With a slender premise, set up and resolution, the fact that its small ideas can resonate so well afterwards is a minor triumph.

~ Paul Griffiths -

With a slender premise, set up and resolution, the fact that its small ideas can resonate so well afterwards is a minor triumph.

~ Paul Griffiths -

The film appears to be trying to work on some higher metaphorical level where conventional narrative is not needed, and it is up to audiences to carefully unpick what ideas and themes are being offered up without any real guidance.

~ Owen Van Spall -

The film appears to be trying to work on some higher metaphorical level where conventional narrative is not needed, and it is up to audiences to carefully unpick what ideas and themes are being offered up without any real guidance.

~ Owen Van Spall -

The direction shows flair, picking out striking visual lines and depth in the most ordinary of locations, all awash with over-saturated video colours.

~ Paul Griffiths -

The direction shows flair, picking out striking visual lines and depth in the most ordinary of locations, all awash with over-saturated video colours.

~ Paul Griffiths -

Autumn Adagio approaches the deeply personal with respect and penetrating sensitivity.

~ Paul Griffiths -

Autumn Adagio approaches the deeply personal with respect and penetrating sensitivity.

~ Paul Griffiths -

Shutaro challenges us to stay with this quietly brutish character.

~ Paul Griffiths -

Shutaro challenges us to stay with this quietly brutish character.

~ Paul Griffiths -

This is no ordinary underdog boxer story. Mariko's film instead shares DNA with Taxi Driver or Raging Bull.

~ Owen Van Spall -

This is no ordinary underdog boxer story. Mariko's film instead shares DNA with Taxi Driver or Raging Bull.

~ Owen Van Spall -

A quiet, gentle film that encourages reflection.

~ Owen Van Spall -

A quiet, gentle film that encourages reflection.

~ Owen Van Spall -

There's almost a Blair Witch quality to this documentary - the naive young filmmakers suddenly out of their depth in a remote region where they've no idea where to turn for help.

~ Jennie Kermode -

There's almost a Blair Witch quality to this documentary - the naive young filmmakers suddenly out of their depth in a remote region where they've no idea where to turn for help.

~ Jennie Kermode -

Aside from capturing the stand-in Californian scenery well, Bruce has fun with his RED camera’s angles and speeds, whips up woozy montages, splashes the colours around and edits with a Hot Fuzz intensity.

~ Paul Griffiths -

Aside from capturing the stand-in Californian scenery well, Bruce has fun with his RED camera’s angles and speeds, whips up woozy montages, splashes the colours around and edits with a Hot Fuzz intensity.

~ Paul Griffiths -

Dysinger's style is immersive, thrusting us to the centre of activity in the camp and helping us to connect both with the day-to-day struggles of the rank and file and some of the thorny philosophical and political issues that surround it.

~ Amber Wilkinson -

Dysinger's style is immersive, thrusting us to the centre of activity in the camp and helping us to connect both with the day-to-day struggles of the rank and file and some of the thorny philosophical and political issues that surround it.

~ Amber Wilkinson -