and courage in Oliver Sacks: His Own Life
Tales from the crematorium
by Jennie Kermode
Ryan Spindell on Clancy Brown, Caitlin Custer and The Mortuary Collection
In strange days
by Jennie Kermode
GFF Diary days 11&12: Rose Glass, Joe Begos, Caitlin Moran and Eighties disco action
You are here
by Jennie Kermode
GFF Diary days 9&10: Justin Benson and Aaron Moorhead, Marjane Satrapi, Flavio Alves and Frightfest
The future is now
by Jennie Kermode
GFF Diary days 7&8: Ingvar Sigurdsson, Greg Schroeder, Baljit Sangra and the Surprise Movie
Never say die
by Jennie Kermode
Ryan Spindell on anthology films and the willpower it took to make The Mortuary Collection
Zinging in the rain
by Jennie Kermode
GFF Diary days 5&6: Mika Kaurismäki, Juan Diego Escobar Alzate and the Margaret Tait Award
Beauty and darkness
by Jennie Kermode
Juan Diego Escobar Alzate on God, nature, the power of belief and Luz: The Flower Of Evil
The secret ingredient
by Jennie Kermode
GFF Diary days 3&4: Chiara Malta, Francis Annan, Simon Pegg and ladies who laugh
The insiders
by Jennie Kermode
Francis Annan on Escape from Pretoria and working with Daniel Radcliffe
Blast off!
by Jennie Kermode
GFF Diary days 1&2: Alice Winocour, Imoge Poots, George MacKay and an emotional ride
An inconvenient woman
by Jennie Kermode
Tanya Wexler on Buffaloed and a heroine who doesn't apologise
The real thing
by Jennie Kermode
Sasha Lane on mental illness, action scenes, choosing roles and Daniel Isn't Real
From one place to another
by Jennie Kermode
Mindy Bledsoe on The In-Between, chronic illness, DTLA and supporting female filmmakers
Halloween on the silver screen
by Jennie Kermode
What's happening around the UK this year
Documenting the rainbow
by Jennie Kermode
The non-fiction highlights of this year's NewFest
Don't fear the reaper
by Jennie Kermode
Lin Shaye on immortality, Gothic Harvest and learning when to speak up
Messing about in boats
by Jennie Kermode
Rob Grant on superstition, Harpoon and the art of keeping still
The magpie
by Jennie Kermode
Lauren Ashley Carter talks fight scenes, troubled characters, animal inspiration and Artik
Facing the music
by Jennie Kermode
Andrew Desmond on Freya Tingley, Rutger Hauer, Alexis Maingaud and The Sonata
Getting under the skin
by Jennie Kermode
The Soska sisters on Rabid, female relationships, #MeToo and being back at Frightfest
Challenging images
by Jennie Kermode
The Soska sisters on David Cronenberg, plastic surgery, transhumanism and remaking Rabid
Meeting the wolf man
by Jennie Kermode
Gavin Baddeley on a cinematic history of lycanthropes and writing The Frightfest Guide To Werewolf Movies
Five films to sink your teeth into at Frightfest
by Jennie Kermode
A Good Woman Is Hard To Find, Satanic Panic, Harpoon, The Sonata and Come To Daddy
Beyond the garden
by Jennie Kermode
Flavio Alves on telling authentic stories, representing violence, and The Garden Left Behind
Cultivating a story
by Jennie Kermode
Flavio Alves on the lives of trans women and undocumented immigrants, and The Garden Left Behind
Thinking big
by Jennie Kermode
Zach Lipovsky and Adam B Stein on Freaks, Bruce Dern and telling big stories with small budgets
Right on track
by Jennie Kermode
Adam Sherman on Japanese bondage, fashion, murder and She's Just A Shadow
A dangerous lesson
by Jennie Kermode
David Dastmalchian on Teacher, bullying and going to dark places
A tale of the unexpected
by Jennie Kermode
Zach Lipovsky and Adam B Stein on keeping viewers guessing, working with children, and Freaks
Different for girls
by Jennie Kermode
Jennifer Reeder on teenage lives, adult epiphanies, #MeToo and Knives And Skin
A woman's story
by Jennie Kermode
Pollyanna McIntosh on Darlin’ and the wildness in all of us
Five to look forward to at Fantasia
by Jennie Kermode
Our pick of what's coming up in Montreal
A familiar face
by Jennie Kermode
Perry Blackshear on male friendship, mental illness and They Look Like People
Orbital dynamics
by Jennie Kermode
Shelagh McLeod on working with Richard Dreyfuss, space, nursing homes and Astronaut
10 films to catch at Edinburgh Film Festival
by Amber Wilkinson and Jennie Kermode
We pick some of our favourites from this year's line-up
All at sea
by Jennie Kermode
Eight documentaries to watch for World Oceans Day
Beyond the limits
by Jennie Kermode
Drew Barnhardt on marrying art and exploitation in Rondo
One man movie machine
by Jennie Kermode
Dustin Ferguson on the art of making films fast
The performers
by Jennie Kermode
Jamie Patterson on working with Derren Nesbitt, Steve Oram and Jordan Stephens on Tucked
A sense of purpose
by Jennie Kermode
David Dastmalchian on finding humanity in dark places and All Creatures Here Below
Beyond the bright lights
by Jennie Kermode
Jamie Patterson on drag, gender, family and Tucked
As she sees it
by Jennie Kermode
Ashley Connor on Madeline’s Madeline and her career as a cinematographer
In dreams
by Jennie Kermode
River Gallo on Ponyboi, telling intersex stories and the importance of fantasies
Sticking with it
by Jennie Kermode
Mel Novak on Game Of Death, Dan Aykroyd, Steve McQueen and what he's doing today
Something magical
by Jennie Kermode
Jason Barker on gender, spirituality and A Deal With The Universe
Raising expectations
by Jennie Kermode
Jason Barker on filming his attempts to have a child in A Deal With The Universe
You only live twice
by Jennie Kermode
Andrea Jaurrieta on doubles, performance and reinventing the self in Ana De Día
Satellite of love
by Jennie Kermode
Joaquín Cambre on working with young actors and making A Trip To The Moon
The beat goes on
by Jennie Kermode
GFF Diary days 11&12: Beats, Frightfest, Michael Palin, Vicky Knight and terror in the woods
It's your funeral
by Jennie Kermode
Rehana Rose on death, remembrance and Dead Good
That Friday feeling
by Jennie Kermode
GFF Diary days 9&10: Jessie Buckley, Claire Pijman, whisky and Frightfest
Something in the water
by Jennie Kermode
Perry Blackshear on rusalkas, mythic filmmaking and The Siren
All in the game
by Jennie Kermode
Søren Juul Petersen on games, gore and Finale
Beyond the Valley
by Jennie Kermode
GFF Diary days 7&8: Peter Howson, Adam Pearson, Carol Morley and a little bit of time travel
Who ya gonna call?
by Jennie Kermode
GFF Diary days 5&6: Roxy Toporowych, the Margaret Tait Award and a spot of ghostbusting
Inside his head
by Jennie Kermode
Billy Senese on psychiatry, horror, The Dead Center and building stories through sound
All abuzz
by Jennie Kermode
GFF Diary days 3&4: Carlos Acosta, David Dastmalchian, busy bees and a trip inside The Matrix
Dinner and devilry
by Jennie Kermode
Jack McHenry and Margaret Clunie on Here Comes Hell
Ready, steady, go!
by Jennie Kermode
GFF Diary days 1&2: Mid90s, Matt Bomer, Mark Millar and a date with Priscilla
On the level
by Jennie Kermode
Danishka Esterhazy on telling women's stories in genre films and Level 16
Unnatural pleasures
by Jennie Kermode
Nicolas Pesce on working with Christopher Abbott and Mia Wasikowski and channelling Hitchcock in Piercing
A date with darkness
by Jennie Kermode
Adam Christian Clark on the horrors of the dating scene and making Newly Single
The essence of Freddie
by Jennie Kermode
Jan Sewell on Rami Malek, Gwilym Lee and the make-up for Bohemian Rhapsody
Thrillseeker
by Jennie Kermode
Patrick Kilpatrick on doing stunts, working with Tom Cruise and Christopher Walken, Night Walk and Active Shooter
Wish you were here
by Jennie Kermode
Lin Shaye on The Final Wish, character creation, horror, comedy and The Grudge
Good at being bad
by Jennie Kermode
Patrick Kilpatrick on Nicolas Roeg, Steven Spielberg, Sean Connery and his career as a villain
Finding that spark
by Jennie Kermode
Julian Richards on working with Barbara Crampton and Chaz Bono on Reborn
Home for Christmas
by Jennie Kermode
Yen Tan on diverse casting, the AIDS epidemic and 1985
Something electric
by Jennie Kermode
Julian Richards on sympathetic monsters, Reborn and Daddy's Girl
Computer says no
by Jennie Kermode
Paul Hyett on technology, the creative process and Peripheral
In a dark place
by Jennie Kermode
Russell Geoffrey Banks on victims, monsters and Who's Watching Oliver?
A recipe for life
by Jennie Kermode
Doron Paz on persecution, revenge, telling women's stories and creating life in The Golem
Past and present
by Jennie Kermode
Toby Nichols on The Dark, Desolation, Trumbo, Iron Fist and Underground
Halloween horrors
by Jennie Kermode
Spooky goings-on at cinemas around the UK
Finding strength
by Jennie Kermode
Janae Marie Kroczaleski on bodybuilding, gender transition and Transformer
Taking the lead
by Jennie Kermode
Oris Erhuero on Redcon-1, modelling, acting, producing and making dreams into reality
Where there's life
by Jennie Kermode
Mark Gillis on casting Sink, creating chemistry and finding hope and humour in difficult situations
That sinking feeling
by Jennie Kermode
Mark Gillis on the 2008 crash, life on council estates and developing Sink
Stretching the limits
by Jennie Kermode
Chee Keong Cheung on Redcon-1 and how to make a blockbuster on a shoestring
Fragmented vision
by Jennie Kermode
Camille Thoman on art, control, chaos, Mireille Enos, Sam Shepard and Never Here
After the end of the world
by Jennie Kermode
Carolina Hellsgård discusses her fresh take on rotting zombies in Ever After
Capturing the action
by Jennie Kermode
Chris Collier on making FrightFest: Beneath The Dark Heart Of Cinema
VHS forever
by Jennie Kermode
Kristian A Söderström on tapes, addiction, open endings and Videoman
Pretty in pink
by Jennie Kermode
Chloe Levine on punk, physicality and taking on The Ranger
Scarred lives
by Jennie Kermode
Jon Knautz discusses working with Alexis Kendra on The Cleaning Lady
Fatal fashion
by Jennie Kermode
Ezequiel Endelman on glamour, giallo and an imaginary Buenos Aires in Crystal Eyes
In the arena
by Jennie Kermode
Evan Cecil on rodeo horror, older characters and Lasso
Unnatural colours
by Jennie Kermode
Jenn Wexler on punk movies, Chloe Levine and making The Ranger
Frightfest: five films to look forward to
by Jennie Kermode
What to watch out for at this year's festival
Character arc
by Jennie Kermode
Seth A Smith on filming with a two-year-old and bringing marbling to life in The Crescent
The iconic man
by Jennie Kermode
Jonathan Baker on Becoming Iconic and Inconceivable
Changing perspectives
by Jennie Kermode
Lora Burke talks about making Lifechanger
Five films to catch at Fantasia
by Jennie Kermode
Highlights of the Montreal festival
Race against time
by Jennie Kermode
Finlay Pretsell on cycling, David Millar and Time Trial
Making Mayhem
by Jennie Kermode
Joe Lynch on Steven Yeun, Samara Weaving and why you should quit your job
Making Babies
by Jennie Kermode
Joanne Mitchell on her love of horror, awesome women and Attack Of The Adult Babies
Art on screen
by Jennie Kermode
Phil Grabsky on I, Claude Monet and the stories that bring art to life
Scaling the heights
by Jennie Kermode
Jennifer Peedom on working with the Australian Chamber Orchestra on Mountain
Coming back to life
by Jennie Kermode
David Freyne on zombies, political populism and The Cured
Outrageous rumours
by Jennie Kermode
P David Ebersole and Todd Hughes on Jayne Mansfield, Pierre Cardin and making Mansfield 66/67
Strangers on a train
by Jennie Kermode
Tanna Frederick on telling true stories, understanding bigotry, and Train To Zakopané
The romance of the other
by Jennie Kermode
Xavier Gens on feminism, colonialism and the challenges of filming Cold Skin
Island life
by Jennie Kermode
David Oakes on Xavier Gens, HP Lovecraft, sex, monsters and Cold Skin
Waking Nosferatu
by Jennie Kermode
Mark Rance on the restoration of a vampire classic
A dark education
by Jennie Kermode
Josh Saco talks about his work with the Miskatonic Institute of Horror Studies
Among the Faroes
by Jennie Kermode
Mike Day talks about tradition, ethics and the danger involved in making The Islands And The Whales
Five women to watch
by Anne-Katrin Titze, Amber Wilkinson, Andrew Robertson, Jennie Kermode
Rebecca Miller, Chloé Zhao, Céline Sciamma, Susanna Nicchiarelli and Ana Lily Amirpour
Team spirit
by Jennie Kermode
GFF Diary days 11&12: Gemma Arterton, Ben Wheatley, Douglas King, Frightfest and international solidarity
On the margins
by Jennie Kermode
Ted Geoghegan on Mohawk, marginalised people and shooting in the forest
The festival that came in from the cold
by Jennie Kermode
GFF Diary days 9&10: Frightfest takes on the Beast from the East and the groundhog returns
Once upon a time in America
by Jennie Kermode
Ted Geoghegan on Mohawk, working with Kaniehtiio Horn and exploring hidden history
Chiller thriller
by Jennie Kermode
GFF Diary days 7&8: Xavier Legrand, Denis Menochet, Dafhyd Flynn, bowling with the dude and the snowpocalypse
You, me and the undead
by Jennie Kermode
GFF Diary days 5&6: David Tennant, Robert de Young and zombies on the loose
Yippee-ki-yay ya bawbag
by Jennie Kermode
GFF Diary days 3&4: Lynne Ramsay, Rebecca Daly, Nora Twomey, Karen Gillan and a visit to Nakatomi Plaza
Dog in the playground
by Jennie Kermode
GFF Diary days 1&2: Isle Of Dogs fever, documentaries, romance and groundhogs
The peacemaker
by Jennie Kermode
Maurice Fitzpatrick on documentary In The Name Of Peace: John Hume In America
The house by the water
by Jennie Kermode
Brian O'Malley on Gothic horror, Irish history and The Lodgers
Release the bats
by Jennie Kermode
Kelly Greene on Attack Of The Bat Monsters
In the trees
by Jennie Kermode
David Bruckner on masculinity, monsters and The Ritual
On cloud nine
by Jennie Kermode
Jane Spencer on The Ninth Cloud, South Of Hope Street and women in Hollywood
Making a connection
by Jennie Kermode
David Chirchirillo on Bad Match, online dating and the legacy of Fatal Attraction
Behind the mask
by Jennie Kermode
Julien Maury and Alexandre Bustillo on taking on the legacy of Leatherface
Wild ideas
by Jennie Kermode
Travis Stevens on 68 Kill, music, pulp fiction and the terrors of Louisiana
Out of sight
by Jennie Kermode
Jasmine Hyde on taking on The Unseen
Orbital dynamics
by Jennie Kermode
Charlotte Sullivan on Radius and the challenges of playing an amnesiac
Battling extinction
by Jennie Kermode
Kate Brooks on The Last Animals and the fight to save elephants and rhinos
The homecoming
by Jennie Kermode
Ariadne Asimakopoulos and Maartje Wegdam on No Place For A Rebel
Halloween happenings
by Jennie Kermode
Spooky goings-on in UK cinemas
The skin she lives in, part two
by Jennie Kermode
Norbert Keil on gore scenes and the incredible visuals in Replace.
A hell of a ride
by Jennie Kermode
Stuart Conran looks back at Hellraiser and the start of his special effects career
The skin she lives in, part one
by Jennie Kermode
Norbert Keil on the terror of ageing, memory loss and working with Rebecca Forsythe on Replace
Hostages to fortune, part two
by Jennie Kermode
More from Lora Burke and Robert Notman on Poor Agnes
Hostages to fortune, part one
by Jennie Kermode
Lora Burke and Robert Notman on Poor Agnes
Into the woods
by Jennie Kermode
Damien Power on the trials and tribulations of making Killing Ground
Forbidden filmmaking
by Jennie Kermode
Maysaloun Hamoud on In Between, the duty of artists, and facing a fatwa
Six Harry Dean Stanton films you can't afford to miss
by Jennie Kermode
The legacy of a remarkable actor
The treasure hunters
by Jennie Kermode
Tomas Leach on The Lure and the importance of mystery and adventure
Birdwatchers
by Jennie Kermode
Dominic Bridges and Mim Shaikh on pigeons, scary movies and Freehold
Looking for trouble
by Jennie Kermode
Oliver Laxe on making life difficult for himself when filming Mimosas.
Skin deep
by Jennie Kermode
Joy Harrison on a tale of tattoos and fractured friendships in Where The Skin Lies
Alpine retreat
by Jennie Kermode
Hendrik Faller on dangerous terrain, shooting in snow, and Mountain Fever
Missing voices
by Jennie Kermode
Rachel Robey, Charlie Swinbourne and Aurora Fearnley on the barriers facing disabled filmmakers
The invasion that wasn't
by Jennie Kermode
Jody Lambert on the comedy and humanity in Brave New Jersey.
Man on the edge
by Jennie Kermode
Kasra Farahani on emotional disintegration, modern America and Tilt.
The jigsaw puzzler
by Jennie Kermode
Stewart Sparke on Book Of Monsters and interactive filmmaking
A nice cup of tea and a murder
by Jennie Kermode
Jamie McKeller on The Book Club, legalising murder, serial killers and cake.
Throwing down the gauntlet
by Jennie Kermode
Lawrie Brewster and Sarah Daly on The Black Gloves.
Mad for it
by Jennie Kermode
GFF Diary days 11&12: David Tennant, Frightfest and The Princess Bride.
The shivers
by Jennie Kermode
GFF Diary days 9&10: The Thing in the snow, Frightfest, Terence Davies, Quinton Aaron and more.
Voyage of discovery
by Jennie Kermode
GFF Diary days 7&8: Japanese cinema, documentaries, Ben Wheatley and the Surprise Film.
Screenings with style
by Jennie Kermode
GFF Diary days 5&6: power dressing, pipers, Persian food, David Lynch’s photographs and the Margaret Tait Award.
Stranger days
by Jennie Kermode
GFF Diary days 3&4: dinner, dancing, alien hunters and all the fun of the fair.
Looking good in Glasgow
by Jennie Kermode
GFF Diary days 1&2: Handsome Devil, femmes fatales and how to have the time of your life.
Energy in motion
by Jennie Kermode
Crystal Emery on Black Women In Medicine and the triumph of the spirit.
UK film events this Halloween
by Jennie Kermode
Seasonal screamers to shock and excite.
Out of the shadows
by Jennie Kermode
Paul Dalio on being bipolar, Touched With Fire and the power of art.
A little flame in the dark
by Jennie Kermode
Erica Tremblay on roller derby, gender, community and In The Turn.
The return of SQIFF
by Jennie Kermode
Helen Wright on the Scottish Queer International Film Festival.
A broad vision
by Jennie Kermode
Martin Radich on the trials and triumphs of filming Norfolk.
Five to watch on 4K
by Jennie Kermode and Amber Wilkinson
The latest Ultra HD Blu-ray releases reveal a format whose time has come.
The guy next door
by Jennie Kermode
Bill Engvall on swapping comedy for horror in The Neighbour.
Car trouble
by Jennie Kermode
Ivan Silvestrini on taking on the desert to make Monolith.
Zeroing in
by Jennie Kermode
Adam Levins on Population Zero, storytelling and the documentary art.
Portrait of the artist
by Jennie Kermode
Laura Casabé on art, psychiatry, Argentinean cinema and Benavidez's Case
Up from the depths
by Jennie Kermode
Stewart Sparke and Paul Butler talk Frightfest, women in film, HP Lovecraft and The Creature Below.
Prepare to be scared
by Jennie Kermode
Five Frightfest films to send shivers down your spine.
Teed off
by Jennie Kermode
Carrie Schrader on golf, feminism, Muirfield and The Founders.
Backyard belonging
by Jennie Kermode
Angela Boatwright talks about community, diversity and music in Los Punks.
Crossing over
by Jennie Kermode
Gareth Bryn on moving from TV to film with The Passing.
Shiny happy people
by Jennie Kermode
Adam Shell on Pursuing Happiness and the art of feeling good.
Sister act
by Jennie Kermode
Dana Ivgy on playing Liron Ben-Shlush's sister in Next To Her.
Behind the Curtain
by Jennie Kermode
Jaron Henrie-McCrea on things that go bump in the shower.
Peach perfect
by Jennie Kermode
GFF diary days 11&12: Richard Gere, Johannes Roberts, Cam Evrenol, Frightfest and musical moments.
Weird on top
by Jennie Kermode
GFF diary days 9&10: Tom Geens, Kate Dickie, Miranda Pennell, Tyler MacIntyre, Frightfest and more.
The time machine
by Jennie Kermode
GFF diary days 7&8: classics, surprises and games galore.
Music and memories
by Jennie Kermode
GFF Diary days 5&6: Alastair Cole, Roland Moller, Lou McLoughlan and a cowgirl showdown.
Thrills and spills
by Jennie Kermode
GFF diary days 3&4: Lucile Hadzihalilovic, Vic Armstrong, Aidan Moffat and Chuckles the Xenomorph.
Living the high life
by Jennie Kermode
GFF diary days 1&2: Hail Caesar!, Ben Wheatley and Con Air as you’ve never seen it before.
Undying Love
by Jennie Kermode
The Blaine brothers talk love, sex, death and Nina Forever.
Revelations
by Jennie Kermode
Doron Paz and Yael Grobglas on life, death and what happens next in JeruZalem.
Sound and vision
by Jennie Kermode and Max Crawford
The film soundtrack legacy of David Bowie.
Discovering Kristina
by Jennie Kermode
Mika Kaurismäki on The Girl King and a Swedish monarch who was ahead of her time.
Fabulous filmmaking
by Jennie Kermode
Colin Rothbart takes on drag in Dressed As A Girl.
The girl who would be king
by Jennie Kermode
Malin Buska on walking in Greta Garbo's shoes.
Strange relations
by Jennie Kermode
Adam Levins talks about Estranged, Population Zero, isolation and getting away with murder.
The weirding way
by Jennie Kermode
Pollyanna McIntosh on Tales Of Halloween
The writer and the ghost
by Jennie Kermode
Tim Lebbon on seeing his short story become a Nicolas Cage film.
Halloween happenings
by Jennie Kermode
Frightening film events around the UK.
Life's a beach
by Jennie Kermode
Isaac Gabaeff on the secrets behind creature feature The Sand.
Curating SMHAFF
by Jennie Kermode
Richard Warden on selecting films to educate and entertain.
Something weird
by Jennie Kermode
Ted Geoghegan on HP Lovecraft, Lucio Fulci, and making We Are Still Here.
What dreams may come?
by Jennie Kermode
Rodney Ascher on sleep paralysis and making The Nightmare.
A girl, on film
by Jennie Kermode
Bae Doona talks about making A Girl At My Door.
Dark materials
by Jennie Kermode
Hans Herbots on adapting Mo Hayder's The Treatment for the big screen.
Last girl standing
by Jennie Kermode
Tyler Shields on shooting Final Girl.
Stepping out
by Jennie Kermode
Chen Shiang-Chyi talks about her role in Tsai Ming-liang's Exit.
Whistle down the wind
by Jennie Kermode
Russell Friedenberg on America's troubled history, war, wild places and Wind Walkers.
Relentless
by Jennie Kermode
Angela Dixon on the triumphs and challenges of Never Let Go.
Changing impressions
by Jennie Kermode
Rachel Israel talks about autism, authenticity and Keep The Change.
Sex, lies and cinema
by Jennie Kermode
Desiree Akhavan on Appropriate Behaviour.
Running away with the circus
by Jennie Kermode
Rosa Rogers and Merieme Addou on the Pirates of Salé.
Remembering Christopher Lee
by Jennie Kermode
Farewell to horror’s most iconic star.
A funny thing happened...
by Jennie Kermode
Lizzie Brown on Love Is Blind and an unexpected call from Cannes.
The survivor
by Jennie Kermode
Haley Lu Richardson on taking on the challenge of The Last Survivors.
Hidden history
by Jennie Kermode
Felipe Bustos Sierra on Nae Pasaran and the Scottish workers who helped thwart Pinochet.
Hungry like the wolf
by Jennie Kermode
Till Kleinert spills the secrets of The Samurai.
Raising voices
by Jennie Kermode
Sandra Alland on I’m Not Your Inspiration: Maki Yamazaki.
Out of the kitchen
by Jennie Kermode
Working women in film.
Grand finale
by Jennie Kermode
GFF Diary days 11 & 12: Retro revelry and the thrills and chills of Frightfest.
Darkness falls
by Jennie Kermode
GFF Diary days 9 & 10: documentaries, nocturnal wanderings, and the return of Frightfest.
Visions of the future
by Jennie Kermode
GFF Diary days 7 & 8: road warriors, spherical screens and surprises.
A surfeit of riches
by Jennie Kermode
GFF Diary days 5 & 6: Paul Merton, the Margaret Tait Award, and live Dungeons & Dragons.
Star attractions
by Jennie Kermode
GFF Diary days 3&4: Alan Rickman, ballroom dancing, power suits and pussycats.
A city of cinema
by Jennie Kermode
GFF diary days 1&2: exhibitions, Monsters, art, Cliff Curtis and British Sea Power.
We need a bigger shark
by Jennie Kermode
Marc Fehse on trash cinema, zombies, Nazis and making Sky Sharks.
One step beyond
by Jennie Kermode
Gillian MacGregor on the challenges of shooting Beyond.
Coming soon
by Jennie Kermode, Amber Wilkinson, Anne-Katrin Titze, Andrew Robertson
Our pick of the best independent films coming up in 2015.
On the ball
by Jennie Kermode
Rhys Chapman discusses Wonderkid and tackling homophobia in football.
After torture
by Jennie Kermode
Kathy Berger talks about working with torture survivors to make Beneath The Blindfold.
Chronicling Eve
by Jennie Kermode
Joan Molloy on exploring postpartum psychosis in Unravelling Eve.
Cloud city
by Jennie Kermode
Jane Spencer on London, aristocrats, starving artists and The Ninth Cloud.
Creatures of the night
by Jennie Kermode
Yann Gonzalez on sex, death, dreams and You And The Night.
Season of mists
by Jennie Kermode
Markus Blunder on working with Sophie Lowe and Maximilian Harnisch in Autumn Blood.
Top 10 Scottish films
by Jennie Kermode
As Scotland chooses its future, we look back at some of its best moments in cinema.
A different vision
by Jennie Kermode
Mike Buonaiuto on Credence and new frontiers for science fiction cinema.
Lost and found
by Jennie Kermode
Nick Prueher on the VHS phenomena behind the Found Footage Festival.
Divine grace
by Jennie Kermode
Mink Stole remembers cinema's biggest star.
Lucky 13
by Jennie Kermode
Daniel Stamm on developing, casting and directing 13 Sins.
Hidden in plain sight
by Jennie Kermode
Joanna Coates on Hide And Seek.
The price of change
by Jennie Kermode
Joanna Lipper on The Supreme Price and women's rights in Nigeria.
A piece of cake
by Jennie Kermode
Eytan Fox on Cupcakes, Eurovision and the importance of smiling.
Chasing the dream
by Jennie Kermode
Jamie Fulford talks about making the move from shorts to financing his first feature.
Lone wolf
by Jennie Kermode
John Jarrett on murder, mayhem and Wolf Creek 2.
Gabriel García Márquez: a legacy in film
by Jennie Kermode
Five films through which to remember the author.
High school hijinks
by Jennie Kermode
Darren Stein and Michael J Willett on the making of G.B.F.
Seeking salvation
by Jennie Kermode
Antonio Piazza and Fabio Grassadonia on Salvo.
Frights and delights
by Jennie Kermode
GFF diary days 9, 10 & 11: Thomas Imbach, Paul Brannigan, politics, punk, horror and Hollywood.
Approaching Zero
by Jennie Kermode
GFF diary days 7 & 8: Terry Gilliam, David Graham Scott, Roger Christian and the return of Goblin.
Journey to the centre of the Earth
by Jennie Kermode
GFF diary days 5 & 6: George Sluizer, agnès b, Mark Millar, art awards and a trip through time.
Stars come out
by Jennie Kermode
GFF diary days 3 & 4: Lady Grinning Soul, Richard Dreyfus, Jack O'Connell, Richard Ayoarde, orgasmic dining and a hexagonal death match.
A grand old time
by Jennie Kermode
GFF diary days 1&2: youth, shorts, the opening night, Jessica Oreck and a dinner you can't refuse.
It's a scream
by Jennie Kermode
Blair Erickson on Banshee Chapter.
Long live the Queen
by Jennie Kermode
Camille Rutherford on her starring role as Mary, Queen of Scots.
Making Kuma
by Jennie Kermode
Umut Dag on the surprise success of his first feature.
Saying Hello
by Jennie Kermode
Michelle Danner on Hello Herman, bullying and working for change.
Lion man
by Jennie Kermode
Tim Phillips on filming the rescue of the Lion Ark animals.
Running with The Rainmaker
by Jennie Kermode
The busy life of Tanna Frederick.
Sharksploitation!
by Jennie Kermode
Error of the deep
Raising the bar
by Jennie Kermode
A movie pub crawl.
Eye For Books
by Jennie Kermode
New Vampire Cinema, Filmcraft: Screenwriting and Films And Financing.
Predicting a riot
by Jennie Kermode
Mike Lerner talks about his new documentary on Pussy Riot.
Frankenstein unbound
by Jennie Kermode
Richard Raaphorst on Frankestein's Army.
Rock on
by Jennie Kermode
Yariv Horowitz on Rock The Casbah and trying to bring together Arab and Israeli audiences.
Introducing Carlos Estévez
by Jennie Kermode
What’s in a name?
Pub culture
by Jennie Kermode
Laurie Cansfield on The Vaults and forthcoming doc Proper Pubs.
North star
by Jennie Kermode
Nick Higgins reveals the story behind We Are Northern Lights.
In Communion
by Jennie Kermode
Greg Hall talks low budget filmmaking.
Eye For Books
by Jennie Kermode
World Film Locations: Glasgow and Mamoulian: Life On Stage And Screen.
Going out with a bang
by Jennie Kermode
GFF days 10 & 11: Joss Whedon, Eli Roth, Joan Of Arc and a shot to the heart.
Fantasy, fright and fiction
by Jennie Kermode
GFF days 8 & 9: big stars, big launches and big screen games.
Marvels of Mars
by Jennie Kermode
GFF days 6 & 7: Steve Niles, Steven Sterlacchini, Alex Salmond and the terrors of the deep.
Glasgow on screen
by Jennie Kermode
Nicola Balkind on her new book about the cinema-loving city.
Going underground
by Jennie Kermode
GFF days 4 & 5: James D'Arcy, daleks and the secret of the subway.
True north
by Jennie Kermode
GFF Days 2 & 3: Nick Higgins, James Cosmo, Billy Connolly and (not) dying at the end.
Young love
by Jennie Kermode
GFF Day 1: Youthful antics, Populaire, Pollyanna McIntosh and John C Reilly.
Eye For Books
by Jennie Kermode, Andrew Robertson
Elizabeth Taylor, Spike Lee's America, Alfred Hitchcock's America and The Art Of Rise Of The Guardians.
Grimm reaper
by Jennie Kermode
We meet the man behind Manchester's horror spectacular.
The scariest scenes in cinema
by Jennie Kermode
Snapshots of terror to send shivers down your spine.
Superhuman
by Jennie Kermode
Could genetic enhancement as seen in The Bourne Legacy really happen?
Sound and vision
by Jennie Kermode
We talk to the people behind the David Bowie film festival set to open in London.
Eye For Books
by Jennie Kermode
We look at a new star study of Nicole Kidman.
The Fisher king
by Jennie Kermode
James Fisher is the rising star who shone at East Meets East.
Movies, murder and myths
by Jennie Kermode
Does film violence really inspire copycats?
White collar hooligan blues
by Jennie Kermode
Nick Nevern on a new film about an old problem.
Aliens among us
by Jennie Kermode
Six real-life parasitic horrors more terrifying than the movies.
The sky's the limit
by Jennie Kermode
We take a look at crowdfunding with three producers who've tried and tested it.
After Tuesday
by Jennie Kermode
Radu Muntean on Tuesday After Christmas and East Meets East
This is a Raid
by Jennie Kermode
Gareth Evans on the new thriller re-inventing the action genre.
Remade in Heaven
by Jennie Kermode
Ten film remakes that are better than the originals.
Wicker world
by Jennie Kermode
Robin Hardy and Keith Easdale on sequels, singing and sinister gods.
In search of Beauty
by Jennie Kermode
Deon Lotz talks about his role as a troubled man in the grip of obsession.
Eye for books
by Jennie Kermode
We look at the Shoot It! story of independent film, plus three volumes in the Queer Film Classics series.
Possessed!
by Jennie Kermode
Seven cinematic exorcisms to test your nerves.
Going bananas
by Jennie Kermode
GFF Diary days 10 & 11: Bertrand Tavernier, Aki Kaurismäki, Frightfest and the Gene Kelly Ceilidh.
The abyss gazes also
by Jennie Kermode
GFF Diary days 8 & 9: Werner Herzog, Vivienne Westwood, Frightfest and otherworldly experiences.
Secret lives, secret loves
by Jennie Kermode
The hidden history of Hollywood lesbians.
Scenting success
by Jennie Kermode
GFF Diary days 6 & 7: Annie Ross, Brian Cox, the Margaret Tait Award and the smell of Robert Pattinson.
Time on their side
by Jennie Kermode
Reece Ritchie and Amara Karan talk about All In Good Time
In the drink
by Jennie Kermode
GFF Diary days 4 & 5: underwater escapades, lewd old lesbians and a trip to the end of the world.
The agony and the ecstasy
by Jennie Kermode
GFF Diary days 2 & 3: Hammer Horror, Irvine Welsh, great Scots and classic cabaret.
Sister act
by Jennie Kermode
Lynn Shelton talks about Your Sister's Sister
Opening shots
by Jennie Kermode
Glasgow Film Festival 2012, Diary One
Dead funny
by Jennie Kermode
Zam Salim tackles the ultimate dead end job in Up There.
Look North
by Jennie Kermode
Amanda Millen on what's coming up at the goNORTH festival.
Mind the science
by Jennie Kermode
How cinema has sold myths about sex addiction and psychology.
They shoot horses, don't they?
by Jennie Kermode
As War Horse heads for UK screens, we look back at some of cinema's greatest equine stars.
Dictating Cinema
by Jennie Kermode
Kim Jong Il was not the only despot with a passion for the silver screen.
Discovering documentaries
by Jennie Kermode
We find out how the new Documentary Guide makes it easy.
Daft about Dolly
by Jennie Kermode
Gary and Larry Lane on the story behind their new documentary
All about Kevin
by Jennie Kermode
Lynne Ramsay and Ezra Miller on the film everybody's talking about.
48 Hours
by Jennie Kermode
Filmmaking with a difference.
Glasgay films are go
by Jennie Kermode
Festival director Steven Thomson tells us about this year's event.
Eye for Books
by Jennie Kermode and Andrew Robertson
We look at four new volumes exploring cinematic controversies.
Courting Controversy
by Jennie Kermode
Stevie Simkin discusses the new series of books exploring the stories behind films that hit the headlines.
Barbarians at the gate
by Jennie Kermode
Will the release of Conan herald a new age of sword and sorcery movies?
The big story
by Jennie Kermode
As real world events see traditional British journalism changing dramatically, we look at journalists in the movies.
The slaughter and the laughter
by Jennie Kermode
Caroline Munro looks back on a career in horror and a brush with Bond.
The changing face of Edinburgh
by Jennie Kermode
James Mullighan talks about the challenges he faced in reshaping one of the world's biggest film festivals.
Going for green
by Jennie Kermode
The UK Green film festival launches in Glasgow as the industry begins to make changes.
A youthful look at Doc/Fest
by Jennie Kermode
Youth jury members look forward to the big event in Sheffield
A real chiller
by Jennie Kermode
Aleksei Popogrebsky on the filming of How I Ended This Summer
Amazing space
by Jennie Kermode
50 years on from the first manned spaceflight, we look at ten of the best space exploration movies.
Extreme visions
by Jennie Kermode
Can watching films about catastrophes help us to cope with the real thing?
Elizabeth Taylor remembered
by Jennie Kermode
One of Hollywood's greatest stars has died.
Eye Say
by Jennie Kermode
Is film finally taking a fresh approach to the subject of violence against women?
A tussle with Russell
by Jennie Kermode
We pay tribute to screen siren Jane Russell who has passed away aged 89.
The Eagle has landed
by Jennie Kermode
GFF Diary days 10 and 11: Agnosia, Frightfest, Anthony LaPaglia and The Eagle.
The time traveller's life
by Jennie Kermode
GGF Diary days 8 and 9: Frightfest, fashion shows, Goblin, Luke Treadaway and documentary delights.
Heroes and villains
by Jennie Kermode
GFF Diary Days 6 and 7: Mark Millar, Ken Loach, Harun Farocki and a second chance to kneel before Zod.
The revolution will not be subtitled
by Jennie Kermode
GFF Diary Days 4 and 5: Harry Shearer, the tingler, the short film awards and a trip to Mars.
A dream to some, a nightmare to others
by Jennie Kermode
GFF Diary days 2 and 3: 3D Werner Herzog, Richard Ayoade, violence in the Congo and monsters loose in the audience.
All that jazz
by Jennie Kermode
GFF Diary day 1: champagne, shampoo, François Ozon, and a look back at Youth.
Pinkie on the brain
by Jennie Kermode
Rowan Joffe and Andrea Riseborough talk Brighton Rock
Mad about Meryl
by Jennie Kermode
We profile the star in focus at this year's GFF
Now that's magic!
by Jennie Kermode
With Harry Potter riding high at the box office, we check out some of the most magical kids' films on DVD.
Leslie Nielsen remembered
by Jennie Kermode
One of the greatest comedians of our age has died, but surely he won't be forgotten.
To eternity and beyond
by Jennie Kermode
Director Michael Madsen on Into Eternity and the art of making existential science fiction documentaries.
Under the Hammer
by Jennie Kermode
This Halloween, we look back at the legacy of Britain's creepiest horror house.
He shoots, he scores
by Jennie Kermode
Director Ronan Pollock talks about his documentary following an unusual football tournament.
Money in the movies
by Jennie Kermode
As Wall Street: Money Never Sleeps opens across the UK, we look at other films that have focused on the green stuff.
Clive Donner Remembered
by Jennie Kermode
We look back on the life of the man who was once the voice of youth.
Inside The Last Exorcism
by Jennie Kermode
Daniel Stamm reveals some of the secrets behind his latest film.
Mad about Bella
by Jennie Kermode
Janice Danielle discusses her acclaimed short film and the groundbreaking idea behind it.
Playing with fire
by Jennie Kermode
Daniel Alfredson on the girl who demanded to be filmed.
Urban voice
by Jennie Kermode
Adam Deacon talks about Shank, Kidulthood and street life on film.
Eye for books
by Jennie Kermode
We review World Directors: Baz Luhrmann, BFI Film Classics: Sweet Smell Of Success, and Dario Argento, by Eye For Film's own James Gracey.
Eye Say
by Jennie Kermode
How have stars like Mel Gibson got away with it for so long?
It's a scream
by Jennie Kermode
Catriona MacColl looks back on her life as a horror heroine.
Pierre Rissient on Breathless
by Jennie Kermode
One of cinema's most influential figures contemplates the re-release of the Godard classic.
Edinburgh Film Festival 2010: The Opening Night Gala photo showcase
by Max Crawford and Jennie Kermode
The stars don their gladrags and welcome us all to the Opening Night film of the 64th EIFF
Born to be wild
by Jennie Kermode
The life and legacy of Dennis Hopper.
Costume drama
by Jennie Kermode
As Sex And The City 2 hits a screen near you, we revisit some fabulous films about fashion.
Film on trial
by Jennie Kermode
In some parts of the world, making films can do worse than get you bad reviews - it can get you locked away.
A view of Petropolis
by Jennie Kermode
Producer Spencer Tripp talks about his remarkable new film and the importance of the Alberta tar sands.
Election fever
by Jennie Kermode
As Britain prepares to go to the polls, we look at how it's done on the silver screen.
Hess on horror
by Jennie Kermode
Iconic star David Hess reflects on his career.
The inside story
by Jennie Kermode, Human Rights 2010
We talk to Vadim Jean about the Angola 3 and his documentary In The Land Of The Free.
Full steam ahead
by Jennie Kermode
Jenny Agutter on the extraordinary legacy of The Railway Children.
Silent spectres
by Jennie Kermode
Thomas Cochrane on reawakening the ghost of silent cinema.
Eye Say
by Jennie Kermode
Even in modern Hollywood, it'll be all white on the night.
Scout's honour
by Jennie Kermode
Thomas Turgoose and Tom Harper talk about The Scouting Book For Boys.
In search of the vampire
by Jennie Kermode
Faye Jackson tells the story of the Strigoi
Eye For Books
by Jennie Kermode
A fresh look at Edison's Frankenstein
Watching Alice
by Kate Carter and Jennie Kermode
As Alice In Wonderland returns to the big screen, we see what Michael Sheen, Christopher Lee, Richard Zanuck and Will Self have to say about it.
Secrets and lies
by Jennie Kermode
Days Ten and Eleven of the Glasgow Film Festival - political controversy, Frightfest, Legacy, Mogwai, the Gregory's Girl reunion and one last party.
High crimes and high fashion
by Jennie Kermode
Days Eight and Nine of the Glasgow Film Festival - Peter Mullan, Mark Miller, Alfred Hitchcock, Frightfest, black metal and catwalk couture.
The Butterfly Effect
by Jennie Kermode
Days Six and Seven of the Glasgow Film Festival - insects, monsters, and the music of David Lynch.
Art and architecture
by Jennie Kermode
Days Four and Five of the Glasgow Film Festival - James Earl Jones, Faye Jackson, Murray Grigor, and a celebration of Nick Cave.
Who watches the watchers?
by Jennie Kermode
Days Two and Three of the Glasgow Film Festival - The Crazies, Pere Ubu, and the best of the Short Film Fest.
Welcome to the picture house of fun
by Jennie Kermode
Day One of the Glasgow Film Festival - Jean-Pierre Jeunet, Micmacs, Zombie Zombie and the music of John Carpenter.
Youth in focus
by Jennie Kermode
The GYFF team tell us what it's like to run a film festival - when you're still a teenager.
Get it off your chest
by Kate Carter and Jennie Kermode
Ray Winstone, John Hurt and David Scinto talk about London, masculinity, and 44 Inch Chest.
Farewell to the master
by Jennie Kermode
We look back at the remarkable career of Eric Rohmer, founder of the French New Wave.
Going Polar
by Jennie Kermode
David L Williams talks about his new comedy Beyond The Pole and the experience of filming in Arctic conditions.
Ring thing
by Jennie Kermode
Director Kate Madison talks about her Lord Of The Rings prequel, Born Of Hope.
The snow must go on
by Jennie Kermode
Frustrated British commuters could be forgiven for having had enough of snow, but how do film productions create it when it's needed?
Top 50
by Jennie Kermode, Amber Wilkinson, Scott Macdonald, Anton Bitel, Andrew Robertson, George Williamson, Severine, James Benefield, James Gracey, Val Kermode, Steve Harwood, Max Crawford
Eye For Film's pick of the best films of the last decade.
And now for the weather
by Jennie Kermode
We look back at the history of climate change in the movies.
The road to Valhalla
by Jennie Kermode
Producer Karen Smyth gives us the low down on Valhalla Rising.
Meet the Glasgow Cinema Club
by Jennie Kermode
We discover a friendlier way of connecting with the movies.
Eye For Books
by Susanna Krawczyk, Jennie Kermode and Andrew Robertson
We review the latest Twilight goodies, The Horror Film Quiz Book and Martin Scorsese's America.
Women in film
by Jennie Kermode
Amy Mole, managing director of Bird's Eye View, talks about her festival tour and the state of the industry.
Chris Atkins on Starsuckers
by Jennie Kermode
The truth behind the searing new documentary about the media.
Ten films to terrify your children
by Jennie Kermode
Because nobody's too young to get into the Halloween spirit...
How to live forever
by Jennie Kermode
What Hollywood has done to defeat death.
Creative Controversy
by Jennie Kermode and Val Kermode
How the new Darwin biopic nearly bypassed America.
Almost Human
by Jennie Kermode
As Surrogates introduces artificial bodies through which users can live out their fantasies, we look at the history of androids in film.
Fresh Visions: zombie Shakespeare
by Jennie Kermode
Continuing our series on up and coming directors, we talk to Ryan Denmark about Romeo And Juliet Vs. The Living Dead.
Dani Marti talks about film, art and HIV
by Jennie Kermode
Political controversy surrounds artist's attempt to present the everyday lives of HIV+ men through film.
Film within a film
by Jennie Kermode
As Broken Embraces brings a film director's tragic romance to our screens, we look at ten of the best films about the film industry itself.
Eye Say
by Jennie Kermode
As James Cameron launches Avatar, we ask why so many films are now based on games and toys.
Troma talking
by Jennie Kermode
Lloyd Kaufman on Shakespeare, politics, and The Toxic Avenger part five.
Run, rabbit, run
by Jennie Kermode
We talk to first-time director Amy Do about her documentary, Rabbit Fever, as it prepares to hit the festival circuit.
Best friends forever
by Jennie Kermode
Just what was it about that moment in the Eighties that made the Brat Pack such big news?
The man who likes to say yes
by Jennie Kermode
Mike Bonanno talks exclusively about impersonating corporate figures and highlighting injustice in The Yes Men Fix The World.
B-yond the call
by Max Blinkhorn and Jennie Kermode
We meet Edinburgh's B-team, who love bad films.
Lonesome cowboy
by Jennie Kermode
Director Mark Thimijan tells us about his latest film.
Meet Ruggero Deodato
by Jennie Kermode
The legendary director of Cannibal Holocaust discusses his career
Eye For Books
by Jennie Kermode and Andrew Robertson
We cast our eye over three new releases: Movie Speak, Paris Movie Walks, and The History Of Independent Cinema.
An evening with Lamberto Bava
by Jennie Kermode
We meet the director of horror hits like Demons and Blade In The Dark.
Rudo & Cursi on the red carpet
by Jennie Kermode
The stars of one of this summer's most promising films strut their stuff.
Picture Perfect
by Jennie Kermode
Edinburgh Diary, Days Zero and One
Directing the Disappeared
by Jennie Kermode
Johnny Kevorkian talks exclusively about his new film.
Eye Say
by Jennie Kermode
Hollywood, poverty, and the hard truth.
On the ball
by Jennie Kermode
Screenwriter Paul Laverty discusses Looking For Eric.
The outsider
by Jennie Kermode and Wyllisa Bennett
Uscla Johnny Desarmes talks exclusively about Life Outside Of Pearl.
Hiding in plain sight
by Jennie Kermode
As The Hide hits cinemas this week, star Alex MacQueen tells us about his role.
Dead reckoning
by Jennie Kermode
Just what is that gives Drag Me To Hell director Sam Raimi his enduring cult appeal?
Moments with Jan Troell
by Jennie Kermode
The great director talks about his latest fim, Everlasting Moments.
Cannes prospects are looking Up
by Jennie Kermode
What's looking good at the world's most glamorous film festival.
A free lunch?
by Jennie Kermode
We speak to Out At Lunch creators Emma Brogen and Alisa Arnah about their intimate new documentary.
Streetwise filmmaking
by Jennie Kermode
We take a tour of Edinburgh's Pilton Video to find out how they make filmmaking available to all
Soldiering On
by Jennie Kermode
Mark Ashmore tells us about his new film, Broken Britain.
Fighting Spirit
by Jennie Kermode
We talk with producer Bill Little about the difficult business of taking a film from script to screen.
Eye Say
by Jennie Kermode
A look behind the headlines at what's going on in the world of film. This week: pirates ahoy!
Loopy Politics
by Jennie Kermode
Peter Capaldi, Chris Addison and Armando Iannucci tell us what making In The Loop was like for them.
Cinema for everyone
by Jennie Kermode
Award-winning young entrepreneur Dean Rhodes-Brandon talks about equal access to film.
The end of an epic career
by Jennie Kermode
We look back at the spectacular musical achievements of Maurice Jarre.
Natasha Richardson remembered
by Jennie Kermode
Dead at 45 following a tragic accident, this capable actress left a remarkable film legacy.
Mark Hartley talks Not Quite Hollywood
by Jennie Kermode
The Australian director on the neglected history of exploitation cinema.
The top ten funniest films
by Jennie Kermode and the Eye For Film team
Our pick of the ten greatest comedy films ever made.
Ilmar Raag talks about his career
by Jennie Kermode
The acclaimed director of The Class discusses the challenges he has faced and how his work has been received at home in Estonia.
Apocalypse how?
by Jennie Kermode
As Watchmen blasts across our screens, we ask: is the end of the world nigh?
The Final Reel
by Jennie Kermode
Days Nine and Ten of the Glasgow Film Festival: scary monsters, punk nostalgia and Scandinavian treats.
Hits and Misses
by Jennie Kermode
Days Seven and Eight of the Glasgow Film Festival: pirates, wrestlers, horror films and sticky-out ears.
In the Red Room
by Jennie Kermode
Days Five and Six of the Glasgow Film Festival: rabbits, religion and Audrey Hepburn.
When the Lights go Down
by Jennie Kermode
Days Three and Four of the Glasgow Film Festival: Robin Hood, short film, and European cinema.
Heavy Metal Cinema
by Jennie Kermode
Rock band Anvil tell us what it was like to star in their own documentary.
Rude Awakening
by Jennie Kermode
Days One and Two of the Glasgow Film Festival: In The Loop, Anvil and The Dungeon Moor Killings.
Science in Film
by Jennie Kermode
We see plenty of science fiction blockbusters, but how do the movies treat the real thing?
Classic films get a new look
by Jennie Kermode
Chris Panzner talks about the new style of animation set to change the way we look at old films.
All go at the GFF
by Jennie Kermode
The 5th Glasgow Film Festival line-up is announced.
Six and Out
by Jennie Kermode
We say goodbye to Patrick McGoohan.
Fond farewells
by Jennie Kermode
At the close of the year, we look back at those who have passed away.
Substitute Santas
by Jennie Kermode
When the big guy is busy, somebody has to step in to keep Christmas on track.
Out at the movies
by Jennie Kermode
Steven Paul Davies talks about his new book on the history of gay cinema.
Dangerous Romance
by Jennie Kermode
We ask expert Dr Bjarne Holmes if romantic films could be bad for your love life.
Danger: Disability
by Jennie Kermode
Justin Edgar, director of Special People, speaks out about the real controversy behind the headlines.
Seeing Things Differently
by Jennie Kermode
The controversy over Blindness and what it tells us about blind people and the film industry.
Paul Newman R.I.P.
by Jennie Kermode
The Oscar-winning actor dies aged 83.
A bootlegger speaks
by Jennie Kermode
Tom Wilton on the creation of the Bootleg Film Festival.
A new look at cinema
by Jennie Kermode
Author Patricia MacCormack discusses her latest work on film theory.
Cédric Klapisch on Paris
by Jennie Kermode
The acclaimed director discusses his latest work.
A grand night out
by Jennie Kermode, Max Crawford and Chris
The Edinburgh International Film Festival opens in style.
Stan Winston R.I.P.
by Jennie Kermode
The great effects master and creature creator dies aged 62.
Middle Eastern promises
by Jennie Kermode
An exciting new season of Arab cinema opens at Edinburgh's Filmhouse
Goodbye Sydney Pollack
by Jennie Kermode
Acclaimed director and actor dies aged 73
Mike Leigh talks Happy-Go-Lucky
by Jennie Kermode
The veteran director discusses his latest work.
Charlton Heston, 1924 - 2008
by Jennie Kermode
Legendary actor dies.
First Light film-makers
by Jennie Kermode
Young people from Glasgow show what they can do with film.
An actor for all seasons
by Jennie Kermode
A look back at the work of the great Paul Scofield.
Jean Pierre Darroussin Interview
by Jennie Kermode
The accomplished actor/director talks about The Premonition at the French Film Festival.
Heath Ledger remembered
by Jennie Kermode
A look at the life of the star to whom the <a href="/festivals/australia">Australian Film Festival</a> is paying tribute.
Rec revealed
by Jennie Kermode
Paco Plaza and Jaume Balaguero talk about their monster Spanish hit.
Films that go bump in the night
by Jennie Kermode
A look at what Frightfest attendees thought of the films on offer at this year's GFF.
How music changed history
by Jennie Kermode
John Sayles on <a href="http://www.eyeforfilm.co.uk/reviews.php?film_id=13005">Honeydripper</a>.
GFF diary, episode two
by Jennie Kermode
I am a fugitive from a chain gang...
GFF diary, episode one
by Jennie Kermode
Life is nothing if not totally ironic...
Remembering Bette Davis
by Jennie Kermode
A look at one of the great stars of yesteryear.
BAFTA Ban is Freakish
by Jennie Kermode
Is letting disabled artists speak for themselves just too shocking?
Straight from the Water Horse's Mouth
by Jennie Kermode
The director of <a href="http://www.eyeforfilm.co.uk/reviews.php?film_id=12940">The Water Horse: Legend Of The Deep</a>, Jay Russell, in an exclusive interview.
4th Glasgow Film Festival Programme Announced
by Jennie Kermode
GFF to feature Cassandra's Dream and Bette Davis retrospective.
Vicky Jewson Interview
by Jennie Kermode
<a href="http://www.eyeforfilm.co.uk/reviews.php?film_id=12969">Lady Godiva</a> director Vicky Jewson talks about learning the ropes and love stories.
Atonement and Coen Brothers Lead the BAFTA Nominations
by Jennie Kermode
As this year's BAFTA nominations are announced, <a href="http://www.eyeforfilm.co.uk/reviews.php?film_id=12576">Atonement</a> and <a href="http://www.eyeforfilm.co.uk/reviews.php?film_id=12791">No Country For Old Men</a> stand out as the favourites.
Santa Claus is coming to the movies
by Jennie Kermode
When Christmas is near, the distant tinkle of sleigh bells can be heard - Santa Claus is coming to a screen near you.
The magic of Mr Magorium
by Jennie Kermode
Disadvantaged kids get a cinema toy shop treat.
Back from the grave
by Jennie Kermode
Author Jamie Russell on the cinematic rise of the living dead.
Unleashing the Undead
by Jennie Kermode
Zombie Ed, the man behind Day Of The Undead, reveals how it all started.
Jasmine Dellal Interview
by Jennie Kermode
The director of Gypsy Caravan: When The Road Bends talks to Eye For Film
Confessions of a movie stuntman
by Jennie Kermode
Everybody's seen it on the big screen, but what's it like to do it for real?
Films in the Park
by Jennie Kermode
The BBC Film Festival on Glasgow Green
Shooting Sugarhouse
by Jennie Kermode
Sugarhouse is the new British crime thriller set to redefine the genre - Director Gary Love talks about his first feature.
Bergman's legacy
by Jennie Kermode
We take a look at the life and work of one of cinema's greats.
The Running Man
by Jennie Kermode
The dark side of the American Dream: director John Maringouin.
Raise the Magic Lantern
by Jennie Kermode`
Illuminating short film in Scotland.
Flight of imagination
by Jennie Kermode
Hassan M Nejad, director of Asylum Birds reveals his inspiration.
Refugees speak out on film
by Jennie Kermode
We talk to GMAC 's Beth Armstrong and Lindsay Goodall, organisers of the Refugee Week Film Festival.
They're taking a liberty
by Jennie Kermode
With his controversial documentary Taking Liberties, director Chris Atkins tells Eye For Film why it matters so much.
Weekenders
by Jennie Kermode
Dave Rattray and Matthew Mckenzie chat with Eye For Film about the genesis and gestation of their low-budget Scottish movie.
Bunnies big at the box office
by Jennie Kermode
"Why are you wearing that stupid bunny suit?" To celebrate Easter, we take a look at rabbits on the big screen.
I'll drink to that!
by Jennie Kermode
We raise a glass to a history of alcohol in the movies.
Glasgow Says Goodbye
by Jennie Kermode
Film fans say their farewells as this year's Glasgow Film Festival comes to an end.
Racism and rights of passage
by Jennie Kermode
Actor Stephen Graham discusses his role in this year's most talked-about British film, This Is England.
Fast Food and fierce film
by Jennie Kermode
Having enjoyed considerable success on the festival circuit, Fast Food Nation is due to open in British cinemas March 23. Eye For Film caught up with producer Jeremy Thomas during a question and answer session at the <a href="/festivals/glasgow/">Glasgow Film Festival</a>
Forbidden Love
by Jennie Kermode
This Valentine's Day we celebrate cinema that breaks boundaries.
Biggerstaff hits the big-time
by Jennie Kermode
With supermarket-set romance Cashback opening this year's Glasgow Film Festival, young Scottish Star Sean Biggerstaff, perhaps best known as Oliver from the Harry Potter films, seems perched on the brink of a brilliant career. Eye For Film caught up with him to ask a few questions.
2006 - How was it for you?
by Jennie Kermode
We tot up your votes for last year's cinematic hits and misses.
The Best of 2006
by Jennie Kermode
Vote for your favourites to win copies of Shooting Dogs, Stay and Song for a Raggy Boy.
London to Brighton in just 85 minutes
by Jennie Kermode
As London to Brighton takes audiences by storm, Jennie Kermode catches up with director Paul Andrew Williams in Glasgow
Altman: a maverick life
by Jennie Kermode
Life and times of the innovative director and political agitator with no plans for retirement.
3D thrills
by Jennie Kermode
Grab your glasses and check out our top 10 3D movies.
The body electric
by Jennie Kermode
Cinema's changing attitude to conjoined twins and other human oddities.
Goodbye Glenn Ford
by Jennie Kermode
The great leading man passes on, leaving an embarrassment of pre-Sixties riches.
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Reflections of a cat Gints Zilbalodis on Hayao Miyazaki, fairy tales and Latvia’s Oscar submission, Flow

Man about town Gay Talese on Watching Frank, Frank Sinatra, and his latest book, A Town Without Time

Magnificent creatures Jayro Bustamante on giving the girls of Hogar Seguro a voice in Rita

A unified vision DOC NYC highlights and cinematographer Michael Crommett on Dan Winters: Life Is Once. Forever.

Poetry and loss Géza Röhrig on Terrence Malick, Josh Safdie, and Richard Kroehling’s After: Poetry Destroys Silence

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