The delight of the drama stems from the well crafted characters, while its heft hinges on toxicity that may not be immediately obvious.

~ Amber Wilkinson -

The script is lean, the sword edges keen and the characters mean.

~ Amber Wilkinson -

An extraordinarily thorough film.

~ Jennie Kermode -

It’s the acting that carries it, and naturally Farahani, one of the finest talents of her generation, does not disappoint.

~ Jennie Kermode -

Subtle observations about the racism that underpins this superficially idyllic society pepper a film which repeatedly forces its hero to question his assumptions.

~ Jennie Kermode -

The film concludes with what is probably the most influential special effect in the history of cinema.

~ Donald Munro -

Bethmann understands the situation well, but her closeness to the teenager and the personal character that the film takes on as a result is something else.

~ Jennie Kermode -

So carefully balanced is this that the film could almost have emerged as a romcom, and it’s that possibility, that clash between the absurdity that cinema has taught us to expect and the bitterness of real life, that makes it so effective.

~ Jennie Kermode -

Through the lens of the men’s romance, Onir takes in a good deal more, exploring the complex realities behind assumptions of prejudice and the myriad factors that go into making each of us who we are.

~ Jennie Kermode -

Throughout the film there is a sense of play, and even as the story evolves to take on darker material, something of that lightness, that happy-go-lucky quality remains.

~ Jennie Kermode -

The film hinges on amazing vocal work by Lalama.

~ Jennie Kermode -

There’s a genuine unpredictability to Honey Bunch, both structurally and thematically.

~ Jennie Kermode -

Where the episodes work is when they have a driving, kinetic energy about them. When they don't it's repetitious loop.

~ Donald Munro -

The film, directed by feature debutant Shaun Dozier, retains the density of dialogue you might expect from a stage play but, by leaning into the theatrical nature of the proceedings, Dozier is in some ways able to make this into a virtue.

~ Amber Wilkinson -

A very effective piece of low budget storytelling.

~ Jennie Kermode -

Coogan is well cast in this tricky role, moving easily from humour to heartbreak..

~ Jennie Kermode -

Manizha Bakhtari may not be a household name but after watching Natalie Halla’s documentary you’re likely to think she ought to be.

~ Amber Wilkinson -

Sung’s own camera plays tricks, placing objects too close in the foreground so that parts of an image are out of focus, like an incomplete memory.

~ Jennie Kermode -

The concept, narrative, dialogue, cinematography and action sequences are elements of Scanners that can't be faulted.

~ Donald Munro -

The film hangs on Pemberton’s performance, and he imbues Doug with a sweetness that makes us feel for him despite his deeply misguided actions.

~ Jennie Kermode -

The delight of the drama stems from the well crafted characters, while its heft hinges on toxicity that may not be immediately obvious.

~ Amber Wilkinson -

A very effective piece of low budget storytelling.

~ Jennie Kermode -

An extraordinarily thorough film.

~ Jennie Kermode -

Writer/director Sandhya Suri - who has a documentary background - is keen to show that everyone plays their part in the prejudices and corruption of the legal system.

~ Amber Wilkinson -

Once again, Guiraudie proves himself the master of setting up a mystery by the means of perfect script economy that functions strictly on “need to know” basis.

~ Marko Stojiljkovic -

The director shows how it’s not just Julie’s tennis skills that have been groomed by the coach but large aspects of her life.

~ Amber Wilkinson -

Cat’s viewpoint predominates, and Zilbalodis has an acute understanding of how the world looks from its point of view, of what catches its attention and how its body follows instinctively.

~ Jennie Kermode -

It’s ironic that a film about a family who have built a perfect facsimile of a life for themselves should feel so overly constructed itself

~ Amber Wilkinson -

Lin and Sun studiously maintain the enigma around Shuo so that we are left guessing as to whether he’s just a disadvantaged teen trying to make his way in the world or a cuckoo in the nest.

~ Amber Wilkinson -

An absorbing time passer.

~ Martin Gray -

An absorbing time passer.

~ Martin Gray -

If you're an emotional teenage girl, take a tissue. If you're not, take a cushion, for this is a film that lasts about three days. And a sickbag.

~ Martin Gray -

If you're an emotional teenage girl, take a tissue. If you're not, take a cushion, for this is a film that lasts about three days. And a sickbag.

~ Martin Gray -

Martin Freeman is such a great actor that no matter how outlandish the film's events, it's grounded.

~ Martin Gray -

Martin Freeman is such a great actor that no matter how outlandish the film's events, it's grounded.

~ Martin Gray -

The Wolfman is no one's definition of High Art, but it's great craft.

~ Martin Gray -

The Wolfman is no one's definition of High Art, but it's great craft.

~ Martin Gray -

This is an entertaining time passer which should keep the kids happy.

~ Martin Gray -

This is an entertaining time passer which should keep the kids happy.

~ Martin Gray -

What we get insults the intelligence - no one would follow Britt Reid into a donut shop, never mind a life or death battle.

~ Martin Gray -

What we get insults the intelligence - no one would follow Britt Reid into a donut shop, never mind a life or death battle.

~ Martin Gray -

The slow-building tension of the stage play is still there, but the added narrative space sees room for for Grand Guignol shocks aplenty.

~ Martin Gray -

The slow-building tension of the stage play is still there, but the added narrative space sees room for for Grand Guignol shocks aplenty.

~ Martin Gray -

Truth be told, I wept buckets.

~ Martin Gray -

Truth be told, I wept buckets.

~ Martin Gray -

The ingredients are perfect for an over-the-top frightfest, as monsters of the inhuman and human variety fight for control of the hospital, and the residents' souls.

~ Martin Gray -

The ingredients are perfect for an over-the-top frightfest, as monsters of the inhuman and human variety fight for control of the hospital, and the residents' souls.

~ Martin Gray -

If you're a fan of the strips, there's nothing much new here, but that's part of the charm - seeing favourite sequences come to 'life'.

~ Martin Gray -

If you're a fan of the strips, there's nothing much new here, but that's part of the charm - seeing favourite sequences come to 'life'.

~ Martin Gray -