Well seasoned
by Amber Wilkinson
François Ozon, Hélène Vincent and Josiane Balasko on creating characters of a certain age in When Fall Is Coming
Keeping it real
by Amber Wilkinson
Mike Leigh and Marianne Jean-Baptiste on the art of organic character creation in Hard Truths
Lord of misrule
by Amber Wilkinson
Fernando Coimbra on drawing on Shakespeare and subversive ideas for Carnival Is Over
Life lessons
by Amber Wilkinson
Shuchi Talati on rebellion and relationships in school-set drama Girls Will Be Girls
Marriage of creativity
by Amber Wilkinson
Husband and wife Deepak Rauniyar and Asha Magrati on their latest collaboration Pooja, Sir
Collaboration and imitation
by Amber Wilkinson
John Turturro talks about his career in Sarajevo, from the Coen Brothers to Transformers
Movie metamorphoses
by Amber Wilkinson
Ramon and Silvan Zürcher on change in The Sparrow In The Chimney and their filmmaking evolution
Full throttle emotions
by Amber Wilkinson
Antoine Chevrollier on exploring the violence of the teenage 'bubble' in Block Pass
Chuckle chuckle baby
by Amber Wilkinson
Janis Pugh on laughter, love and community in her comedy musical
Measuring happiness
by Amber Wilkinson
Arun Bhattarai and Dorottya Zurbó on their latest documentary collaboration
Driving force
by Amber Wilkinson
Driver director Nesa Azimi on following life on road for women truckers, their campaigning and community
Child's-eye view of a warzone
by Amber Wilkinson
Sareen Hairabedian on shooting her coming-of-age documentary My Sweet Land in the shadow of conflict
'I had to hire bodyguards'
by Amber Wilkinson
Director Agnieszka Holland on the backlash to Green Border and why film can be a powerful weapon
Breaking the mould
by Amber Wilkinson
Memoir Of A Snail director Adam Elliot on creating textured underdogs and emotional conflict
Teen spirit
by Amber Wilkinson
Inma de Reyes on capturing a youngster's bullfighting ambition in The Boy And The Suit Of Lights
Celebrating an unsung hero
by Amber Wilkinson
Nebojša Slijepčević on bringing the story of Tomo Buzov to screen in The Man Who Could Not Remain Silent
Sundance London highlights
by Amber Wilkinson
As its parent festival considers its future plans we recommend a selection from the UK showcase
Secrets through the smoke
by Amber Wilkinson
Anna Hints and Tushar Prakash on code-switching and capturing the unsaid in Sauna Day
Home truths
by Amber Wilkinson
Intercepted director Oksana Karpovych on aggression and resistance in Ukraine
Mum's the word
by Amber Wilkinson
Spiros Jacovides and Ziad Semaan on building tragicomedy Black Stone around a formidable matriarch.
Contemplating change
by Amber Wilkinson
Cécile Embleton and Alys Tomlinson on filmmaking and life choices in Mother Vera
Art of observation
by Amber Wilkinson
Matthäus Wörle on his collaborative approach to debut documentary Where We Used To Sleep
A world in balance
by Amber Wilkinson
Franco García Becerra and Annemarie Gunkel on the fine line between the fantastic and real in Through Rocks And Clouds
Squad goals
by Amber Wilkinson 29157
Smari Gunn and Logi Sigursveinsson on their crowd-pleasing football doc The Home Game
Bigfoot challenge
by Amber Wilkinson
David and Nathan Zellner on turning a myth into a reality for Sasquatch Sunset
Sorting fact from fiction
by Amber Wilkinson
Roman Bondarchuk on fake news, politics and the situation in Ukraine in The Editorial Office
Tuning into grief
by Amber Wilkinson
Composer on collaboration and framing in Handling The Undead
Family ties
by Amber Wilkinson
Klaudia Reynicke on crazy casting and bringing her own emotions to Reinas
Force of nature
by Amber Wilkinson
Pedro Freire on bringing his mother's tempestuous relationships to the screen in Malu
Ghosts in the machine
by Amber Wilkinson
Hans Block and Moritz Riesewieck on exploring AI 'life after death' in Eternal You
Scoring Reality
by Amber Wilkinson
Heather McIntosh on writing the upbeat score for Winner
Rough justice
by Amber Wilkinson
Delphine Girard on her debut Through The Night
Unsettled
by Amber Wilkinson
In The Land Of Brothers directors Raha Amirfazli and Alireza Ghasemi on exploring the long road for Afhgan refugees in Iran
Evolution of The New Boy
by Amber Wilkinson
Warwick Thornton on gender flipping his film, religion and spirituality and the slippery significance of snakes
Animated activism
by Amber Wilkinson
Ryan Westra and Vishavjit Singh on the making of and motivation behind American Sikh
Command performance
by Amber Wilkinson
Naqqash Khalid on modern masculinity, blank slates and 'anti-acting' in his debut In Camera
Enjoy the trip
by Amber Wilkinson
Uri Marantz on making King Khat.. and why it's not a documentary
Space and time
by Amber Wilkinson
Stefanie Kolk on her approach to the grieving process in Melk
Speaking out
by Amber Wilkinson
Joachim Lafosse on power and shame in A Silence
Taxi through time
by Amber Wilkinson
Christian Carion on taking viewers on a journey across Paris and into a woman's past in Driving Madeleine
A gran plan
by Amber Wilkinson
Karl R Hearne on The G's inspiration, those who target the old and the portrayal of female sexuality as a radical act
Personal politics
by Amber Wilkinson
Romas Zabarauskas on political debate and identity in The Writer
Circus attraction
by Amber Wilkinson
Gust Van den Berghe on world creation and comedy with weight in The Magnet Man
Putting The G in Vengeance
by Amber Wilkinson
Dale Dickey on her role as a gran bent on revenge and the resolution of the actors' strike
Comedic bite
by Amber Wilkinson
Ariane Louis-Seize on injecting Humanist Vampire Seeking Consenting Suicidal Person with humour
A sporting chance
by Amber Wilkinson
Julia Fuhr Mann on exploring athletic bias and looking beyond the binary in Life Is Not A Competition, But I'm Winning
Pain and playfulness
by Amber Wilkinson
Isabella Eklöf on directorial choices and remote shooting and adapting Kalak
Mixing fact and fiction
by Amber Wilkinson
Henry Bernadet on working with his cast to develop teen ensemble drama Gamma Rays
Playing with a playwright
by Amber Wilkinson
Gabriel Byrne, James Marsh, Neil Forsyth and Fion O'Shea on bringing Beckett to the screen in Dance First
Unspoken truths
by Amber Wilkinson
Emmanuelle Devos on denial and gesture in A Silence
Truth and nail
by Amber Wilkinson
Christos Nikou on technology, love and Eighties synthpop in Fingernails
Seeking fortunes
by Amber Wilkinson
Babak Jalali on cookie messages and casting challenges in Fremont
Winds of change
by Amber Wilkinson
Lkhagvadulam Purev-Ochir on depicting modern Mongolia and Shamanism onscreen in City Of Wind
Restoring history
by Amber Wilkinson
God Is A Woman director Andres Peyrot on bringing a film back to a community and engaging in dialogue about it
A smouldering story
by Amber Wilkinson
Thomas Schubert on imposter syndrome and tonal ambiguity in Afire
Taking the plunge
by Amber Wilkinson
Maximilian Erlenwein on the challenges of shooting The Dive underwater
Sounding it out
by Amber Wilkinson
Sound designer Nathan Ruyle on his influences and his work on Joyland and Sound Of Freedom
Animal's instincts
by Amber Wilkinson
Sofia Exarchou on capitalism, identity and performance in her latest film
Miracle and mystery
by Amber Wilkinson
Maria Fredriksson on her roller coaster of a ride documentary The Gullspång Miracle
From reality to animation
by Amber Wilkinson
Chiara Malta and Sébastien Laudenbach on making room for happy accidents in Chicken For Linda!
Rights and wrongs
by Amber Wilkinson
Amjad Al Rasheed on patriarchal structures and female empowerment in Inshallah A Boy
Jumping to it
by Amber Wilkinson
Daniel McCabe on capturing a world of insects and commerce for Grasshopper Republic
Stitching in feelings
by Amber Wilkinson
Maryam Touzani on the inspiration for The Blue Caftan and its emotional fabric
Behind the facades
by Amber Wilkinson
Sierra Pettengill on the politics of policing revealed by Riotsville, USA
Hybrid working
by Amber Wilkinson
Director Angelos Rallis on blending documentary and fiction in Mighty Afrin
Spotting a story
by Amber Wilkinson
Juha Suonpää on eccentricity and ecology in Lynx Man
Rounding out sci-fi
by Amber Wilkinson
Sophie Barthes on the feminist design and ethos of The Pod Generation
Waves of emotion
by Amber Wilkinson
Domien and Wendy Huyghe talk about wrapping a tale of grief within an adventure in Sea Sparkle
'We made magic'
by Amber Wilkinson
Lila Avilés on the meeting between the worlds of adults and children in Tótem
Heat and light
by Amber Wilkinson
Anna Hints on capturing the soul of the Smoke Sauna Sisterhood
Future imperfect
by Amber Wilkinson
Sophie Barthes on the philosophical and ethical questions raised by The Pod Generation
Balancing worlds
by Amber Wilkinson
Veerle Baetens on adapting her debut When It Melts
Life finds a way
by Amber Wilkinson
Sarvnik Kaur on getting involved when making Against The Tide
Close focus
by Amber Wilkinson
Adura Onashile on the genesis, casting and themes of her debut Girl
Fishing for truth
by Amber Wilkinson
Sarvnik Kaur on achieving trust and honesty in her fly-on-the wall documentary Against The Tide
Burning questions
by Amber Wilkinson
Flávia Neves on shooting her anti-colonial Fogareu against the backdrop of Covid and the Bolsonaro regime
Twin challenges
by Amber Wilkinson
Gentian Koçi and Blerina Hankollari on the risks and rewards of making A Cup Of Coffee And New Shoes On
Absurdity on Parade
by Amber Wilkinson
Titus Laucius on comedy, Catholocism and the challenges of his debut feature
A gran plan for action
by Amber Wilkinson
Martika Ramirez Escobar on the evolving worlds of Leonor Will Never Die
Found in translation
by Amber Wilkinson
Anne Azoulay and Dovile Kundrotaite talk about language challenges and working with children in Remember To Blink
Bolivian snapshot
by Amber Wilkinson
Alejandro Loayza Grisi on working with non-professional actors, sweeping landscapes and llamas in Utama
Waves of fear
by Amber Wilkinson
Minhai Mincan on the dread that drives To The North and his move from documentary to fiction
The art of noise
by Amber Wilkinson
Minhai Mincan on scoring, sound design and shooting on a ship in To The North
Rolling back the years
by Amber Wilkinson
Iryna Tsilyk on bringing Nineties Ukraine to life in coming-of-age tale Rock Paper Grenade
The everday art of performance
by Amber Wilkinson
Pornomelancholia director Manuel Abramovich on fact, fiction and character creation in his hybrid film
Lacoste is clear
by Amber Wilkinson
Actor Vincent on grief and working with Christophe Honoré on Winter Boy and his hopes for the future
Future imperfect
by Amber Wilkinson
Kogonada and Justin H Min on construction of identity and catching up to grief in After Yang
A world of contrast
by Amber Wilkinson
Laura Baumeister on working with contradictions, children and animals in Daughter Of Rage
Kicking out cliché
by Amber Wilkinson
Juan Pablo González on avoiding stereotypes and building character in Dos Estaciones
From fact to fiction
by Amber Wilkinson
Juan Pablo González on moving from documentary work to his first feature and the origins of Dos Estaciones
'I think I am Bresson school'
by Amber Wilkinson
Antonia Campbell-Hughes on her shooting style, masculinity and freedom in her debut It Is In Us All
Family connections
by Amber Wilkinson
Matthew J Saville on the personal inspiration for Juniper and working with Charlotte Rampling
Perfect timing
by Amber Wilkinson
Juanjo Giménez on sound design, creating mood and mystery in Out of Sync
Naked Ambition
by Amber Wilkinson
Jackie van Beek, Damon Herriman, Armagan Ballantyne and Julia Davis on Nude Tuesday
Enjoying the journey
by Amber Wilkinson
Borja Alcalde talks about the challenges and rewards of his road trip documentary The Sacred Family
A drive for feminism
by Amber Wilkinson
Cat Haigh and Hannah Congdon talk about their Pamir Highway road trip for Women Behind The Wheel
Going Off The Rails
by Amber Wilkinson
Director Peter Day on the challenges and aims of shooting his parkour documentary
EIFF: Choice cuts
by Amber Wilkinson
Seven films and some shorts to catch at this year's festival
Shaping myths
by Amber Wilkinson
Elena López Riera on the shifting nature of stories and gender roles in The Water
A world in miniature
by Amber Wilkinson
Erige Sehiri reflects on the origin and themes of Under The Fig Trees
Cane and fable
by Amber Wilkinson
Documentarian Anthony Banua-Simon on separating the Hollywood portrayal of Kaua'i from reality in documentary Cane Fire
Reflections on courage
by Amber Wilkinson
Mirror director Siddhant Sarin on his acid attack survivors documentary
Taking the lead
by Amber Wilkinson
Dale Dickey on stepping into the spotlight and her first onscreen romantic kiss in A Love Song
A portrait of a nation
by Amber Wilkinson
Alon Schwarz on his documentary Tantura and taboo topics in Israeli society
Living history
by Amber Wilkinson
Margaret Brown on her documentary Descendant
Moving trees
by Amber Wilkinson
Salomé Jashi on the emotional draw of her documentary Taming The Garden and her approach to filming it
Flight and fight
by Amber Wilkinson
Shaunak Sen on making his documentary about two brothers' bird hospital in Delhi
A Robust approach
by Amber Wilkinson
Constance Meyer on writing for Gérard Depardieu and Déborah Lukumuena in her debut film
Immersion and collaboration
by Amber Wilkinson
Nicolás Postiglione on working with Moisés Sepúlveda, Agustín Toscano and his cast on his debut film
Rocking the boat
by Amber Wilkinson
Nicolás Postiglione on tension and ambiguity in his debut Immersion
Primal time
by Amber Wilkinson
Ugis Olte on forests and feelings in his debut fiction feature Upurga
Playground politics
by Amber Wilkinson
Laura Wandel on bullying and working with children on her first feature
Secret plan
by Amber Wilkinson
Cop Secret writers and stars on how a comedy trailer turned into an action movie
Making some Noise
by Amber Wilkinson
Philippe Gregoire on taking risks with his debut film
Getting under the Skin
by Amber Wilkinson
Yahya Mahayni on taking the lead in role in Kaouther Ben Hania's drama
Titanic plans
by Amber Wilkinson
Teemu Nikki on why he was inspired to write a script from a blind man's perspective
Stepping into a girl's world
by Amber Wilkinson
Alessandro Cassigoli and Casey Kauffman on their long-term commitment to coming-of-age film Californie
The rhythms of Full Time
by Amber Wilkinson
Director Eric Gravel on finding the right pace and story for his single mum drama
Capturing trailblazers
by Amber Wilkinson
Sushmit Ghosh and Rintu Thomas on fighting prejudice and the importance of journalism in Writing With Fire
Court in the act
by Amber Wilkinson
Antonio Méndez Esparza chats about his documentary Courtroom 3H
Independent minded
by Amber Wilkinson
Clayne Crawford on starring in and producing The Killing Of Two Lovers
Dystopian worlds
by Amber Wilkinson
Director Chino Moya on crumbling societies, toxic manhood and fear of the other in Undergods
A snapshot of memory
by Amber Wilkinson
Christos Nikou talks about Apples, the pandemic and his upcoming film with Carey Mulligan
Keeping it real
by Amber Wilkinson
Madeleine Sims-Fewer and Dustin Mancinelli talk about bringing home the horror in their debut feature Violation
Tackling a Crisis
by Amber Wilkinson
Nicholas Jarecki on bringing America's opioid emergency into thriller territory
Fishing for truth
by Amber Wilkinson
Venice Atienza on finding friendship as well as capturing a story in Last Days At Sea
Catching complexity
by Amber Wilkinson
Jessica Beshir on the 10-year personal journey to make Faya Dayi
Fishing for truth
by Amber Wilkinson
Luzzu director Alex Camilleri on the casting and shooting of his debut
Dancing between genres
by Amber Wilkinson
Juan Pablo Félix on the fancy footwork and tricky casting of Karnawal
Dreams of reality
by Amber Wilkinson
Jason Neulander on perception, reality and breaking the rules in his debut Fugitive Dreams
Reflecting on Andersson
by Amber Wilkinson
Fred Scott on immersing himself in the world of the Swedish director and his film About Endlessness
Sniffing out secrets
by Amber Wilkinson
Directors Michael Dweck and Gregory Kershaw chat about their documentary The Truffle Hunters
Shooting Socrates
by Amber Wilkinson
Alexandre Moratto on the collaboration that led to his award-winning film
Stay-At-Home Seven
by Amber Wilkinson
The first in a new weekly feature recommending films to watch from your couch
Monster challenge
by Amber Wilkinson
Tom Sullivan on cast commitment and shooting his debut feature
Putting Ireland on the map
by Amber Wilkinson
Tom Sullivan and Dathai Keane talk about being trailblazers for an Irish-language film initiative
'It's kind of like magic'
by Amber Wilkinson
Bernardo Barreto on his feature debut The Seeker and the art of a long single take
Faith in humanity
by Amber Wilkinson
Robert Budina and Arben Bajraktaraj talk about a Shelter Among The Clouds
Diversity Rocks
by Amber Wilkinson
Sarah Gavron and Theresa Ikoko on capturing the teenage spirit and pushing the industry forward
A world of friendship
by Amber Wilkinson
Nichola Burley and Roxanne Scrimshaw talk about living the dream and creating characters in Lynn + Lucy
Social insecurity
by Amber Wilkinson
Director Fyzal Boulifa on capturing a working-class world in Lynn + Lucy and street casting his star
In the picture
by Amber Wilkinson
Ritesh Batra on Photograph and shooting in Mumbai
Constructing the Sentence
by Amber Wilkinson
John Hawkes and Elfar Adalsteins on motivation and midges in their road trip drama
Following a family's flight
by Amber Wilkinson
Emelie Mahdavian and Su Kim talk about the challenges of editing and producing Midnight Traveler
20 years for 17 Blocks
by Amber Wilkinson
Davy Rothbart talks about the long journey for his family-focused doc
The tale of Tigers
by Amber Wilkinson
Denis Tanovic on his film about the Pakistan baby milk scandal
Scoring White Crow
by Amber Wilkinson
Ilan Eshkeri on his third collaboration with Ralph Fiennes
Top End Team
by Amber Wilkinson
Miranda Tapsell, Gwilym Lee, Wayne Blair and Joshua Tyler on Aussie rom-com
Life in movement
by Amber Wilkinson
Icíar Bollaín and Paul Laverty on bringing Carlos Acosta's biopic Yuli to the screen
An unseen world
by Amber Wilkinson
Lila Avilés talks about putting the focus on The Chambermaid
Urgent ideas
by Amber Wilkinson
Mohcine Besri on healthcare, hospitals and humour in his latest film
Rhapsody in red
by Amber Wilkinson
Peter Strickland on dreaming through films and In Fabric
Comedy at the double
by Amber Wilkinson
Louis Garrel and Jean-Claude Carrière on writing A Faithful Man together
Prison of life
by Amber Wilkinson
Sarah Marx talks about drama The Truk
All fired up
by Amber Wilkinson
Director Sameh Zoabi on politics and comedy in his satire Tel Aviv On Fire.
Stealing the show
by Amber Wilkinson
Bart Layton and the cast of American Animals talk about the thrills and spills of making fiction from fact
The public Eye
by Amber Wilkinson
C'est La Vie! star Haïdara on the art of comedy, her rising career and fighting racial stereotypes
Keeping up appearances
by Amber Wilkinson
Marcello Martinessi on cultural conservatism and filmmaking honesty in The Heiresses
Filming family
by Amber Wilkinson
Cyril Aris talks about documenting his grandparents' lives in The Swing
Faith on the doorstep
by Amber Wilkinson
Amy Geller and Gerald Peary on their upcoming documentary The Rabbi Goes West
Unreal belonging
by Amber Wilkinson
Gustavo Pizzi and Karine Teles discuss Loveling and portraying families on screen
Emotional response
by Amber Wilkinson
Marta Bergman on the heroine's journey in Alone At My Wedding
Putting island in doc
by Amber Wilkinson
Gabrielle Brady on the challenges of shooting Island Of The Hungry Ghosts
Five women to watch
by Anne-Katrin Titze, Amber Wilkinson, Andrew Robertson, Jennie Kermode
Rebecca Miller, Chloé Zhao, Céline Sciamma, Susanna Nicchiarelli and Ana Lily Amirpour
Shooting for change
by Amber Wilkinson
The Divine Order director Petra Volpe on her new film and the ongoing the fight for equal rights.
Musical triplets
by Amber Wilkinson
Composer Paul Saunderson on scoring Three Identical Strangers
Shooting in a warzone
by Amber Wilkinson
Talal Derki on the dangers of filming Of Fathers And Sons, and why it was important to do it.
World of difference
by Amber Wilkinson
Writer/producer Alex Lipschultz on the challenges of making Menashe
Making Matilda
by Amber Wilkinson
Aleksey Uchitel on his Russian costume drama and the controversy surrounding it.
Creating Closeness
by Amber Wilkinson
Director Kantemir Balagov on framing and reality in his Russian drama
What makes a Martyr?
by Amber Wilkinson
Mazen Khaled on male identity, death and freedom in his Biennale College film.
Keeping score
by Amber Wilkinson
Director Giorgio Ferrero on music and memory in his documentary hybrid Beautiful Things.
Mining the mystery
by Amber Wilkinson
Alena Lodkina on neo-realism, longing and outsider perspective in Strange Colours.
Landscape of love
by Amber Wilkinson
Director Francis Lee talks about authenticity and emotion in God's Own Country.
Pastures new
by Amber Wilkinson
Alec Secareanu and Josh O'Connor on preparing for God's Own Country.
Portrait of an artist
by Amber Wilkinson
Dome Karukoski on his biography of influential gay icon Tom Of Finland
Breaking the mould
by Amber Wilkinson
Jackie Clune and Jennifer Joseph on pushing boundaries in Julius Ceasar
Shaking up Shakespeare
by Amber Wilkinson
Director Phyllida Lloyd talks about power, performance and prisons in the all-female Julius Caesar.
Shifting identities
by Amber Wilkinson
EIFF's Niall Greig Fulton talks to us about his Brexit-inspired retrospective.
Teenage kicks
by Amber Wilkinson
Director Kuba Czekaj talks about the shooting The Erlprince.
Portrait of a Lady
by Amber Wilkinson
William Oldroyd on austerity and colour-blind casting in his debut Lady Macbeth.
Ears for comedy
by Amber Wilkinson
Alessandro Aronadio in conversation about his absurdist drama.
With the workers
by Amber Wilkinson
Adam Sobel on his portrait of the Qatar migrant labour force The Workers Cup.
Making The Wound
by Amber Wilkinson
John Trengove talks about the challenges of his coming-of-age drama.
Soaring ambition
by Amber Wilkinson
Otto Bell on shooting The Eagle Huntress and the remarkable star of his documentary.
Heart of the story
by Amber Wilkinson
Jane Gull talks about casting and shooting My Feral Heart.
Women on top
by Amber Wilkinson
Sigourney Weaver on rise of strong female roles, support for Clinton and A Monster Calls.
Five to watch on 4K
by Jennie Kermode and Amber Wilkinson
The latest Ultra HD Blu-ray releases reveal a format whose time has come.
Lost and profound
by Amber Wilkinson
Verena Kuri and Sofia Brockenshire talk about their feature debut One Sister.
Faith in the family
by Amber Wilkinson
Shubhashish Bhutiani on his feature debut Hotel Salvation and Venice's Biennale College.
Childhood ambition
by Amber Wilkinson
Brady Corbet on making audiences think, Robert Pattinson and the culture of celebrity.
Sex in the village
by Amber Wilkinson
Leena Yadav on gender politics, conditioning and getting away from the blame game in Parched.
Stranger than fiction
by Amber Wilkinson
Jeff Feuerzeig on documenting the creation of a 'literary myth' in Author: The JT Leroy Story
Q & A
by Amber Wilkinson
Brahman Naman director on men, music and the resurgence of Indian cinema.
Fish and quips
by Amber Wilkinson
Naman Ramachandran and Steve Barron talk about brains and libido in Brahman Naman.
Story of The Settlers
by Amber Wilkinson
Shimon Dotan on the history and potential future of Israeli settlers in the West Bank.
Pretty things
by Amber Wilkinson
Michael Curtis Johnson and Tomas Pais on creativity, family and keeping everything Hunky Dory.
Terror in Tehran
by Amber Wilkinson
Babak Anvari talks about inspiration, the djinn myth and the trouble with dolls in Under The Shadow.
Noting the difference
by Amber Wilkinson
Composers Danny Bensi and Saunder Jurriaans talk about Christine, Frank & Lola and The Fits.
Keeping faith
by Amber Wilkinson
Zhang Yang on casting and shooting Paths Of The Soul
Music of the ancestors
by Amber Wilkinson
Atli Örvarsson on his family connection to Rams, a move to Europe and drawing on tradition.
No holds barred
by Amber Wilkinson
Felix van Groeningen on music, hedonism and real-life inspiration in Belgica.
Christmas spirit
by Amber Wilkinson
Hector director on homelessness and humanity in his debut feature.
Learning from history
by Amber Wilkinson
Aferim! director Radu Jude on language, prejudice and seeing the past in the present.
Taking stock
by Amber Wilkinson
Grímur Hákonarson on shooting Rams, running for the Oscars and Icelandic co-operation.
Beefing up reality
by Amber Wilkinson
Gabriel Mascaro on the mixture of the surreal and the actual in Neon Bull.
Testing the limits
by Amber Wilkinson
Yorgos Zois on imagination and reality in Interruption.
In between worlds
by Amber Wilkinson
Hadar Morag on shifting perspectives and the collapse of language in Why Hast Thou Forsaken Me?
Child's play
by Amber Wilkinson
Kohki Hasei on Blanka, Manila's slums and kids' positivity.
Moving on up
by Amber Wilkinson
Anna Rose Holmer on adolescence, gender identity and self-determination in The Fits.
Growing pains
by Amber Wilkinson
Kuba Czekaj talks about exploring adolescent fears in Baby Bump.
The first resistance
by Amber Wilkinson
Oliver Hirschbiegel on 13 Minutes, Nazis and Georg Elser's assassination attempt on Hitler.
A grand connection
by Amber Wilkinson
Hermes Paralluelo talks about capturing his grandparents on camera for docufiction Not All Is Vigil.
That Sugar interview
by Amber Wilkinson
Sweet talk about the unsavoury effects of bad diet from Damon Gameau.
Bringing it home
by Amber Wilkinson
Max Barron on little British movies and how Everyone's Going To Die.
Focusing on the family
by Amber Wilkinson
Karen Guthrie talks about documenting her life in The Closer We Get.
Try these at Tribeca
by Amber Wilkinson and Anne-Katrin Titze
Films and events to look out for at 2015's festival.
March to the cinema
by Amber Wilkinson
Round-up of festivals and showcases around the country this month.
Celebrating survival
by Amber Wilkinson
Kim Loginotto and Brenda Myers-Powell talk about documentary Dreamcatcher
Keeping score
by Amber Wilkinson
Composers Danny Bensi and Saunder Jurriaans talk about their work on films including Enemy, Nasty Baby, The Wolfpack and Last Days In The Desert.
A heavenly role
by Amber Wilkinson
Ewan McGregor and Rodrigo García on Last Days In The Desert.
Coming soon
by Jennie Kermode, Amber Wilkinson, Anne-Katrin Titze, Andrew Robertson
Our pick of the best independent films coming up in 2015.
Undistributed gems
by Amber Wilkinson, Anton Bitel, Rebecca Naughten, Michael Pattison, Andrew Robertson
The Eye For Film team pick some of their favourite films from the the festival circuit that have yet to find a UK distributor.
Two's company
by Amber Wilkinson
Paul Eenhoorn and Earl Lynn Nelson talk about bonding and battling the elements for road trip comedy Land Ho!
Drawing on real life
by Amber Wilkinson
Sylvain Chomet talks about his live-action feature Attila Marcel.
Creating Gabriel
by Amber Wilkinson
Director Lou Howe on the development of his first feature film.
Growing pains
by Amber Wilkinson
Andrew T Betzer talks about youth aggression and communication in his debut Young Bodies Heal Quickly
Golden dreams
by Amber Wilkinson
Garnet Frost and Ed Perkins talk about personal journeys, spirituality and connection in documentary Garnet's Gold
Danger man
by Amber Wilkinson
Denis Côté on ambiguity, surprise and risk-taking in Vic + Flo Saw A Bear.
Teenage kicks
by Amber Wilkinson
Matt Wolf and Jon Savage talk about their documentary on the emergence of youth culture.
Sundance: Episode Two
by Amber Wilkinson
Mental health issues in Infinitely Polar Bear, Frank and The Voices
Sundance 2014
by Amber Wilkinson
Films to look out for at this year's festival
Slamdance at 20 - part two
by Amber Wilkinson
Festival president Peter Baxter on programming, collaboration and the future of the festival.
Slamdance at 20 - part one
by Amber Wilkinson
President and co-founder Peter Baxter on the origins and founding ethos of the indie festival.
Riding high
by Amber Wilkinson
Of Horses and Men director Benedikt Erlingsson talks sagas, mankind and Mitty.
Bringing something new to the Party
by Amber Wilkinson
Ali Ahmadzadeh talks about depicting the upper-class youth of Iran, the death of hope and the risks of Persian filmmaking.
Fairytale Korea move
by Amber Wilkinson
Producers Nick Bonner and Anja Daelemans talk about their unique co-production Comrade Kim Goes Flying.
Feeding the Fear
by Amber Wilkinson
Director Lovering talks about keeping his cast on edge in his psychological thriller.
Nature of man
by Amber Wilkinson
David Gordon Green on Prince Avalanche, the environment and listening to the silence.
Working on Le Week-End
by Amber Wilkinson
Hanif Kureishi and Roger Michell talk about their latest collaboration
Thriller in Manila
by Amber Wilkinson
Sean Ellis talks about his migration drama/heist hybrid.
Politics of youth
by Amber Wilkinson
Olivier Assayas on rebellion and commitment in Something In The Air.
Pint of view
by Amber Wilkinson
Andy Heathcote, Heike Bachelier and Steve Hook talk about documentary The Moo Man.
Vidal statistics
by Amber Wilkinson
Director Nicholas Wrathall on his Gore documentary.
Fishing for truth
by Amber Wilkinson
Eric Steel talks about Megan Boyd documentary Kiss The Water
Tribeca Film Festival - Parental problems
by Amber Wilkinson
Responsibility, relationships and failure are explored in Almost Christmas, The Broken Circle Breakdown, Bluebird, Dark Touch and Before Midnight
Inside Shell
by Amber Wilkinson
Scott Graham on his dad/daughter drama.
Top Gere
by Amber Wilkinson
Nicholas Jarecki talks about Arbitrage, big-name casts, power and corruption.
Fired up about inequality
by Amber Wilkinson
Fire In The Blood's Dylan Mohan Gray talks about HIV/AIDS in the developing world and the problems of Big Pharma.
Man in the No
by Amber Wilkinson
We talk to Pablo Larraín about his Oscar-nominated film.
Sundance 2013: Days 4 and 5
by Amber Wilkinson
The Machine Which Makes Everything Disappear, Upstream Color, The Way, Way Back and Blackfish.
Sundance 2013: Day 2
by Amber Wilkinson
The Look Of Love premiere, Austenland and The Spectacular Now
Sundance 2013: Day One
by Amber Wilkinson
Good and bad relationships in Two Mothers, This Is Martin Bonner, Newlyweeds, Mud, The Moo Man.
Carnage and Caravanning
by Amber Wilkinson
Steve Oram, Alice Lowe and Ben Wheatley talk about the blackly comic Sightseers.
A devil in the making
by Amber Wilkinson
Filmmaker Sally El Hosaini talks about love, authenticity and persistence in her debut feature My Brother The Devil.
Documenting the dance of life
by Amber Wilkinson
Life in Movement co-director Bryan Mason talks about his very personal documentary about choreographer Tanja Liedtke.
Making the law
by Amber Wilkinson
John Hillcoat on his prohibition set gangster drama Lawless
Remembering Nora
by Amber Wilkinson
We look back at the life and work of Nora Ephron.
Flowers power
by Amber Wilkinson
Day Of The Flowers world premiere attracts blooming great audience.
Programming for posterity
by Amber Wilkinson
EIFF new artistic director Chris Fujiwara talks about diversity, adventurous audiences and the importance of awards, ahead of the festival's 66th edition.
Making the running
by Amber Wilkinson
Jerry Rothwell talks about his documentary style and latest film Town Of Runners.
Playing the Bill
by Amber Wilkinson
Charlie Creed-Miles talks about playing the titular character in Dexter Fletcher's debut.
The story of Wild Bill
by Amber Wilkinson
Dexter Fletcher on the father/son dynamics, character-driven drama and classy cast of his directorial debut.
Sundance Film Festival preview
by Amber Wilkinson
As the daddy of independent film festivals starts in Utah, we pick the films we're most looking forward to seeing.
Choc-full of love
by Amber Wilkinson
Jean-Pierre Améris talks about his comedy Romantics Anonymous.
Past and present success
by Amber Wilkinson
Bertrand Tavernier discusses the contemporary aspects of his period drama The Princess Of Montpensier.
Making The Law
by Amber Wilkinson
Rachid Bouchareb talks about his Oscar-nominated film Outside The Law.
Nim remembered
by Amber Wilkinson
Bob Ingersoll talks about his friendship with the chimp at the heart of documentary Project Nim.
A career high
by Amber Wilkinson
Adam Sinclair talks exclusively about his lead role in Irvine Welsh's Ecstasy.
Redhead rampage
by Amber Wilkinson
Director Romain Gavras talks about Our Day Will Come.
Building A Better Life
by Amber Wilkinson
Director Chris Weitz talks about his immigrant father and son drama.
Creating the Kingdom
by Amber Wilkinson
Ben Mendelsohn talks about Animal Kingdom, manipulation and playing Rupert
Murdoch.
Convento and the uncoventional
by Amber Wilkinson
Director Jarred Alterman and artist Christiaan Zwanikken talk about making their
documentary with a difference.
Bombay Beach dreams
by Amber Wilkinson
Alma Har'el talks about collaboration and dance in her debut documentary.
Capturing Life In A Day
by Amber Wilkinson
Kevin Macdonald talks about creating his latest film from a series of YouTube submissions.
Retro Rainbow
by Amber Wilkinson
Panos Cosmatos talks about the themes and influences of his sci-fi tale.
Reel-y rural
by Amber Wilkinson
We take a look at the countryside cinema project making Screenwaves in Yorkshire.
Bringing Ink to life
by Amber Wilkinson
Writer/director Jamin Winans reveals how piracy brought his ambitious fantasy to a worldwide audience
Creating a Legacy
by Amber Wilkinson
Idris Elba, Thomas Ikimi and Eammonn Walker talk about their psychological thriller.
First time in the West
by Amber Wilkinson
Andy DeEmmony and Aqib Khan talk about making their film debuts with East Is East sequel West Is West
Sundance 2011: Day Six
by Amber Wilkinson
Martha Marcy May Marlene, Codependent Lesbian Space Alien Seeks Same and Restless City
Sundance 2011: Day Five
by Amber Wilkinson
Ewen Bremner and David Mackenzie talk Perfect Sense, Kevin Macdonald discusses Life In A Day, and a look at The Cinema Hold Up.
Swift banter
by Amber Wilkinson
Billy Connolly, Jack Black, Emily Blunt, James Corden and Rob Letterman talk Gulliver's Travels.
Going back to Narnia
by Amber Wilkinson
Skandar Keynes, Liam Neeson, Georgie Henley and Will Poulter talk about Voyage Of The Dawn Treader
Some like it hot
by Amber Wilkinson
Director Ashley Horner, Nancy Trotter Landry and Liam Browne talk about making steamy romance brilliantlove.
A clown jewel
by Amber Wilkinson
French cinema comedian and director Pierre Étaix talks about his fight for his films and work with Jacques Tati.
Train of thought
by Amber Wilkinson
Lixin Fan talks about Chinese migration and his Last Train Home
The Secret of success
by Amber Wilkinson
Director Juan José Campanella talks about his Oscar-winner The Secret In Their Eyes
Seeking refuge
by Amber Wilkinson
Singer-songwriter Louis Ronan-Choisy talks about his debut role in François Ozon's latest film.
Casting a spell
by Amber Wilkinson
Sorcerer's Apprentice star Jay Baruchel talks about magic at the movies.
Hell is a debut feature
by Amber Wilkinson
Writer/director Jarrod Whaley talks about the trials of his first feature Hell Is Other People and the plans for his second.
A Nice night out
by Amber Wilkinson
Howard Marks, Bernard Rose, Rhys Ifans and David Thewlis talk about Mr Nice at European premiere.
Capturing the cameraman
by Amber Wilkinson
Director Craig McCall talks about documenting groundbreaking cinematographer/director Jack Cardiff.
Behind the Milk Of Sorrow
by Amber Wilkinson
Claudia Llosa talks about Peru's history and the themes in her magic realist Golden Bear winning film.
As easy as 1234?
by Amber Wilkinson
Giles Borg talks about the joy of finally getting his debut film into cinemas and about his latest Flutter.
From Around The Bay to Babnik
by Amber Wilkinson
Director Alejandro Adams talks about his career to date and looks forward to the Cinequest premiere of his latest film.
Roaring into controversy?
by Amber Wilkinson
Chris Morris on his inspiration for suicide bomber comedy Four Lions - and why he isn't worried about the press
Teenage kicks
by Amber Wilkinson
Director Gerardo Naranjo talks about the rebellious motivations behind I'm Gonna Explode
Top 50
by Jennie Kermode, Amber Wilkinson, Scott Macdonald, Anton Bitel, Andrew Robertson, George Williamson, Severine, James Benefield, James Gracey, Val Kermode, Steve Harwood, Max Crawford
Eye For Film's pick of the best films of the last decade.
Is our greener future a gas?
by Amber Wilkinson
Director Gregory Kallenberg talks about the energy implications of his documentary Haynesville.
Vive le France
by Amber Wilkinson
As the French Film Festival kicks off across the UK, we take a look at the line-up
AiM for diversity
by Amber Wilkinson
As the Africa in Motion Film Festival kicks off this week, we look at the line-up with festival co-director Lizelle Bisschoff.
Eye For Books
by Susanna Krawczyk and Amber Wilkinson
We review Dark Places: Haunted Houses In Film and 100 American Independent Films - BFI Screen Guides
All about Adam
by Amber Wilkinson
Hugh Dancy and Max Mayer talk about their new film, which hits cinemas this week.
The coming of the Antichrist
by Amber Wilkinson
Cinematographer Anthony Dod Mantle talks about working on Lars von Trier's controversial feature.
Rum relationships
by Amber Wilkinson
Claire Denis talks about her latest film, which focus on the bond between a father and daughter.
Fresh Visions: Loose talk
by Amber Wilkinson
In the second of our features on up-and-coming directors we talk to Alastair Siddons about documentary Turn It Loose.
Around the world in 24 hours
by Amber Wilkinson, Andrew Robertson and Scott Macdonald
The best of international cinema on day two at Edinburgh.
Shooting for the Moon
by Amber Wilkinson
Duncan Jones talks exclusively about shooting his hyper-low budget sci-fi film.
Resurrecting the Terminator
by Amber Wilkinson
Visual effects supervisor Charles Gibson talks exclusively about shooting Salvation and animating Arnie.
Boxing clever
by Amber Wilkinson
Luis Piedrahita reveals the secrets of Fermat's Room.
Kirby Dick explains his Outrage
by Amber Wilkinson
The director reveals what motivated him to spotlight closeted and hypocritical US politicians in his latest film.
Getting In The Loop
by Amber Wilkinson
James Gandolfini and Mimi Kennedy talk about their roles in Armando Iannucci's satire.
Making Manero
by Amber Wilkinson
Exclusive interview with Pablo Larraín about his dark and gritty drama centring on a John Travolta-obssessed Chilean.
Bart got a release date
by Amber Wilkinson
Ten years after he conceived it, Brian Hecker's Bart Got A Room is finally coming out in the US - we talk to him about the film's journey.
Jasmine's journey
by Amber Wilkinson
The director of Cactus talks about making the move from camerawoman to writer/director.
Wizards of Oz
by Amber Wilkinson
As the 15th London Australian Film Festival opens, we take a look at what's on and ask what the future holds in store for the film industry Down Under.
Sundance Diary: Day Eight
by Amber Wilkinson and Tony Sullivan
Big Fan, An Education, The Cove, Tyson, Carmo Hit The Road, Old Partner and Adam
Sundance Diary: Day Seven
by Amber Wilkinson and Tony Sullivan
James Gandolfini, Mimi Kennedy and Paul Solet, plus The Only Good Indian and The Immaculate Conception Of Little Dizzle.
Sundance Diary: Day Six
by Amber Wilkinson and Tony Sullivan
Grace, World's Greatest Dad, plus the BMI Snowball and Armando Iannucci.
Sundance Diary: Day Five
by Amber Wilkinson
Sin Nombre, The Winning Season, The Informers, Bronson, Earth Days and The End Of The Line.
Sundance Diary: Day Four
by Amber Wilkinson and Tony Sullivan
Don't Let Me Drown, In The Loop, Crude, plus Ewan McGregor and Jim Carrey
Sundance Diary: Day Three
by Amber Wilkinson and Tony Sullivan
Cold Souls, When You're Strange, Victoria Day and 500 Days Of Summer
Sundance Diary: Day Two
by Amber Wilkinson and Tony Sullivan
Lulu And Jimi, William Kunstler: Disturbing The Universe, The Clone Returns Home. Plus Herzog vs. The Hoff.
Write on at Sundance
by Amber Wilkinson
Sundance "lab" history and we talk to UK filmmaker Sally El Hosaini about taking the My Brother The Devil script to Utah.
Creating a mouse's tale
by Amber Wilkinson
Tale Of Despereaux modelling supervisor Ben Lambert talks exclusively to us about the making of the film.
The beauty of Maleficent
by Amber Wilkinson
We talk to Disney animator Burny Mattinson about the creation of the classic villain in Sleeping Beauty.
All fired up
by Amber Wilkinson
Director Sharon Maguire on the impact of terrorism in the modern world - envisioned in her latest film Incendiary.
Into Africa
by Amber Wilkinson
AiM Festival showcases more than 40 films from across the continent.
Ten of the best
by Amber Wilkinson
Films to look out for at London Film Festival
Revolutionary life
by Amber Wilkinson
Director Steven Soderbergh on making his two-part epic about Che Guevara.
City of memories
by Amber Wilkinson
Director Jia Zhang-Ke talks about the inspiration behind his fact meets fiction look at the lives of factory workers.
Good Dick
by Chris, and Amber Wilkinson
Marianna Palka and Jason Ritter talk about the inspiration for their film.
Appetites of Hunger
by Amber Wilkinson
Director Steve McQueen talks about what drove him to make his Camera d'Or winning film about Bobby Sands' hunger strike.
Free and independent
by Amber Wilkinson
Bootleg Film Festival shows indie films for nothing - we find out what its all about.
Sparkling Perry
by Amber Wilkinson
In our exclusive interview Brit acting stalwart Perry Benson talks about his contrasting roles in Somers Town and Mum & Dad.
Jose Padhila on Elite Squad
by Amber Wilkinson
The Brazilian director talks about violence, drugs, politics, and how he risked his life to make his award-winning film.
The kids are all right
by Amber Wilkinson
At least they will be, if you take them to the Family Friendly Film Festival in Manchester this August.
Sachs of talent
by Amber Wilkinson
The director of Married Life talks about his latest film and his inspirations in our exclusive interview.
Truth a casulty of war?
by Amber Wilkinson
Brian De Palma questions the reporting of the Iraq conflict and talks about the inspiration to make Redacted.
Giving British films some Punch
by Amber Wilkinson
Donkey Punch director Olly Blackburn and cast Jaime Winstone, Sian Breckin and Nichola Burley talk about the film.
The visitors
by Amber Wilkinson
Tom McCarthy, Hiam Abbass and Richard Jenkins talk about their latest film while in town for the EIFF.
Creature feature
by Amber Wilkinson
Legendary animator Ray Harryhausen talks about his life and work.
EIFF diary episode five
by Amber Wilkinson
More of the <a href="http://www.eyeforfilm.co.uk/review/three-miles-north-of-molkom-film-review-by-amber-wilkinson">Three Miles North of Molkom</a> team and some One Minute Wonders.
EIFF diary episode four
by Amber Wilkinson
We catch up with <a class="banner_lnk_red" href="http://www.eyeforfilm.co.uk/reviews.php?film_id=13454">Elite Squad</a> director Jose Padhila and the great Ray Harryhausen as the festival action continues.
EIFF diary episode two
by Amber Wilkinson and Max Crawford
In between drinks our intrepid reporters meet Billy Boyd, Perry Benson, Duane Hopkins, Tom McCarthy, Richard Jenkins and Hiam Abbass - plus, what it's like to be in the same room as Hannibal Lecktor!
EIFF diary episode one
by Amber Wilkinson
All the latest from the festival - we chat with the <a class="banner_lnk_red" href="http://www.eyeforfilm.co.uk/reviews.php?film_id=13316">Donkey Punch</a> team, there's good news about <a class="banner_lnk_red" href="http://www.eyeforfilm.co.uk/reviews.php?film_id=13370">War Child</a>, and things are looking up for the star of <a class="banner_lnk_red" href="http://www.eyeforfilm.co.uk/reviews.php?film_id=13236">A Complete History Of My Sexual Failures</a>.
Northern Lights
by Amber Wilkinson
Corinna Villari-McFarlane and Robert Cannan discuss their début documentary, <a class="banner_lnk_red" href="http://www.eyeforfilm.com/reviews.php?film_id=13446">Three Miles North Of Molkom</a>.
Ghraib injustice
by Amber Wilkinson
Errol Morris reveals the outrage that caused him to make Standard Operating Procedure.
Tribeca 2008: Day Seven
by Amber Wilkinson
Family films that are Worlds Apart, Lou Reed's Berlin and being the guest of Cindy Sherman filmmakers.
In the Somers Town
by Amber Wilkinson
Shane Meadows discusses his latest, low-budget independent British feature.
Going down a Storm
by Amber Wilkinson
Jamie Blanks on his latest horror, hounds and plans for a Long Weekend.
Child's play
by Amber Wilkinson
Director Garth Jennings on Son Of Rambow.
New Europe Film Festival
by Amber Wilkinson
Second edition celebrates films from central and eastern countries of the EU.
Roxburgh on Romulus
by Amber Wilkinson
Exclusive interview with actor Richard about his directorial debut.
Festival frenzy
by Amber Wilkinson
Travel the world from the comfort of a cinema, thanks to a host of international festivals this month.
Sundance 2008: Awards ceremony
by Amber Wilkinson
British films triumph in short and documentary sections, plus all the other winners and a brief word with Quentin Tarantino.
Sundance 2008: Day Eight
by Amber Wilkinson and Tony Sullivan
Hamlet 2 is hilarious, Triage hard-hitting and Ballast a let down, plus a chat with Marianna Palka.
Sundance 2008: Day Seven
by Amber Wilkinson and Tony Sullivan
A kick out of Donkey Punch, excellent doc Man On Wire... plus gay porn zombies.
Sundance 2008: Day Six
by Amber Wilkinson and Tony Sullivan
Funny Games no laughing matter, Brian Cox is The Escapist and more Good Dick.
Sundance 2008: Day Five
by Amber Wilkinson and Tony Sullivan
The terrific Towelhead, Spurlock's search for Bin Laden, filmmakers' panel on black filmmaking and more.
Sundance 2008: Day Four
by Amber Wilkinson and Tony Sullivan
Sean Ellis on The Broken, plus films including Red, Incendiary, Mancora and Phoebe In Wonderland
Sundance 2008: Day Three
by Amber Wilkinson and Tony Sullivan
An Incendiary chat with Sharon Maguire, why Good Dick is great and a break down of The Broken.
Sundance 2008: Day Two
by Amber Wilkinson and Tony Sullivan
Keaton's Merry Gentleman, a Brit of Frost & chat with Romero.
Sundance 2008: Day One
by Amber Wilkinson & Tony Sullivan
Frustration, a flurry of films and George A Romero introduces Diary Of The Dead.
Sundance Film Festival 2008
by Amber Wilkinson
Buckle up folks, here we go - looking forward to a week of films and savouring the stress.
Starting a Mexican wave
by Amber Wilkinson
Rigoberto Castañeda talks about setting a trend after shooting the first Mexican horror for decades.
Fresh cut of the blade
by Amber Wilkinson
How Ridley Scott's sci-fi classic came to be sliced so many different ways.
Passage to India
by Amber Wilkinson
Director and cast talk about The Darjeeling Limited.
Delpy's new direction
by Amber Wilkinson
The French star talks about stepping behind the camera for 2 Days In Paris.
Paws for thought
by Amber Wilkinson
Bobcat Goldthwait talks about Sleeping Dogs and World's Greatest Dad.
Reaping the benefit
by Amber Wilkinson
The Reaping star David Morrissey talks about his latest film, faith and football.
Shooting for the stars
by Amber Wilkinson
Producer Andrew Macdonald on success, Sunshine, sibling Kevin.. and why he's hoping for a brolly good Easter.
Sunshine Superman
by Amber Wilkinson
Druggies in Trainspotting, zombies in 28 Days Later, astronauts in Sunshine . . . whose
world will Danny Boyle visit next? How about the tiny realm of Terry Pratchett’s Truckers?
He reveals all in our exclusive interview.
The courage to care
by Amber Wilkinson
Documentary-maker Sam Lawlor reveals why he and co-director Lindsay Pollock made a film about the Romanian families living with the 'Ceausescu baby' legacy of HIV and Aids.
No flash in the Pan
by Amber Wilkinson
The actresses behind Wendy and Tinker Bell tell us why Peter Pan is such an enduring classic.
Martin Compston Q&A
by Amber Wilkinson
Scots star talks about his role in A Guide To Recognizing Your Saints
Fighting for The Fountain
by Amber Wilkinson
Director Darren Aronofsky and star Rachel Weisz reveal the struggle to make The Fountain - and explain why its central themes are so important.
Sundance 2007 : Day Ten
by Amber Wilkinson
The final day of Eye For Film's coverage leads us to black comedy - The Savages. And the
Awards are dished out.
Sundance 2007 : Day Nine
by Amber Wilkinson
Sexual deviancy explored, black comedy with Martin Freeman, and the hugely controversial Hounddog.
Sundance 2007 : Day Eight
by Amber Wilkinson
Van Der Graff generator bedclothes, Away From Her starts the waterworks, and Donovan serenades Eye For Film. (And - IMDB user Rotary Girl, we're not worthy!!)
Sundance 2007 : Day Seven
by Amber Wilkinson
Eye For Film joins Garth Jennings for a chat, and turns up to the Filmmaker's party. Waitress and Weapons are the movies du jour.
Sundance 2007: Day Six
by Amber Wilkinson
Outstanding Brit flick Son of Rambow takes the breath away, Nick Broomfield discusses
Ghosts, and Crossing The Line crosses the critics well.
Sundance 2007: Day Five
by Amber Wilkinson
Cancellations and other disappointments : Anthony Hopkins slipstreams his way into a
muddle, but at least Scotland's own Kate Dickie takes time to chat.
Sundance 2007: Day Four
by Amber Wilkinson
Domesticated Zombies?! Every bit as uneventful as it sounds - at least Clubland makes up for
it.
Sundance 2007: Day Three
by Amber Wilkinson
A foolish imperial/metric conversion, and the aptly titled Snow Angels. That, and Freud's retroactive horror film.
Sundance 2007: Day One
by Amber Wilkinson
Day One : No shrieking children airplane insanity, but bugger us.. it's cold!
Looking forward to Sundance
by Amber Wilkinson
The setting may be cold but 2007 promises to be another hot year for films at the world's biggest independent film festival.
Holocaust fatigue - the worst kind of insult
by Amber Wilkinson
Rex Bloomstein's acclaimed new documentary KZ incisively disects the modern day fascination with the Holocaust remains. He speaks to Eye For Film about the project and it's purpose.
Delightfully different
by Amber Wilkinson
Director Pratibha Parmar explains how she brought love, laughter and lesbianism to the big screen in Nina's Heavenly Delights
Behind The MirrorMask
by Amber Wilkinson
The creative team behind MirrorMask talk about how they overcame a tight budget to deliver a unique, special effects, fantasy film.
McGuigan Takes Actors To Slevinth Heaven
by Amber Wilkinson
In stylish new thriller Lucky Number Slevin, Scottish director Paul McGuigan gave his actors free reign... which was just fine for Lucy Liu and Josh Hartnett
Sundance : Day Ten
by Amber Wilkinson
The final day of the festival, and we catch up on two movies; and the Sundance awards.
Sundance : Day Nine
by Amber Wilkinson
The final day of press screenings, and Amber dips her toes into some of the higher profile releases. Runaway laundry over Justin Timberlake's debut?
Sundance : Day Eight
by Amber Wilkinson
Early morning wakeup calls, discussing KZ with director Rex Bloomstein; The Night Listener and Art School Confidential are the movies of the day.
Sundance : Day Seven
by Amber Wilkinson
A short reminisce on the sheer volume of new and exciting cinema that is largely ignored by the press at Sundance; and the powerful drama Journey From The Fall.
Sundance : Day Six
by Amber Wilkinson
The Sundance slimming plan (patent pending..), and interviewing Paul Laverty and Clive Gordon on their new film Cargo.
Sundance 2006 : Day Five
by Amber Wilkinson
Mascara worries do not faze Amber on her fifth day of Sundance! Indeed, the best film of the festival thus far awaits... And the search for a Bud may be the toughest challenge, yet.
Sundance : Day Four
by Amber Wilkinson
Amber interviews cast and director of Lucky Number Slevin, enjoys the hospitality of the Sundance Institute, as well as snagging her first goody-bag!
Sundance : Day Three
by Amber Wilkinson
Nosebleeds, technological SNAFUs, and soaking up the atmosphere - along to the sentimental tones of Rufus Wainwright. And another three movies!
Sundance : Day Two
by Amber Wilkinson
Three movies a day never gets old, but late-night wine and DVD screeners soothe Amber's exhausted nerves.
Sundance 2006: Day One
by Amber Wilkinson
Day One: Amber checks out the keynote speech, and gets used to the freezing cold and alcohol-free parties.
Sundance 2006 Preview
by Amber Wilkinson
A strong lineup for this year's Sundance, let EyeForFilm guide us through it..
Best of the Resfest
by Amber Wilkinson
Highlights of the touring international festival that's pushing back the boundaries of film-making.
Brody's Method
by Amber Wilkinson
Adrien Brody explains why moving from arthouse film The Jacket, just out on DVD, to Peter Jackson's multi-million King Kong is not such a big leap.
Peter Mullan Seeing Clearly
by Amber Wilkinson
Peter Mullan still chills out with the swimming practice that he started for On A Clear Day - but the Scottish star has a few heated words on the state of tv and cinema.
Composer Sees Fulfillment of Childhood Dream
by Amber Wilkinson
Jane Antonia Cornish became the first woman to ever win a BAFTA award for music when she scooped the gong for best British new composer for her soundtrack to
Five Children and It. She explains how she found her vocation.
Sundown at Sundance 2005
by Amber Wilkinson
Topical doc Why We Fight and Forty Shades of Blue win Grand Jury Prizes; Sundance Awards Party and winners.
Sundance Film Festival - Day 8
by Amber Wilkinson
Mardi Gras beads of sweat and pain; gay thriller The Dying Gaul; class drama Junebug; Utah's odd booze laws.
Sundance Film Festival - Day Five
by Amber Wilkinson
Missing a deer and a dead elk, Elf lands poolside with brill trio from Brit fantasy MirrorMask; US Lackawanna Blues one to watch.
Industry gets animated about the best
by Amber Wilkinson
The winners of the British Animation Awards 2004 - a showcase of which toured the country earlier this year - have now been announced.