A deconstruction of of an incident that took place in India, in 2015, in Madhya Pradesh state, presenting an absurd manifestation of a deep-rooted social stratification.

A sensory journey of elements, light and illusions captured along the lochs, rivers and coastlines of Scotland.

After throwing off the yoke of slavery in the 17th and 18th centuries, the Saramaccan Maroons have established a network of independent communities that ignore the border between Suriname and French Guyana. They have combined their African heritage with local knowledge, cleverly adapting to the complex conditions offered by the tropical rainforest.

In 2017 Elzea Foule Aventurin, the author of the book Sunny Karukera, Stranded Guadeloupe (1980), engaged in a series of interviews with her granddaughter, filmmaker Annabelle Aventurin. Together they trace—not without malice—a family history, sailing from one side of the black Atlantic to the other.

Sliced up fragments, zipping and framing as the print struggles to make it through the frame, a woman stands and turns, a sculpture appears, a lawnmower mows, shredding and falling apart.

Exploring places which exist at the border(s) of memory and physical terrain.

Through rituals of birth and death, the filmmaker and her family reconnect with their ancestral land in the Gobi Desert.