Ahmed doesn’t need to include war footage for us to feel its weight and understand its shadow.

~ Amber Wilkinson -

The colour elements prove all the more striking when in contrast to black and white.

~ Amber Wilkinson -

The beautiful cinematography, the bluesy jazz score and the gentle pace of the film are beguiling, but Masciari makes sure that we don’t lose sight of the ridiculous.

~ Jennie Kermode -

Shot over 17 years, it mingles intimate personal moments with visceral concert footage, its musical sequences knitted together with some of the best editing you’re likely to see this year.

~ Jennie Kermode -

History comes alive in the voices of those who remember it.

~ Amber Wilkinson -

The choice of hand-drawn animation and its ability to demonstrate a magical realism allows the film to find the right distance from what is being depicted.

~ Richard Mowe -

Successfully finds insight and social commentary

~ Jeremy Mathews -

The pace of the action helps Handal to pack a lot in and his framing is inventive.

~ Amber Wilkinson -

A Teacher is not the most finely crafted film, but it is a cri de cœur.

~ Jennie Kermode -

The filmmaker and her crew deserve a lot of credit for even managing to capture this lifestyle – not to mention following it for five years.

~ Amber Wilkinson -

Breslin, as so often, is the standout.

~ Jennie Kermode -

The observational approach works against the director, slowing down proceedings and making it hard to see the wood for the trees

~ Amber Wilkinson -

Lotus may love pretty things, but he doesn’t hold back on the gore.

~ Jennie Kermode -

With so much going on the only shame is that at this length the pirouettes in various directions are so brief, giving us a taste for ideas that are begging to be dug into further.

~ Amber Wilkinson -

While the film is generally a delight, the increasingly surreal third act can be hard to track.

~ Antoni Konieczny -

A patient, affecting study of human connection in unusual circumstances

~ Antoni Konieczny -

The irreverent score, the gothic art direction, and Mario Tosi’s kaleidoscopic, slithering cinematography coalesce into something mesmeric.

~ Antoni Konieczny -

Like its subject, the film is a fusion of styles.

~ Jennie Kermode -

Fiennes is lean in look and in performance, bringing an intensity that proves compelling.

~ Amber Wilkinson -

An overflowing life is presented to us through archival interviews and film clips, and most revealingly through on-camera insights from O’Brien herself.

~ Anne-Katrin Titze -

Fiennes is lean in look and in performance, bringing an intensity that proves compelling.

~ Amber Wilkinson -

I Am Love is social melodrama in the best traditions of Italian cinema.

~ Chris -

Anime at its very finest - lightning paced, visually stunning, feverishly creative and overrun by a logic all its own.

~ Anton Bitel -

The action is pacy but that doesn’t mean Courvoisier skims the surface.

~ Amber Wilkinson -

Cheesier elements clash with writer/director Andrew P Jones’ attempts at solemn soliloquising on hellish business deals.

~ Emilia Rolewicz -

Cheesier elements clash with writer/director Andrew P Jones’ attempts at solemn soliloquising on hellish business deals.

~ Emilia Rolewicz -

The Lighthouse may be inspired by issues caused by the isolation of Welsh workers, but it also speaks to an unhealthy yet instinctual nurturing of guilt.

~ Emilia Rolewicz -

The Lighthouse may be inspired by issues caused by the isolation of Welsh workers, but it also speaks to an unhealthy yet instinctual nurturing of guilt.

~ Emilia Rolewicz -

This film makes it clear that lemur versus nature is the future.

~ Emilia Rolewicz -

This film makes it clear that lemur versus nature is the future.

~ Emilia Rolewicz -

Hearing the horror before we see it creates a stretch of suspense that is always building to a terrifying reveal, and it pays off well.

~ Emilia Rolewicz -

Hearing the horror before we see it creates a stretch of suspense that is always building to a terrifying reveal, and it pays off well.

~ Emilia Rolewicz -

Iceman is not just about Kelab’s battle between himself and those who have violently wronged him, but about the external and internal wars between man, nature and nurture.

~ Emilia Rolewicz -

Iceman is not just about Kelab’s battle between himself and those who have violently wronged him, but about the external and internal wars between man, nature and nurture.

~ Emilia Rolewicz -

Daniel Zelk Berk’s feature has all the essential ingredients of a political thriller - a moody grey-blue filter, a tingling, foreboding score and people throwing back whiskies while staring drearily into space.

~ Emilia Rolewicz -

Daniel Zelk Berk’s feature has all the essential ingredients of a political thriller - a moody grey-blue filter, a tingling, foreboding score and people throwing back whiskies while staring drearily into space.

~ Emilia Rolewicz -

When the film focuses on the living over the undead it is at its strongest.

~ Emilia Rolewicz -

When the film focuses on the living over the undead it is at its strongest.

~ Emilia Rolewicz -

A meaningful look at how life exists in the Amazon and small Kenyan communities, unfettered by technology.

~ Emilia Rolewicz -

A meaningful look at how life exists in the Amazon and small Kenyan communities, unfettered by technology.

~ Emilia Rolewicz -

The film cuts every so often to one of the few monuments honouring the victims of Franco’s regime; faceless statues pierced with bullet holes on a deserted mountain side. The Silence Of Others puts real faces to these figures.

~ Emilia Rolewicz -

The film cuts every so often to one of the few monuments honouring the victims of Franco’s regime; faceless statues pierced with bullet holes on a deserted mountain side. The Silence Of Others puts real faces to these figures.

~ Emilia Rolewicz -

The poem and whole tone of the film evokes Ted Hughes’ The Crow anthology.

~ Emilia Rolewicz -

The poem and whole tone of the film evokes Ted Hughes’ The Crow anthology.

~ Emilia Rolewicz -