A small and human story in the sweep of a West both mythic and mundane.

~ Andrew Robertson -

A small and human story in the sweep of a West both mythic and mundane.

~ Andrew Robertson -

Sting is not the most original, but it features some good performances and if you’re an arachnophobe, it should provide you will all the terror you could want.

~ Jennie Kermode -

Sting is not the most original, but it features some good performances and if you’re an arachnophobe, it should provide you will all the terror you could want.

~ Jennie Kermode -

Terence Young brings a number of elements from Japanese cinema into the film.

~ Donald Munro -

Terence Young brings a number of elements from Japanese cinema into the film.

~ Donald Munro -

The techniques Besson uses are are simple and easy to understand. They are blended together with finesse.

~ Donald Munro -

The techniques Besson uses are are simple and easy to understand. They are blended together with finesse.

~ Donald Munro -

For all that the Hitcher is an ambiguous horror film it is also a spectacular piece of Eighties action cinema.

~ Donald Munro -

For all that the Hitcher is an ambiguous horror film it is also a spectacular piece of Eighties action cinema.

~ Donald Munro -

It’s Dastmalchian’s light touch which really makes it work.

~ Jennie Kermode -

It’s Dastmalchian’s light touch which really makes it work.

~ Jennie Kermode -

Though Hoult is as oddly charming as his abilities allow, Nicholas goes as close to the Full Cage as I've seen in a while.

~ Andrew Robertson -

Though Hoult is as oddly charming as his abilities allow, Nicholas goes as close to the Full Cage as I've seen in a while.

~ Andrew Robertson -

Lime is one of the cinema’s greatest baddies.

~ Robert Munro -

Lime is one of the cinema’s greatest baddies.

~ Robert Munro -

The spidery touch of the cinematic language developed by Feuillade gets everywhere.

~ Donald Munro -

The spidery touch of the cinematic language developed by Feuillade gets everywhere.

~ Donald Munro -

The film has a German Expressionist look about it, more so than many of the later American film noirs: the way faces are shot, the bizarre object in the warehouse.

~ Donald Munro -

The film has a German Expressionist look about it, more so than many of the later American film noirs: the way faces are shot, the bizarre object in the warehouse.

~ Donald Munro -

The delight of the drama stems from the well crafted characters, while its heft hinges on toxicity that may not be immediately obvious.

~ Amber Wilkinson -

The script is lean, the sword edges keen and the characters mean.

~ Amber Wilkinson -

An extraordinarily thorough film.

~ Jennie Kermode -

It’s the acting that carries it, and naturally Farahani, one of the finest talents of her generation, does not disappoint.

~ Jennie Kermode -

Subtle observations about the racism that underpins this superficially idyllic society pepper a film which repeatedly forces its hero to question his assumptions.

~ Jennie Kermode -

The film concludes with what is probably the most influential special effect in the history of cinema.

~ Donald Munro -

Bethmann understands the situation well, but her closeness to the teenager and the personal character that the film takes on as a result is something else.

~ Jennie Kermode -

So carefully balanced is this that the film could almost have emerged as a romcom, and it’s that possibility, that clash between the absurdity that cinema has taught us to expect and the bitterness of real life, that makes it so effective.

~ Jennie Kermode -

Through the lens of the men’s romance, Onir takes in a good deal more, exploring the complex realities behind assumptions of prejudice and the myriad factors that go into making each of us who we are.

~ Jennie Kermode -

Throughout the film there is a sense of play, and even as the story evolves to take on darker material, something of that lightness, that happy-go-lucky quality remains.

~ Jennie Kermode -

The film hinges on amazing vocal work by Lalama.

~ Jennie Kermode -

There’s a genuine unpredictability to Honey Bunch, both structurally and thematically.

~ Jennie Kermode -

Where the episodes work is when they have a driving, kinetic energy about them. When they don't it's repetitious loop.

~ Donald Munro -

The film, directed by feature debutant Shaun Dozier, retains the density of dialogue you might expect from a stage play but, by leaning into the theatrical nature of the proceedings, Dozier is in some ways able to make this into a virtue.

~ Amber Wilkinson -

A very effective piece of low budget storytelling.

~ Jennie Kermode -

Coogan is well cast in this tricky role, moving easily from humour to heartbreak..

~ Jennie Kermode -

Manizha Bakhtari may not be a household name but after watching Natalie Halla’s documentary you’re likely to think she ought to be.

~ Amber Wilkinson -

Sung’s own camera plays tricks, placing objects too close in the foreground so that parts of an image are out of focus, like an incomplete memory.

~ Jennie Kermode -

The concept, narrative, dialogue, cinematography and action sequences are elements of Scanners that can't be faulted.

~ Donald Munro -

The film hangs on Pemberton’s performance, and he imbues Doug with a sweetness that makes us feel for him despite his deeply misguided actions.

~ Jennie Kermode -

The delight of the drama stems from the well crafted characters, while its heft hinges on toxicity that may not be immediately obvious.

~ Amber Wilkinson -

A very effective piece of low budget storytelling.

~ Jennie Kermode -

An extraordinarily thorough film.

~ Jennie Kermode -

Writer/director Sandhya Suri - who has a documentary background - is keen to show that everyone plays their part in the prejudices and corruption of the legal system.

~ Amber Wilkinson -

Once again, Guiraudie proves himself the master of setting up a mystery by the means of perfect script economy that functions strictly on “need to know” basis.

~ Marko Stojiljkovic -

The director shows how it’s not just Julie’s tennis skills that have been groomed by the coach but large aspects of her life.

~ Amber Wilkinson -

Cat’s viewpoint predominates, and Zilbalodis has an acute understanding of how the world looks from its point of view, of what catches its attention and how its body follows instinctively.

~ Jennie Kermode -

It’s ironic that a film about a family who have built a perfect facsimile of a life for themselves should feel so overly constructed itself

~ Amber Wilkinson -

Lin and Sun studiously maintain the enigma around Shuo so that we are left guessing as to whether he’s just a disadvantaged teen trying to make his way in the world or a cuckoo in the nest.

~ Amber Wilkinson -