An enormously satisfying adventure, made with skill and care.

~ Scott Macdonald -

An enormously satisfying adventure, made with skill and care.

~ Scott Macdonald -

An effective exercise in giallo style.

~ Keith Hennessey Brown -

An effective exercise in giallo style.

~ Keith Hennessey Brown -

A visual treat which at times will take your breath away.

~ Jennie Kermode -

A visual treat which at times will take your breath away.

~ Jennie Kermode -

In the central role, Stegers hams it up like a pantomime dame.

~ Jennie Kermode -

In the central role, Stegers hams it up like a pantomime dame.

~ Jennie Kermode -

There are many scenes delightful to young children which older viewers will find shallow and gimmicky, whilst the younger ones will be left puzzled and bored by the strange romance between Sarah and her enemy.

~ Jennie Kermode -

There are many scenes delightful to young children which older viewers will find shallow and gimmicky, whilst the younger ones will be left puzzled and bored by the strange romance between Sarah and her enemy.

~ Jennie Kermode -

Although this is, in part, a darkly comic exploration of man's inhumanity to man, there is a current of optimism, flowing like the artwork, beneath the story.

~ Amber Wilkinson -

Although this is, in part, a darkly comic exploration of man's inhumanity to man, there is a current of optimism, flowing like the artwork, beneath the story.

~ Amber Wilkinson -

This film delivers real thrills and real scares.

~ Jennie Kermode -

This film delivers real thrills and real scares.

~ Jennie Kermode -

A film to be admired more for its vast ambitions than for its actual achievements.

~ Anton Bitel -

A film to be admired more for its vast ambitions than for its actual achievements.

~ Anton Bitel -

I find Tarkovsky’s mindset literal and linear by comparison to that of Nakajima.

~ Tony Sullivan -

I find Tarkovsky’s mindset literal and linear by comparison to that of Nakajima.

~ Tony Sullivan -

There's scarcely a scene in this film that doesn't deserve to be a poster.

~ Jennie Kermode -

There's scarcely a scene in this film that doesn't deserve to be a poster.

~ Jennie Kermode -

A bit like a Kevin Smith version of Cloverfield, but in a good way.

~ Jennie Kermode -

A bit like a Kevin Smith version of Cloverfield, but in a good way.

~ Jennie Kermode -

The filmmaker and her crew deserve a lot of credit for even managing to capture this lifestyle – not to mention following it for five years.

~ Amber Wilkinson -

Breslin, as so often, is the standout.

~ Jennie Kermode -

The observational approach works against the director, slowing down proceedings and making it hard to see the wood for the trees

~ Amber Wilkinson -

Lotus may love pretty things, but he doesn’t hold back on the gore.

~ Jennie Kermode -

With so much going on the only shame is that at this length the pirouettes in various directions are so brief, giving us a taste for ideas that are begging to be dug into further.

~ Amber Wilkinson -

While the film is generally a delight, the increasingly surreal third act can be hard to track.

~ Antoni Konieczny -

A patient, affecting study of human connection in unusual circumstances

~ Antoni Konieczny -

The irreverent score, the gothic art direction, and Mario Tosi’s kaleidoscopic, slithering cinematography coalesce into something mesmeric.

~ Antoni Konieczny -

Like its subject, the film is a fusion of styles.

~ Jennie Kermode -

Fiennes is lean in look and in performance, bringing an intensity that proves compelling.

~ Amber Wilkinson -

An overflowing life is presented to us through archival interviews and film clips, and most revealingly through on-camera insights from O’Brien herself.

~ Anne-Katrin Titze -

The anxious impact of the airport is also brought home to us by the crowded nature of the animation, its expressionist rendering emphasising the strangeness of this environment.

~ Amber Wilkinson -

For better or worse, Antonioni’s got his master stylist hat on here, even if it sometimes obscures his vision.

~ Antoni Konieczny -

Feels like a bite-sized companion piece to The Invasion

~ Amber Wilkinson -

There’s a good deal of depth and nuance to these relationships as Blichfeldt uses them to illustrate how a society which makes women dependent on men magnifies ever petty disagreement and sets them at odds with one another.

~ Jennie Kermode -

The cinematography is deliberately downbeat. The narrative meanders as its hero does.

~ Jennie Kermode -

Anno, while acknowledging the history through the use of archive and via her interviewees, firmly accentuates the positives and the strides that have been made.

~ Amber Wilkinson -

There’s no room here for the simple morality of the average horror film.

~ Jennie Kermode -

Though parts of the film are repetitive and others don’t quite knit together, there are some real gems hidden in there.

~ Jennie Kermode -

The plot is not the film’s strongest point, but it functions well enough as a device through which to explore a troubled relationship.

~ Jennie Kermode -

Pure joy from start to finish.

~ Anton Bitel -

Fiennes is lean in look and in performance, bringing an intensity that proves compelling.

~ Amber Wilkinson -

Coogan is well cast in this tricky role, moving easily from humour to heartbreak..

~ Jennie Kermode -

I Am Love is social melodrama in the best traditions of Italian cinema.

~ Chris -

Anime at its very finest - lightning paced, visually stunning, feverishly creative and overrun by a logic all its own.

~ Anton Bitel -

The action is pacy but that doesn’t mean Courvoisier skims the surface.

~ Amber Wilkinson -

An overflowing life is presented to us through archival interviews and film clips, and most revealingly through on-camera insights from O’Brien herself.

~ Anne-Katrin Titze -