If Andersson is good at using the visual to create links, then he accompanies this with a strong aural sense.

~ Daniel Hooper -

If Andersson is good at using the visual to create links, then he accompanies this with a strong aural sense.

~ Daniel Hooper -

This is joyful, beautiful, up-lifting - and bleak too, a clarion call to direct climate action at the personal and the political levels.

~ Andrew Robertson -

This is joyful, beautiful, up-lifting - and bleak too, a clarion call to direct climate action at the personal and the political levels.

~ Andrew Robertson -

While content is important, it is context that is king in a documentary, and this film could do with a lot more of it to orient viewers, especially those who don't have a full working knowledge of the American South.

~ Amber Wilkinson -

While content is important, it is context that is king in a documentary, and this film could do with a lot more of it to orient viewers, especially those who don't have a full working knowledge of the American South.

~ Amber Wilkinson -

The tone is deliberately odd blending the naturalism of the day-to-day emotions of relationships and grief, with the altogether more heightened tensions of a revenge thriller, while still keeping a cheeky eye on the absurdity of a mooning garden gnome.

~ Amber Wilkinson -

The tone is deliberately odd blending the naturalism of the day-to-day emotions of relationships and grief, with the altogether more heightened tensions of a revenge thriller, while still keeping a cheeky eye on the absurdity of a mooning garden gnome.

~ Amber Wilkinson -

Ramsey is likely to emerge as one of the standout talents of her generation.

~ Jennie Kermode -

Ramsey is likely to emerge as one of the standout talents of her generation.

~ Jennie Kermode -

It is as sweet and tender, not to mention as well-observed, a portrayal of young love as you are likely to find the other side of a John Hughes movie.

~ Anton Bitel -

It is as sweet and tender, not to mention as well-observed, a portrayal of young love as you are likely to find the other side of a John Hughes movie.

~ Anton Bitel -

Sunset while resisting the digital, flings us into a dreamworld where nostalgia for the past is twin to premonition of our future.

~ Anne-Katrin Titze -

Sunset while resisting the digital, flings us into a dreamworld where nostalgia for the past is twin to premonition of our future.

~ Anne-Katrin Titze -

There's a strong sense of isolation from the start in Fisher's film.

~ Amber Wilkinson -

There's a strong sense of isolation from the start in Fisher's film.

~ Amber Wilkinson -

Honoré handles the strands with considerable agility and admirable lack of cliché or sentimentality employing camerawork that is clean and uncluttered.

~ Richard Mowe -

Honoré handles the strands with considerable agility and admirable lack of cliché or sentimentality employing camerawork that is clean and uncluttered.

~ Richard Mowe -

Before making the film, Truffaut spent considerable time with Hitchcock, who's style of filming and fascination with nature's dark side is echoed here.

~ David Stanners -

Before making the film, Truffaut spent considerable time with Hitchcock, who's style of filming and fascination with nature's dark side is echoed here.

~ David Stanners -

The film cuts every so often to one of the few monuments honouring the victims of Franco’s regime; faceless statues pierced with bullet holes on a deserted mountain side. The Silence Of Others puts real faces to these figures.

~ Emilia Rolewicz -

The film cuts every so often to one of the few monuments honouring the victims of Franco’s regime; faceless statues pierced with bullet holes on a deserted mountain side. The Silence Of Others puts real faces to these figures.

~ Emilia Rolewicz -

Andersson's film offers a dystopian vision of the new millennium, where misery, pain, guilt and despair are the universal condition, where escape is impossible, and where, no matter how much anyone tries to turn their back on the past, somehow it always r

~ Anton Bitel -

Andersson's film offers a dystopian vision of the new millennium, where misery, pain, guilt and despair are the universal condition, where escape is impossible, and where, no matter how much anyone tries to turn their back on the past, somehow it always r

~ Anton Bitel -

By the end, you pray for death - his or your own, whichever would end the boredom faster.

~ Amber Wilkinson -

By the end, you pray for death - his or your own, whichever would end the boredom faster.

~ Amber Wilkinson -

Billingham's consideration calls for empathy rather than condemnation.

~ Amber Wilkinson -

Billingham's consideration calls for empathy rather than condemnation.

~ Amber Wilkinson -

Mansky's bigger picture about the manipulation of a nation is crystal clear.

~ Amber Wilkinson -

Mansky's bigger picture about the manipulation of a nation is crystal clear.

~ Amber Wilkinson -

Yannis Drakopoulos is on fine form in the central role and there are some great supporting performances.

~ Jennie Kermode -

Yannis Drakopoulos is on fine form in the central role and there are some great supporting performances.

~ Jennie Kermode -

Often highly amusing and thought provoking... always gorgeous to look at.

~ Donald Munro -

Often highly amusing and thought provoking... always gorgeous to look at.

~ Donald Munro -

There is a fragility and brittleness to this but also an underlying warm sweetness that might just melt your heart.

~ Amber Wilkinson -

There is a fragility and brittleness to this but also an underlying warm sweetness that might just melt your heart.

~ Amber Wilkinson -

Though it's a difficult line to draw it never felt twee, just winsome, mostly wholesome.

~ Andrew Robertson -

Though it's a difficult line to draw it never felt twee, just winsome, mostly wholesome.

~ Andrew Robertson -

A stunning feature début for Marcus Rutherford.

~ Andrew Robertson -

A stunning feature début for Marcus Rutherford.

~ Andrew Robertson -

In Assayas's smashingly sad comedy of manners, shoes drop left and right.

~ Anne-Katrin Titze -

In Assayas's smashingly sad comedy of manners, shoes drop left and right.

~ Anne-Katrin Titze -

The blurring of fictionalisation is just one of the layers that encourages contemplation almost deep enough to justify the film's expansive canvas.

~ Andrew Robertson -

The blurring of fictionalisation is just one of the layers that encourages contemplation almost deep enough to justify the film's expansive canvas.

~ Andrew Robertson -

Flynn is convincing and sympathetic in the lead.

~ Jennie Kermode -

Flynn is convincing and sympathetic in the lead.

~ Jennie Kermode -

The main object of Llorca's ire is not his characters - it's clear he has a soft spot for them, as soon will we - but the rather the vacuous nature of parts of the Spanish art scene.

~ Amber Wilkinson -

The main object of Llorca's ire is not his characters - it's clear he has a soft spot for them, as soon will we - but the rather the vacuous nature of parts of the Spanish art scene.

~ Amber Wilkinson -

If you're interested in the technical details of the sport or the process of filmmaking, you may find Julien Faraut's unapologetically artsy film fascinating.

~ Jennie Kermode -

If you're interested in the technical details of the sport or the process of filmmaking, you may find Julien Faraut's unapologetically artsy film fascinating.

~ Jennie Kermode -

Hill, who is only a couple of years older than her 15-year-old character, has a fierce screen presence, adeptly balancing Sarah's ballsiness and vulnerability.

~ Amber Wilkinson -

Hill, who is only a couple of years older than her 15-year-old character, has a fierce screen presence, adeptly balancing Sarah's ballsiness and vulnerability.

~ Amber Wilkinson -

Patrick Orth's cinematography gives this a beguiling warmth but it's really Löw's performance that makes it work.

~ Jennie Kermode -

Patrick Orth's cinematography gives this a beguiling warmth but it's really Löw's performance that makes it work.

~ Jennie Kermode -

Infinite Football is a film about outsiders and feeling on the fringe of society

~ John-Anthony Disotto -

Infinite Football is a film about outsiders and feeling on the fringe of society

~ John-Anthony Disotto -

Dillon makes a fair fist of the role of Jack.

~ Richard Mowe -

Dillon makes a fair fist of the role of Jack.

~ Richard Mowe -

Moreno's travels give us a sense of the enormity of what lies beneath, unhurried but curious in his progress, even homing in to look at the microscopic monsters we might not realise also make these caverns their home.

~ Amber Wilkinson -

Moreno's travels give us a sense of the enormity of what lies beneath, unhurried but curious in his progress, even homing in to look at the microscopic monsters we might not realise also make these caverns their home.

~ Amber Wilkinson -

A mixed bag, as while Everett the actor masterfully evokes the mournful mix of decadence and decay of the last years of Wilde, Everett the filmmaker is, like so many before him, too much in love with the brilliant old rogue for his own good.

~ Amber Wilkinson -

A mixed bag, as while Everett the actor masterfully evokes the mournful mix of decadence and decay of the last years of Wilde, Everett the filmmaker is, like so many before him, too much in love with the brilliant old rogue for his own good.

~ Amber Wilkinson -

Directed with admirable understatement and restraint.

~ Richard Mowe -

Directed with admirable understatement and restraint.

~ Richard Mowe -

The real and the absurd walk arm in arm here.

~ Amber Wilkinson -

The real and the absurd walk arm in arm here.

~ Amber Wilkinson -

A melancholy contribution to an important cinematic reckoning.

~ Jennie Kermode -

A melancholy contribution to an important cinematic reckoning.

~ Jennie Kermode -

Each successive scene hits you over the head with the ferocity of the action.

~ Richard Mowe -

Each successive scene hits you over the head with the ferocity of the action.

~ Richard Mowe -

The film carries a message about the importance of tolerance, love and a healthy dose of silliness in the face of the darker elements of modern life.

~ Amber Wilkinson -

The film carries a message about the importance of tolerance, love and a healthy dose of silliness in the face of the darker elements of modern life.

~ Amber Wilkinson -

Szöcs has good ideas for the look and framing of the film but a feel for the characters is missing.

~ Amber Wilkinson -

Szöcs has good ideas for the look and framing of the film but a feel for the characters is missing.

~ Amber Wilkinson -

An original and highly ambitious premise that maintains its grip your attention and imagination.

~ Richard Mowe -

An original and highly ambitious premise that maintains its grip your attention and imagination.

~ Richard Mowe -

The feeling of exposure to evil never fades

~ Angus Wolfe Murray -

The feeling of exposure to evil never fades

~ Angus Wolfe Murray -

Pestana is brave, both unafraid of filming moments of intimacy when others might have set the camera aside - and of then presenting those moments to us in retrospect.

~ Amber Wilkinson -

Pestana is brave, both unafraid of filming moments of intimacy when others might have set the camera aside - and of then presenting those moments to us in retrospect.

~ Amber Wilkinson -

Aleksey Fedorchenko isn't the first to try to come at the horrors of the Holocaust from a fresh perspective - although the narrow outlook he adopts here also ends up limiting how much he is able to say.

~ Amber Wilkinson -

Aleksey Fedorchenko isn't the first to try to come at the horrors of the Holocaust from a fresh perspective - although the narrow outlook he adopts here also ends up limiting how much he is able to say.

~ Amber Wilkinson -

Trobisch lets the normality bite.

~ Amber Wilkinson -

Trobisch lets the normality bite.

~ Amber Wilkinson -

The observational approach works against the director, slowing down proceedings and making it hard to see the wood for the trees

~ Amber Wilkinson -

Lotus may love pretty things, but he doesn’t hold back on the gore.

~ Jennie Kermode -

With so much going on the only shame is that at this length the pirouettes in various directions are so brief, giving us a taste for ideas that are begging to be dug into further.

~ Amber Wilkinson -

While the film is generally a delight, the increasingly surreal third act can be hard to track.

~ Antoni Konieczny -

A patient, affecting study of human connection in unusual circumstances

~ Antoni Konieczny -

The irreverent score, the gothic art direction, and Mario Tosi’s kaleidoscopic, slithering cinematography coalesce into something mesmeric.

~ Antoni Konieczny -

Like its subject, the film is a fusion of styles.

~ Jennie Kermode -

Fiennes is lean in look and in performance, bringing an intensity that proves compelling.

~ Amber Wilkinson -

An overflowing life is presented to us through archival interviews and film clips, and most revealingly through on-camera insights from O’Brien herself.

~ Anne-Katrin Titze -

The anxious impact of the airport is also brought home to us by the crowded nature of the animation, its expressionist rendering emphasising the strangeness of this environment.

~ Amber Wilkinson -

For better or worse, Antonioni’s got his master stylist hat on here, even if it sometimes obscures his vision.

~ Antoni Konieczny -

Feels like a bite-sized companion piece to The Invasion

~ Amber Wilkinson -

There’s a good deal of depth and nuance to these relationships as Blichfeldt uses them to illustrate how a society which makes women dependent on men magnifies ever petty disagreement and sets them at odds with one another.

~ Jennie Kermode -

The cinematography is deliberately downbeat. The narrative meanders as its hero does.

~ Jennie Kermode -

Anno, while acknowledging the history through the use of archive and via her interviewees, firmly accentuates the positives and the strides that have been made.

~ Amber Wilkinson -

There’s no room here for the simple morality of the average horror film.

~ Jennie Kermode -

Though parts of the film are repetitive and others don’t quite knit together, there are some real gems hidden in there.

~ Jennie Kermode -

The plot is not the film’s strongest point, but it functions well enough as a device through which to explore a troubled relationship.

~ Jennie Kermode -

This is probably [Tsutsumi's] strangest film to date, its full-on, rapid fire style combining with a wild and not always coherent plot to exhaust most viewers in the first 15 minutes.

~ Jennie Kermode -

Ultimately. McClarnon’s biggest advantage lies in his cast.

~ Jennie Kermode -

Pure joy from start to finish.

~ Anton Bitel -

Fiennes is lean in look and in performance, bringing an intensity that proves compelling.

~ Amber Wilkinson -

Coogan is well cast in this tricky role, moving easily from humour to heartbreak..

~ Jennie Kermode -

I Am Love is social melodrama in the best traditions of Italian cinema.

~ Chris -

Anime at its very finest - lightning paced, visually stunning, feverishly creative and overrun by a logic all its own.

~ Anton Bitel -

The action is pacy but that doesn’t mean Courvoisier skims the surface.

~ Amber Wilkinson -

An overflowing life is presented to us through archival interviews and film clips, and most revealingly through on-camera insights from O’Brien herself.

~ Anne-Katrin Titze -