Pure joy from start to finish.

~ Anton Bitel -

There’s a good deal of depth and nuance to these relationships as Blichfeldt uses them to illustrate how a society which makes women dependent on men magnifies every petty disagreement and sets them at odds with one another.

~ Jennie Kermode -

A highly mannered approach, a staccato script and deliberate emotional distance mean that the drama never really comes alive, but the whole thing looks and sounds divine.

~ Jennie Kermode -

Revenge Of The Sith is a reminder of what made the original trilogy so good; character driven stories, along with a pot-boiling plot keeping things in check.

~ Scott Macdonald -

This is the first time in ages - perhaps ever - that the hot-blooded delights of a country house ball have been shown to be fun.

~ Angus Wolfe Murray -

Coogan is well cast in this tricky role, moving easily from humour to heartbreak..

~ Jennie Kermode -

The joke - there is only one - has a touch of the Eliza Doolittles about it.

~ Angus Wolfe Murray -

The director shows how it’s not just Julie’s tennis skills that have been groomed by the coach but large aspects of her life.

~ Amber Wilkinson -

A very New York film.

~ Anne-Katrin Titze -

Even though we’re essentially talking about a basic shot-reverse shot exchange, framed in creeping wide angles, juxtaposed with close-ups, the feeling is comparable to watching a getaway heist.

~ Nikola Jovic -

An overflowing life is presented to us through archival interviews and film clips, and most revealingly through on-camera insights from O’Brien herself.

~ Anne-Katrin Titze -

It’s not unusual to say that something cuts through the silence but in Dea Kulumbegashvili’s April it’s the silence that cuts through us.

~ Amber Wilkinson -