Frankly, [Price] could probably read a phone book and make it entertaining, but there’s much more to enjoy here.

~ Jennie Kermode -

Frankly, [Price] could probably read a phone book and make it entertaining, but there’s much more to enjoy here.

~ Jennie Kermode -

This all-singing, all-dancing, big gun blazing, kangaroo-fucking anarchist had a style that was all her own.

~ Jennie Kermode -

This all-singing, all-dancing, big gun blazing, kangaroo-fucking anarchist had a style that was all her own.

~ Jennie Kermode -

When Godzilla Minus One shines it is devastating.

~ Andrew Robertson -

When Godzilla Minus One shines it is devastating.

~ Andrew Robertson -

A comprehensive presentation of his work, showing the origins of several of the elements that he would go on to capitalise on in his later work

~ Amber Wilkinson -

A comprehensive presentation of his work, showing the origins of several of the elements that he would go on to capitalise on in his later work

~ Amber Wilkinson -

Exaggerated acting and an over-the-top script keep the darker elements of the film from being upsetting. It gets its social message across whilst maintaining a light and vigorous tone.

~ Donald Munro -

Exaggerated acting and an over-the-top script keep the darker elements of the film from being upsetting. It gets its social message across whilst maintaining a light and vigorous tone.

~ Donald Munro -

As the film progresses so does the level of farce and surreality. The mundane is juxtaposed with the ridiculous and there is a deliberate subversion of narrative flow.

~ Donald Munro -

As the film progresses so does the level of farce and surreality. The mundane is juxtaposed with the ridiculous and there is a deliberate subversion of narrative flow.

~ Donald Munro -

50 attempts at shark jumping sexplotation and a main plot that consists of three puerile jokes.

~ Donald Munro -

A collection of early films by Chantal Akerman.

~ Donald Munro -

A collection of early films by Chantal Akerman.

~ Donald Munro -

What begins as a collection of seemingly disconnected events gradually coheres with something of the chilling quality of an early Kiyoshi Kurosawa film.

~ Jennie Kermode -

What begins as a collection of seemingly disconnected events gradually coheres with something of the chilling quality of an early Kiyoshi Kurosawa film.

~ Jennie Kermode -

Kurosawa's masterful synthesis doesn't stop with the script. He weaves a late Edo period samurai film, in its painstaking historic detail, into modernity.

~ Donald Munro -

Kurosawa's masterful synthesis doesn't stop with the script. He weaves a late Edo period samurai film, in its painstaking historic detail, into modernity.

~ Donald Munro -

Kurosawa's masterful synthesis doesn't stop with the script. He weaves a late Edo period samurai film, in its painstaking historic detail, into modernity.

~ Donald Munro -

The film is at its most effective when we feel the urgency of their boredom – the athletic one pacing in circles like a trapped animal – juxtaposed with the languid charm of their environment.

~ Jennie Kermode -

It doesn’t quite hit the mark, but that’s not to say that it isn’t a pleasant way to while away an hour and a half.

~ Jennie Kermode -

The difference here from more familiar selections allows us to appreciate different qualities in the art.

~ Jennie Kermode -

In what is probably Côté's most straightforwardly observational film to date, the fictions come baked in.

~ Amber Wilkinson -

While Verseau talks about how crucial the surgery was to her mental health, the complexity of the emotions experienced afterwards is also made clear.

~ Amber Wilkinson -

The delight of the drama stems from the well crafted characters, while its heft hinges on toxicity that may not be immediately obvious.

~ Amber Wilkinson -

The script is lean, the sword edges keen and the characters mean.

~ Amber Wilkinson -

An extraordinarily thorough film.

~ Jennie Kermode -

It’s the acting that carries it, and naturally Farahani, one of the finest talents of her generation, does not disappoint.

~ Jennie Kermode -

Subtle observations about the racism that underpins this superficially idyllic society pepper a film which repeatedly forces its hero to question his assumptions.

~ Jennie Kermode -

The film concludes with what is probably the most influential special effect in the history of cinema.

~ Donald Munro -

Bethmann understands the situation well, but her closeness to the teenager and the personal character that the film takes on as a result is something else.

~ Jennie Kermode -

So carefully balanced is this that the film could almost have emerged as a romcom, and it’s that possibility, that clash between the absurdity that cinema has taught us to expect and the bitterness of real life, that makes it so effective.

~ Jennie Kermode -

Through the lens of the men’s romance, Onir takes in a good deal more, exploring the complex realities behind assumptions of prejudice and the myriad factors that go into making each of us who we are.

~ Jennie Kermode -

Throughout the film there is a sense of play, and even as the story evolves to take on darker material, something of that lightness, that happy-go-lucky quality remains.

~ Jennie Kermode -

The film hinges on amazing vocal work by Lalama.

~ Jennie Kermode -

There’s a genuine unpredictability to Honey Bunch, both structurally and thematically.

~ Jennie Kermode -

Where the episodes work is when they have a driving, kinetic energy about them. When they don't it's repetitious loop.

~ Donald Munro -

The film, directed by feature debutant Shaun Dozier, retains the density of dialogue you might expect from a stage play but, by leaning into the theatrical nature of the proceedings, Dozier is in some ways able to make this into a virtue.

~ Amber Wilkinson -

The delight of the drama stems from the well crafted characters, while its heft hinges on toxicity that may not be immediately obvious.

~ Amber Wilkinson -

An extraordinarily thorough film.

~ Jennie Kermode -

Writer/director Sandhya Suri - who has a documentary background - is keen to show that everyone plays their part in the prejudices and corruption of the legal system.

~ Amber Wilkinson -

Once again, Guiraudie proves himself the master of setting up a mystery by the means of perfect script economy that functions strictly on “need to know” basis.

~ Marko Stojiljkovic -

The director shows how it’s not just Julie’s tennis skills that have been groomed by the coach but large aspects of her life.

~ Amber Wilkinson -

Cat’s viewpoint predominates, and Zilbalodis has an acute understanding of how the world looks from its point of view, of what catches its attention and how its body follows instinctively.

~ Jennie Kermode -

It’s ironic that a film about a family who have built a perfect facsimile of a life for themselves should feel so overly constructed itself

~ Amber Wilkinson -

The difference here from more familiar selections allows us to appreciate different qualities in the art.

~ Jennie Kermode -

Lin and Sun studiously maintain the enigma around Shuo so that we are left guessing as to whether he’s just a disadvantaged teen trying to make his way in the world or a cuckoo in the nest.

~ Amber Wilkinson -

It doesn’t quite hit the mark, but that’s not to say that it isn’t a pleasant way to while away an hour and a half.

~ Jennie Kermode -