With a simple plot but a lot of energy, the film careers from one sequence to the next, pausing only briefly for evil scheming or angstful romance scenes.

~ Jennie Kermode -

With a simple plot but a lot of energy, the film careers from one sequence to the next, pausing only briefly for evil scheming or angstful romance scenes.

~ Jennie Kermode -

Constantly inventive and packed full of things you shouldn't try at home.

~ Jennie Kermode -

Constantly inventive and packed full of things you shouldn't try at home.

~ Jennie Kermode -

Two of Jackie Chan's most popular films.

~ Jennie Kermode -

Two of Jackie Chan's most popular films.

~ Jennie Kermode -

The film is so subtle and slow and internalised that it crystalises into a thing of beauty.

~ Angus Wolfe Murray -

The film is so subtle and slow and internalised that it crystalises into a thing of beauty.

~ Angus Wolfe Murray -

Every cinematic trick in the book to make Hero's violence as sexy as a car commercial

~ Angus Wolfe Murray -

Every cinematic trick in the book to make Hero's violence as sexy as a car commercial

~ Angus Wolfe Murray -

Wong's depiction of character is second to none.

~ Emma Slawinski -

Wong's depiction of character is second to none.

~ Emma Slawinski -

Kwan aptly probes the boundaries between reality and fiction that were so paper thin during Ruan’s own life.

~ Dean Bowman -

Kwan aptly probes the boundaries between reality and fiction that were so paper thin during Ruan’s own life.

~ Dean Bowman -

Each of these storylines wash over one another, refusing to take on a fully-fledged shape and yet they have a surprisingly cohesive cumulative effect.

~ Amber Wilkinson -

Each of these storylines wash over one another, refusing to take on a fully-fledged shape and yet they have a surprisingly cohesive cumulative effect.

~ Amber Wilkinson -

Moments are frozen into memory in a way that overrides context.

~ Chris -

Moments are frozen into memory in a way that overrides context.

~ Chris -