A surprisingly droll deconstruction of crime reconstruction.

~ Amber Wilkinson -

The circumstances of women are central to the film.

~ Jennie Kermode -

Kurosawa's masterful synthesis doesn't stop with the script. He weaves a late Edo period samurai film, in its painstaking historic detail, into modernity.

~ Donald Munro -

The film is at its most effective when we feel the urgency of their boredom – the athletic one pacing in circles like a trapped animal – juxtaposed with the languid charm of their environment.

~ Jennie Kermode -

It doesn’t quite hit the mark, but that’s not to say that it isn’t a pleasant way to while away an hour and a half.

~ Jennie Kermode -

The difference here from more familiar selections allows us to appreciate different qualities in the art.

~ Jennie Kermode -

In what is probably Côté's most straightforwardly observational film to date, the fictions come baked in.

~ Amber Wilkinson -

While Verseau talks about how crucial the surgery was to her mental health, the complexity of the emotions experienced afterwards is also made clear.

~ Amber Wilkinson -

The delight of the drama stems from the well crafted characters, while its heft hinges on toxicity that may not be immediately obvious.

~ Amber Wilkinson -

The script is lean, the sword edges keen and the characters mean.

~ Amber Wilkinson -

An extraordinarily thorough film.

~ Jennie Kermode -

It’s the acting that carries it, and naturally Farahani, one of the finest talents of her generation, does not disappoint.

~ Jennie Kermode -

Subtle observations about the racism that underpins this superficially idyllic society pepper a film which repeatedly forces its hero to question his assumptions.

~ Jennie Kermode -

The film concludes with what is probably the most influential special effect in the history of cinema.

~ Donald Munro -

Bethmann understands the situation well, but her closeness to the teenager and the personal character that the film takes on as a result is something else.

~ Jennie Kermode -

So carefully balanced is this that the film could almost have emerged as a romcom, and it’s that possibility, that clash between the absurdity that cinema has taught us to expect and the bitterness of real life, that makes it so effective.

~ Jennie Kermode -

Through the lens of the men’s romance, Onir takes in a good deal more, exploring the complex realities behind assumptions of prejudice and the myriad factors that go into making each of us who we are.

~ Jennie Kermode -

Throughout the film there is a sense of play, and even as the story evolves to take on darker material, something of that lightness, that happy-go-lucky quality remains.

~ Jennie Kermode -

The film hinges on amazing vocal work by Lalama.

~ Jennie Kermode -

There’s a genuine unpredictability to Honey Bunch, both structurally and thematically.

~ Jennie Kermode -

The delight of the drama stems from the well crafted characters, while its heft hinges on toxicity that may not be immediately obvious.

~ Amber Wilkinson -

Every frame feels like the product of conscious decision-making, with nothing merely carrying us from one point to another.

~ Jennie Kermode -

An extraordinarily thorough film.

~ Jennie Kermode -

Writer/director Sandhya Suri - who has a documentary background - is keen to show that everyone plays their part in the prejudices and corruption of the legal system.

~ Amber Wilkinson -

Ashcroft’s interpretation steers the story away from simple tragedy as we see Mortensen making gains as well as losses.

~ Jennie Kermode -

Comic invention rides shotgun on a screenplay that runs wild.

~ Angus Wolfe Murray -

The director shows how it’s not just Julie’s tennis skills that have been groomed by the coach but large aspects of her life.

~ Amber Wilkinson -

Cat’s viewpoint predominates, and Zilbalodis has an acute understanding of how the world looks from its point of view, of what catches its attention and how its body follows instinctively.

~ Jennie Kermode -

The difference here from more familiar selections allows us to appreciate different qualities in the art.

~ Jennie Kermode -

Lin and Sun studiously maintain the enigma around Shuo so that we are left guessing as to whether he’s just a disadvantaged teen trying to make his way in the world or a cuckoo in the nest.

~ Amber Wilkinson -

A sophisticated palate will discern any number of flavours running through Black Bag, but these are glosses on a traditional recipe.

~ Andrew Robertson -

It doesn’t quite hit the mark, but that’s not to say that it isn’t a pleasant way to while away an hour and a half.

~ Jennie Kermode -

Fund encourages us to tune in to the energies of the trio, the subtle shifts of mood, shared moments of understanding or joy.

~ Amber Wilkinson -

Fund encourages us to tune in to the energies of the trio, the subtle shifts of mood, shared moments of understanding or joy.

~ Amber Wilkinson -

Øverbye makes a compelling lead, taking on the chunks of voiceover without any problem but also excelling in terms of conveying her character’s moods via body language

~ Amber Wilkinson -

Øverbye makes a compelling lead, taking on the chunks of voiceover without any problem but also excelling in terms of conveying her character’s moods via body language

~ Amber Wilkinson -

Grittily compelling

~ Amber Wilkinson -

Grittily compelling

~ Amber Wilkinson -

Naturalism is the lifeblood of Das’ films and this one is no different

~ Amber Wilkinson -

Naturalism is the lifeblood of Das’ films and this one is no different

~ Amber Wilkinson -

Carreira shows how quiet desperation can be eroding

~ Amber Wilkinson -

Carreira shows how quiet desperation can be eroding

~ Amber Wilkinson -

A surprisingly droll deconstruction of crime reconstruction.

~ Amber Wilkinson -

A surprisingly droll deconstruction of crime reconstruction.

~ Amber Wilkinson -

In what is probably Côté's most straightforwardly observational film to date, the fictions come baked in.

~ Amber Wilkinson -

In what is probably Côté's most straightforwardly observational film to date, the fictions come baked in.

~ Amber Wilkinson -

While Verseau talks about how crucial the surgery was to her mental health, the complexity of the emotions experienced afterwards is also made clear.

~ Amber Wilkinson -

While Verseau talks about how crucial the surgery was to her mental health, the complexity of the emotions experienced afterwards is also made clear.

~ Amber Wilkinson -

The delight of the drama stems from the well crafted characters, while its heft hinges on toxicity that may not be immediately obvious.

~ Amber Wilkinson -

The delight of the drama stems from the well crafted characters, while its heft hinges on toxicity that may not be immediately obvious.

~ Amber Wilkinson -

The script is lean, the sword edges keen and the characters mean.

~ Amber Wilkinson -

The script is lean, the sword edges keen and the characters mean.

~ Amber Wilkinson -