Cartoonish scenes of violence are fed through a deranged Manga ethos to create a film that is uber-kitsch and heavily saturated in post-modern sensibilities.

~ James Gracey -

Cartoonish scenes of violence are fed through a deranged Manga ethos to create a film that is uber-kitsch and heavily saturated in post-modern sensibilities.

~ James Gracey -

Despite its dense plot, the story is as predictable as the route back to Creekville and it is testimony to Bettany and Lillis that Ball gets as much mileage out of it as he does.

~ Amber Wilkinson -

Despite its dense plot, the story is as predictable as the route back to Creekville and it is testimony to Bettany and Lillis that Ball gets as much mileage out of it as he does.

~ Amber Wilkinson -

Looks lovely but fails to come up with the emotional goods.

~ Amber Wilkinson -

Looks lovely but fails to come up with the emotional goods.

~ Amber Wilkinson -

I know it will mostly appeal to comic book fans like myself, but people should give it a chance, if only to experience its style.

~ The Remote Viewer -

I know it will mostly appeal to comic book fans like myself, but people should give it a chance, if only to experience its style.

~ The Remote Viewer -

Jake Schreier and scriptwriter Christopher Ford go well beyond the initial fun of the robot conceit to craft a thoughtful film musing on both the ageing process and our relationship with technology.

~ Amber Wilkinson -

Jake Schreier and scriptwriter Christopher Ford go well beyond the initial fun of the robot conceit to craft a thoughtful film musing on both the ageing process and our relationship with technology.

~ Amber Wilkinson -

The comedy rests. In fact, it goes to sleep.

~ Angus Wolfe Murray -

The comedy rests. In fact, it goes to sleep.

~ Angus Wolfe Murray -

Our modern Prometheus spends most of the film sprinting from one CGI-overlaid battle to the next.

~ Max Crawford -

Our modern Prometheus spends most of the film sprinting from one CGI-overlaid battle to the next.

~ Max Crawford -

Good Boy addresses a commonplace kind of horror which we too often fail to spot even when there is every opportunity to see it coming.

~ Jennie Kermode -

Good Boy addresses a commonplace kind of horror which we too often fail to spot even when there is every opportunity to see it coming.

~ Jennie Kermode -

Some of the plot twists strain believability but Ross has a tight hold of the film's emotional drivers, mixing moods like a heady and dangerous cocktail so that a disturbing tension builds.

~ Amber Wilkinson -

Some of the plot twists strain believability but Ross has a tight hold of the film's emotional drivers, mixing moods like a heady and dangerous cocktail so that a disturbing tension builds.

~ Amber Wilkinson -

Gerald McMorrow has conjured up a film that spans many genres, coupling inventive storytelling with a strong visual aesthetic.

~ Darren Amner -

Gerald McMorrow has conjured up a film that spans many genres, coupling inventive storytelling with a strong visual aesthetic.

~ Darren Amner -

His timing’s impeccable and he knows how to work an enormodrome like the Apollo as well as the most intimate upstairs room.

~ Jeff Robson -

His timing’s impeccable and he knows how to work an enormodrome like the Apollo as well as the most intimate upstairs room.

~ Jeff Robson -

Fabienne Berthaud's film meanders between dissonant, ethereal scenes in the sanatorium and the frenetic action of a photographer's studios... the contrast between these two worlds is absolute.

~ George Williamson -

Fabienne Berthaud's film meanders between dissonant, ethereal scenes in the sanatorium and the frenetic action of a photographer's studios... the contrast between these two worlds is absolute.

~ George Williamson -

Though the drama is crudely drawn with familiar Hammer strokes, this is a film that benefits from both tight scripting and a willingness to push boundaries.

~ Jennie Kermode -

Though the drama is crudely drawn with familiar Hammer strokes, this is a film that benefits from both tight scripting and a willingness to push boundaries.

~ Jennie Kermode -

Cushing delivers his lines with a clipped precision that brings absolute conviction to the role.

~ Jennie Kermode -

Cushing delivers his lines with a clipped precision that brings absolute conviction to the role.

~ Jennie Kermode -

Raaphorst and scriptwriter Chris W Mitchell seem so proud of the look that they completely forget that a film also needs to have a decent plot and characters lying beneath the costumes.

~ Amber Wilkinson -

Raaphorst and scriptwriter Chris W Mitchell seem so proud of the look that they completely forget that a film also needs to have a decent plot and characters lying beneath the costumes.

~ Amber Wilkinson -

Alec Newman is wooden to the extreme as Victor Frankenstein.

~ Martin Drury -

Alec Newman is wooden to the extreme as Victor Frankenstein.

~ Martin Drury -

There's still lots to appreciate here beyond its status as a historical artefact.

~ Jennie Kermode -

There's still lots to appreciate here beyond its status as a historical artefact.

~ Jennie Kermode -

It's all so lovingly trashy that it's impossible not to go along with the anything-goes vibe.

~ David Graham -

It's all so lovingly trashy that it's impossible not to go along with the anything-goes vibe.

~ David Graham -

His attempt at satire digs too deep into the muddy waters of exaggeration

~ Angus Wolfe Murray -

His attempt at satire digs too deep into the muddy waters of exaggeration

~ Angus Wolfe Murray -

Bursting with creative energy.

~ Jennie Kermode -

Bursting with creative energy.

~ Jennie Kermode -

Wells finds within his story many formative elements of 20th Century US history, with Capra’s tragedy and contradictions speaking to the country’s own.

~ Jennie Kermode -

Wells finds within his story many formative elements of 20th Century US history, with Capra’s tragedy and contradictions speaking to the country’s own.

~ Jennie Kermode -

Packs in plenty of mischief and mayhem.

~ Jennie Kermode -

Packs in plenty of mischief and mayhem.

~ Jennie Kermode -

It is only sporadically involving with even the usually hypnotic Huppert struggling to make an impression.

~ Richard Mowe -

It is only sporadically involving with even the usually hypnotic Huppert struggling to make an impression.

~ Richard Mowe -

While drawing on influences from the Golden Age of Universal horror movies such as Wolfman and Frankenstein, this is a animal entirely borne of Burton - and it's all the better for it.

~ Amber Wilkinson -

While drawing on influences from the Golden Age of Universal horror movies such as Wolfman and Frankenstein, this is a animal entirely borne of Burton - and it's all the better for it.

~ Amber Wilkinson -

It is, at best, enjoyably terrible.

~ Jennie Kermode -

It is, at best, enjoyably terrible.

~ Jennie Kermode -

While it's hard to say that Fabricius's film is completely fresh, it is undoubtedly up-to-date and effective.

~ Mateusz Tarwacki -

While it's hard to say that Fabricius's film is completely fresh, it is undoubtedly up-to-date and effective.

~ Mateusz Tarwacki -

Frank's energy, together with Israel's rapid fire editing, keep the film appealing, though they may leave some viewers feeling worn out.

~ Jennie Kermode -

Frank's energy, together with Israel's rapid fire editing, keep the film appealing, though they may leave some viewers feeling worn out.

~ Jennie Kermode -

Clearly a labour of love, this is a fitting tribute to an industry that has brought dreams to life for generations.

~ Jennie Kermode -

Clearly a labour of love, this is a fitting tribute to an industry that has brought dreams to life for generations.

~ Jennie Kermode -

Miranda Bailey struggles with pacing but strikes a good balance between comedy and acknowledgement of the awfulness at the story's core.

~ Jennie Kermode -

Miranda Bailey struggles with pacing but strikes a good balance between comedy and acknowledgement of the awfulness at the story's core.

~ Jennie Kermode -