Working out where the play-acting stops and the “real” action begins is enough to keep you on the edge of interest.

~ Richard Mowe -

Working out where the play-acting stops and the “real” action begins is enough to keep you on the edge of interest.

~ Richard Mowe -

There is a feeling of being in a constant movement, with cars and buildings whizzing by as Souleymane is rushing through the city, either riding his bike, or running from one type of public transport to the next.

~ Nikola Jovic -

There is a feeling of being in a constant movement, with cars and buildings whizzing by as Souleymane is rushing through the city, either riding his bike, or running from one type of public transport to the next.

~ Nikola Jovic -

The character could have proved irksome in less talented hands than Jaoui who invests her character with self-deprecating humour and a sense of resilience.

~ Richard Mowe -

The character could have proved irksome in less talented hands than Jaoui who invests her character with self-deprecating humour and a sense of resilience.

~ Richard Mowe -

The two siblings bond and the disparate threads of their relationship prove immensely touching as they ruminate on the lost years and chances.

~ Richard Mowe -

The two siblings bond and the disparate threads of their relationship prove immensely touching as they ruminate on the lost years and chances.

~ Richard Mowe -

The action is pacy but that doesn’t mean Courvoisier skims the surface.

~ Amber Wilkinson -

The action is pacy but that doesn’t mean Courvoisier skims the surface.

~ Amber Wilkinson -

The delight of the drama stems from the well crafted characters, while its heft hinges on toxicity that may not be immediately obvious.

~ Amber Wilkinson -

The delight of the drama stems from the well crafted characters, while its heft hinges on toxicity that may not be immediately obvious.

~ Amber Wilkinson -