This is clearly a labour of love.

~ Andrew Robertson -

This is clearly a labour of love.

~ Andrew Robertson -

The film is funny, heart rending, brutally honest and extremely well made.

~ Angus Wolfe Murray -

The film is funny, heart rending, brutally honest and extremely well made.

~ Angus Wolfe Murray -

Murnau’s ability as a storyteller is demonstrated to perfection in this, his last film.

~ Angus Wolfe Murray -

Murnau’s ability as a storyteller is demonstrated to perfection in this, his last film.

~ Angus Wolfe Murray -

It's hard to watch the dated hairdos and ugly early Eighties fashion and side with these kids.

~ Gator MacReady -

It's hard to watch the dated hairdos and ugly early Eighties fashion and side with these kids.

~ Gator MacReady -

Standing Up makes Full Metal Jacket look like a fascist recruitment film.

~ Angus Wolfe Murray -

Standing Up makes Full Metal Jacket look like a fascist recruitment film.

~ Angus Wolfe Murray -

A film which makes you rethink your perceptions and encourages you to ponder deeper questions of humanity.

~ Amber Wilkinson -

A film which makes you rethink your perceptions and encourages you to ponder deeper questions of humanity.

~ Amber Wilkinson -

Clay doesn’t want for ideas but his symbolism is in grave danger of smothering the story

~ Amber Wilkinson -

Clay doesn’t want for ideas but his symbolism is in grave danger of smothering the story

~ Amber Wilkinson -

Very capable of raising of smile.

~ Adam Micklethwaite -

Very capable of raising of smile.

~ Adam Micklethwaite -

Some sections of the film feel like a soapbox for her to stand on, to proselytize her personal politics; to bolster her image as a radical poet.

~ George Williamson -

Some sections of the film feel like a soapbox for her to stand on, to proselytize her personal politics; to bolster her image as a radical poet.

~ George Williamson -

Parting Shot becomes a fascinating meditative study for anyone that has ever felt themselves in the grip of uncontrollable passion.

~ Chris -

Parting Shot becomes a fascinating meditative study for anyone that has ever felt themselves in the grip of uncontrollable passion.

~ Chris -

If you're a fan of B-movies - of nudity, gore, monsters, car chases, kung fu action and ultra-low-budget fun - then Not Quite Hollywood is a treat you can't afford to miss.

~ Jennie Kermode -

If you're a fan of B-movies - of nudity, gore, monsters, car chases, kung fu action and ultra-low-budget fun - then Not Quite Hollywood is a treat you can't afford to miss.

~ Jennie Kermode -

Plays a lot like a neutered Troma movie – it lacks what makes Troma films appealing, namely the razor-sharp satirical touches and garage rock filmmaking ethos.

~ Daniel Hooper -

Plays a lot like a neutered Troma movie – it lacks what makes Troma films appealing, namely the razor-sharp satirical touches and garage rock filmmaking ethos.

~ Daniel Hooper -

A savage deconstruction of Thatcherite beliefs in family.

~ Scott Macdonald -

A savage deconstruction of Thatcherite beliefs in family.

~ Scott Macdonald -

My patience with the central character expired long before the film eventually dragged itself towards the end of its running time.

~ Adam Micklethwaite -

My patience with the central character expired long before the film eventually dragged itself towards the end of its running time.

~ Adam Micklethwaite -

A movie you won’t be able to shake off any time soon.

~ Lee Griffiths -

A movie you won’t be able to shake off any time soon.

~ Lee Griffiths -

The filmmakers keep you wondering about the characters and their motives throughout.

~ Keith Hennessey Brown -

The filmmakers keep you wondering about the characters and their motives throughout.

~ Keith Hennessey Brown -

Jim Finn’s awkwardly placed film is unsettling by its approach as well as its subject matter.

~ Chris -

Jim Finn’s awkwardly placed film is unsettling by its approach as well as its subject matter.

~ Chris -

Jesus Christ Saviour is more a challenging and interesting curio for fans of Kinski and Herzog's collaborations than a movie in its own right.

~ Scott Macdonald -

Jesus Christ Saviour is more a challenging and interesting curio for fans of Kinski and Herzog's collaborations than a movie in its own right.

~ Scott Macdonald -

Despite its lengthy duration, this film gallops along.

~ Anton Bitel -

Despite its lengthy duration, this film gallops along.

~ Anton Bitel -

If you watch one western in your lifetime, make it The Good, The Bad And The Ugly.

~ Jennie Kermode -

If you watch one western in your lifetime, make it The Good, The Bad And The Ugly.

~ Jennie Kermode -

Colin Firth gives possibly his best performance yet.

~ Val Kermode -

Colin Firth gives possibly his best performance yet.

~ Val Kermode -

What this film shows, by visiting communities around the world, is that issues of pollution are often intrinsically linked to issues of ownership.

~ Val Kermode -

What this film shows, by visiting communities around the world, is that issues of pollution are often intrinsically linked to issues of ownership.

~ Val Kermode -

Fassbinder's camerawork is nothing short of masterful.

~ Leanne McGrath -

Fassbinder's camerawork is nothing short of masterful.

~ Leanne McGrath -

Kim Ki-duk is using language to highlight the communicative gulf that exists between his dramatis personae.

~ Anton Bitel -

Kim Ki-duk is using language to highlight the communicative gulf that exists between his dramatis personae.

~ Anton Bitel -

Elevated by an outstanding central performance from Harry Treadaway.

~ Jennie Kermode -

Elevated by an outstanding central performance from Harry Treadaway.

~ Jennie Kermode -

A sombre film that never shows more than it needs to, and never allows its more outrageous or shocking moments to descend into sadistic spectacle or farce.

~ Anton Bitel -

A sombre film that never shows more than it needs to, and never allows its more outrageous or shocking moments to descend into sadistic spectacle or farce.

~ Anton Bitel -

In an industry becoming increasingly dominated by computerised effects, it’s heartening to see the practical work on display looks so good.

~ Jonathan Melton -

In an industry becoming increasingly dominated by computerised effects, it’s heartening to see the practical work on display looks so good.

~ Jonathan Melton -

Juraj Lehotský's Blind Loves not only succeeds in describing the world as blind people really experience it but, in so doing, presents the sighted viewer with a fascinating insight into a different way of living.

~ Jennie Kermode -

Juraj Lehotský's Blind Loves not only succeeds in describing the world as blind people really experience it but, in so doing, presents the sighted viewer with a fascinating insight into a different way of living.

~ Jennie Kermode -

Rather than heaping condemnation on everyone involved – as you might expect – Ramos just tells it like it is.

~ Amber Wilkinson -

Rather than heaping condemnation on everyone involved – as you might expect – Ramos just tells it like it is.

~ Amber Wilkinson -

If this is a true representation of what Russian reform schools can achieve, it is remarkable.

~ Angus Wolfe Murray -

If this is a true representation of what Russian reform schools can achieve, it is remarkable.

~ Angus Wolfe Murray -

Breathtakingly visual and epic in its ambitions.

~ Gary Duncan -

Breathtakingly visual and epic in its ambitions.

~ Gary Duncan -

The voyeuristic experience of watching their unpleasant exhibitionism becomes a very alienating experience and as a result it is increasingly difficult to engage with, or indeed care about, any of the characters.

~ Adam Micklethwaite -

The voyeuristic experience of watching their unpleasant exhibitionism becomes a very alienating experience and as a result it is increasingly difficult to engage with, or indeed care about, any of the characters.

~ Adam Micklethwaite -

The filmmaker and her crew deserve a lot of credit for even managing to capture this lifestyle – not to mention following it for five years.

~ Amber Wilkinson -

Breslin, as so often, is the standout.

~ Jennie Kermode -

The observational approach works against the director, slowing down proceedings and making it hard to see the wood for the trees

~ Amber Wilkinson -

Lotus may love pretty things, but he doesn’t hold back on the gore.

~ Jennie Kermode -

With so much going on the only shame is that at this length the pirouettes in various directions are so brief, giving us a taste for ideas that are begging to be dug into further.

~ Amber Wilkinson -

While the film is generally a delight, the increasingly surreal third act can be hard to track.

~ Antoni Konieczny -

A patient, affecting study of human connection in unusual circumstances

~ Antoni Konieczny -

The irreverent score, the gothic art direction, and Mario Tosi’s kaleidoscopic, slithering cinematography coalesce into something mesmeric.

~ Antoni Konieczny -

Like its subject, the film is a fusion of styles.

~ Jennie Kermode -

Fiennes is lean in look and in performance, bringing an intensity that proves compelling.

~ Amber Wilkinson -

An overflowing life is presented to us through archival interviews and film clips, and most revealingly through on-camera insights from O’Brien herself.

~ Anne-Katrin Titze -

The anxious impact of the airport is also brought home to us by the crowded nature of the animation, its expressionist rendering emphasising the strangeness of this environment.

~ Amber Wilkinson -

For better or worse, Antonioni’s got his master stylist hat on here, even if it sometimes obscures his vision.

~ Antoni Konieczny -

Feels like a bite-sized companion piece to The Invasion

~ Amber Wilkinson -

There’s a good deal of depth and nuance to these relationships as Blichfeldt uses them to illustrate how a society which makes women dependent on men magnifies ever petty disagreement and sets them at odds with one another.

~ Jennie Kermode -

The cinematography is deliberately downbeat. The narrative meanders as its hero does.

~ Jennie Kermode -

Anno, while acknowledging the history through the use of archive and via her interviewees, firmly accentuates the positives and the strides that have been made.

~ Amber Wilkinson -

There’s no room here for the simple morality of the average horror film.

~ Jennie Kermode -

Though parts of the film are repetitive and others don’t quite knit together, there are some real gems hidden in there.

~ Jennie Kermode -

The plot is not the film’s strongest point, but it functions well enough as a device through which to explore a troubled relationship.

~ Jennie Kermode -

Pure joy from start to finish.

~ Anton Bitel -

Fiennes is lean in look and in performance, bringing an intensity that proves compelling.

~ Amber Wilkinson -

Coogan is well cast in this tricky role, moving easily from humour to heartbreak..

~ Jennie Kermode -

I Am Love is social melodrama in the best traditions of Italian cinema.

~ Chris -

Anime at its very finest - lightning paced, visually stunning, feverishly creative and overrun by a logic all its own.

~ Anton Bitel -

The action is pacy but that doesn’t mean Courvoisier skims the surface.

~ Amber Wilkinson -

An overflowing life is presented to us through archival interviews and film clips, and most revealingly through on-camera insights from O’Brien herself.

~ Anne-Katrin Titze -