Good documentary finds an interesting story or is interestingly told - great documentary does both, and Zero Days is that.

~ Andrew Robertson -

Good documentary finds an interesting story or is interestingly told - great documentary does both, and Zero Days is that.

~ Andrew Robertson -

The honesty and simplicity of this picture were then indicative of talent.

~ Andrew Robertson -

The honesty and simplicity of this picture were then indicative of talent.

~ Andrew Robertson -

It is a comic thriller that is not particularly comic nor particularly thrilling.

~ Andrew Robertson -

It is a comic thriller that is not particularly comic nor particularly thrilling.

~ Andrew Robertson -

This particular malt is a wee charmer in its own right.

~ Jennie Kermode -

This particular malt is a wee charmer in its own right.

~ Jennie Kermode -

Itani's film asks more questions than it answers. She sets herself an impossible task, the sharing of memories, shuffling through darkness to find a familiar pain and then release it.

~ Angus Wolfe Murray -

Itani's film asks more questions than it answers. She sets herself an impossible task, the sharing of memories, shuffling through darkness to find a familiar pain and then release it.

~ Angus Wolfe Murray -

Its comedy leaps barricades.

~ Angus Wolfe Murray -

Its comedy leaps barricades.

~ Angus Wolfe Murray -

This film does much well but little new.

~ Andrew Robertson -

This film does much well but little new.

~ Andrew Robertson -

The film rattles along at a fair pace, peppered with gentle warmth and good humour.

~ Robert Munro -

The film rattles along at a fair pace, peppered with gentle warmth and good humour.

~ Robert Munro -

The somewhat uneven performances and machine-translator dubbed dialogue add to the sense of ramshackle charm.

~ Jeff Robson -

The somewhat uneven performances and machine-translator dubbed dialogue add to the sense of ramshackle charm.

~ Jeff Robson -

Tiger Raid is great.

~ Andrew Robertson -

Tiger Raid is great.

~ Andrew Robertson -

This is not a film. It is an endurance test.

~ Angus Wolfe Murray -

This is not a film. It is an endurance test.

~ Angus Wolfe Murray -

Mid-life crisis has rarely felt so queasy as it does in Argyris Papadimitropoulos' character study, which features humour so dark you can feel it closing in around you.

~ Amber Wilkinson -

Mid-life crisis has rarely felt so queasy as it does in Argyris Papadimitropoulos' character study, which features humour so dark you can feel it closing in around you.

~ Amber Wilkinson -

Subway is all about style over substance, in itself and in its themes, and it's replete with images that will burn themselves into your brain.

~ Jennie Kermode -

Subway is all about style over substance, in itself and in its themes, and it's replete with images that will burn themselves into your brain.

~ Jennie Kermode -

Froggatt and Riley... give finely calibrated performances that make you believe not just in the couple's current predicament but in the strength of their bond.

~ Amber Wilkinson -

Froggatt and Riley... give finely calibrated performances that make you believe not just in the couple's current predicament but in the strength of their bond.

~ Amber Wilkinson -

What marks Rúnarsson's film out from so many similar coming-of-age films, however, is its strong sense of place and the inner strength of his central character.

~ Amber Wilkinson -

What marks Rúnarsson's film out from so many similar coming-of-age films, however, is its strong sense of place and the inner strength of his central character.

~ Amber Wilkinson -

If something like Sixty Six were 10 minutes long and repeated on a continuous loop it might have a chance with the Turner prize.

~ Angus Wolfe Murray -

If something like Sixty Six were 10 minutes long and repeated on a continuous loop it might have a chance with the Turner prize.

~ Angus Wolfe Murray -

What marks her film out is a graceful empathy that helps us feel at least a little of what Ana is going through as well as see it.

~ Amber Wilkinson -

What marks her film out is a graceful empathy that helps us feel at least a little of what Ana is going through as well as see it.

~ Amber Wilkinson -

One of the strongest zombie films for years.

~ Jennie Kermode -

One of the strongest zombie films for years.

~ Jennie Kermode -

Henry Coombes' film contains some highly entertaining banter.

~ Jennie Kermode -

Henry Coombes' film contains some highly entertaining banter.

~ Jennie Kermode -

The directing duo show a sensibility for wider rural issues that mourns the loss of more than just one person.

~ Amber Wilkinson -

The directing duo show a sensibility for wider rural issues that mourns the loss of more than just one person.

~ Amber Wilkinson -

Our sympathies are torn and turned on a dime.

~ Amber Wilkinson -

Our sympathies are torn and turned on a dime.

~ Amber Wilkinson -

River carries the viewer along at a thundering pace as deeper currents gradually find their way to the surface.

~ Jennie Kermode -

River carries the viewer along at a thundering pace as deeper currents gradually find their way to the surface.

~ Jennie Kermode -

This isn't just about how the opinions of others shape us but the "male gaze in my head" and how much our desire to conform comes from within, driven by some amorphous set of rules and a cycle of expectations and reinforcement.

~ Amber Wilkinson -

This isn't just about how the opinions of others shape us but the "male gaze in my head" and how much our desire to conform comes from within, driven by some amorphous set of rules and a cycle of expectations and reinforcement.

~ Amber Wilkinson -

There are moments of brilliance but also points where Tati simply lays on everything too thick.

~ Amber Wilkinson -

There are moments of brilliance but also points where Tati simply lays on everything too thick.

~ Amber Wilkinson -

The stills don't do it justice, movement is the thing.

~ Amber Wilkinson -

The stills don't do it justice, movement is the thing.

~ Amber Wilkinson -

A fine, observant comedy from a young director who takes chances that pay off and who, like his two main characters, has plenty of potential.

~ Amber Wilkinson -

A fine, observant comedy from a young director who takes chances that pay off and who, like his two main characters, has plenty of potential.

~ Amber Wilkinson -

Despite the considerable talents of the two leads it all ends up feeling rather flat.

~ Jennie Kermode -

Despite the considerable talents of the two leads it all ends up feeling rather flat.

~ Jennie Kermode -

Female freedom runs like gusts of wind through hair in Leena Yadav's Parched - refreshing and vital yet easily stilled.

~ Amber Wilkinson -

Female freedom runs like gusts of wind through hair in Leena Yadav's Parched - refreshing and vital yet easily stilled.

~ Amber Wilkinson -

A thrillingly cinematic film.

~ Robert Munro -

A thrillingly cinematic film.

~ Robert Munro -

What the film lacks in allegorical subtlety it makes up for in depth of emotion.

~ Amber Wilkinson -

What the film lacks in allegorical subtlety it makes up for in depth of emotion.

~ Amber Wilkinson -

The film... shows talent and ingenuity.

~ Andrew Robertson -

The film... shows talent and ingenuity.

~ Andrew Robertson -

The techniques Besson uses are are simple and easy to understand. They are blended together with finesse.

~ Donald Munro -

The techniques Besson uses are are simple and easy to understand. They are blended together with finesse.

~ Donald Munro -

Simpson has a particularly good eye for landscape and colour.

~ Donald Munro -

Simpson has a particularly good eye for landscape and colour.

~ Donald Munro -

Gull has a keen eye for nature, beautifully captured by cinematographer Susanne Salavati.

~ Amber Wilkinson -

Gull has a keen eye for nature, beautifully captured by cinematographer Susanne Salavati.

~ Amber Wilkinson -

Luna wallows in emotional gloom like a pig in mud, coating the script in a layer after layer of regret to little purpose.

~ Amber Wilkinson -

Luna wallows in emotional gloom like a pig in mud, coating the script in a layer after layer of regret to little purpose.

~ Amber Wilkinson -

A really enjoyable piece of Celtic cinema.

~ Robert Munro -

A really enjoyable piece of Celtic cinema.

~ Robert Munro -

Monkey Love Experiments uses a multitude of techniques to good effect.

~ Andrew Robertson -

Monkey Love Experiments uses a multitude of techniques to good effect.

~ Andrew Robertson -

When you're watching a film for the wallpaper you know you're in trouble.

~ Jennie Kermode -

When you're watching a film for the wallpaper you know you're in trouble.

~ Jennie Kermode -

Bowie and Sakamoto acquit themselves well, their otherworldly appearance and rougher edges in acting ability feel quite appropriate for the characters they are playing - outsiders.

~ Owen Van Spall -

Bowie and Sakamoto acquit themselves well, their otherworldly appearance and rougher edges in acting ability feel quite appropriate for the characters they are playing - outsiders.

~ Owen Van Spall -

This is a sweet little film about the dangers of caring too much.

~ Jane Fae -

This is a sweet little film about the dangers of caring too much.

~ Jane Fae -

Good, entertaining, verging at times on the self-indulgent.

~ Andrew Robertson -

Good, entertaining, verging at times on the self-indulgent.

~ Andrew Robertson -

Reda's attitude is a testimony to resilience and aspiration even in the direst circumstances but also heartbreaking.

~ Amber Wilkinson -

Reda's attitude is a testimony to resilience and aspiration even in the direst circumstances but also heartbreaking.

~ Amber Wilkinson -

There's little that's really unusual about this tale, but it's beautifully put together.

~ Jennie Kermode -

There's little that's really unusual about this tale, but it's beautifully put together.

~ Jennie Kermode -

The film has an intensity that creates its own tension.

~ Angus Wolfe Murray -

The film has an intensity that creates its own tension.

~ Angus Wolfe Murray -

Director Rebecca Miller gets terrific performances out of an admittedly terrific cast.

~ Robert Munro -

Director Rebecca Miller gets terrific performances out of an admittedly terrific cast.

~ Robert Munro -

The film is strongest when it is being visually and aurally adventurous.

~ Robert Munro -

The film is strongest when it is being visually and aurally adventurous.

~ Robert Munro -

At the midway point, the screenplay begins to flap about all over the place but Smoczynska's firm, high-energy directing - including an extras-laden shopping centre extravaganza - doesn't stop to let you consider them for too long.

~ Amber Wilkinson -

At the midway point, the screenplay begins to flap about all over the place but Smoczynska's firm, high-energy directing - including an extras-laden shopping centre extravaganza - doesn't stop to let you consider them for too long.

~ Amber Wilkinson -

There is smoke, there is a cauldron, there is an altar of sorts and there is a not very Grand Wizard who looks like someone who has crawled out from inside a bin lorry.

~ Angus Wolfe Murray -

There is smoke, there is a cauldron, there is an altar of sorts and there is a not very Grand Wizard who looks like someone who has crawled out from inside a bin lorry.

~ Angus Wolfe Murray -

An inventive and carefully worked short that has strength in being left open for you to draw your own conclusions.

~ Amber Wilkinson -

An inventive and carefully worked short that has strength in being left open for you to draw your own conclusions.

~ Amber Wilkinson -

This is like finding old photos in the cupboard, being prompted to remember.

~ Andrew Robertson -

This is like finding old photos in the cupboard, being prompted to remember.

~ Andrew Robertson -

Misumi employs a vibrant colour palette, making particularly striking use of red, from silk robes to gushing blood.

~ Jennie Kermode -

Misumi employs a vibrant colour palette, making particularly striking use of red, from silk robes to gushing blood.

~ Jennie Kermode -

What remains true now, as it was then, is the scale and scope of the thing.

~ Angus Wolfe Murray -

What remains true now, as it was then, is the scale and scope of the thing.

~ Angus Wolfe Murray -

The film could be called "old fashioned" but that is rarely a bad thing.

~ Andrew Robertson -

The film could be called "old fashioned" but that is rarely a bad thing.

~ Andrew Robertson -

What might easily have been a dry historical drama is delivered as a gripping action film complete with brutal battles and inventive chase scenes.

~ Jennie Kermode -

What might easily have been a dry historical drama is delivered as a gripping action film complete with brutal battles and inventive chase scenes.

~ Jennie Kermode -

The territory feels familiar and the high cliche level holds this thriller back from being as gripping as it should

~ Amber Wilkinson -

The territory feels familiar and the high cliche level holds this thriller back from being as gripping as it should

~ Amber Wilkinson -

A confident and assured portrayal of a distinct lack of confidence and assurance.

~ Andrew Robertson -

A confident and assured portrayal of a distinct lack of confidence and assurance.

~ Andrew Robertson -

Ryan is never less than sincere but fails to penetrate the heart of the matter.

~ Amber Wilkinson -

Ryan is never less than sincere but fails to penetrate the heart of the matter.

~ Amber Wilkinson -

A technically accomplished portrait of aging and an individual.

~ Andrew Robertson -

A technically accomplished portrait of aging and an individual.

~ Andrew Robertson -

This is a much more confident and relaxed film than Lilti's previous, showing more faith in characters and less need for dramatic incident.

~ Amber Wilkinson -

This is a much more confident and relaxed film than Lilti's previous, showing more faith in characters and less need for dramatic incident.

~ Amber Wilkinson -

The Islands And The Whales knows when to be small, and its intimate portraits of day to day life illustrate how the monumental intersects with the personal.

~ Jennie Kermode -

The Islands And The Whales knows when to be small, and its intimate portraits of day to day life illustrate how the monumental intersects with the personal.

~ Jennie Kermode -

Taika Waititi knows growing up isn't child's play but he also respects childhood as a place of adventure, where spontaneity rules and the possibilities are only limited by imagination.

~ Amber Wilkinson -

Taika Waititi knows growing up isn't child's play but he also respects childhood as a place of adventure, where spontaneity rules and the possibilities are only limited by imagination.

~ Amber Wilkinson -

What happened here? Where did all the people go? This question might be asked as much of the settings as of the story they create.

~ Jennie Kermode -

What happened here? Where did all the people go? This question might be asked as much of the settings as of the story they create.

~ Jennie Kermode -

Overall, this is more miss than hit, but there are some nice ideas that will appeal to genre fans.

~ Jennie Kermode -

Overall, this is more miss than hit, but there are some nice ideas that will appeal to genre fans.

~ Jennie Kermode -

Unfolds as an epic poem in which the fiction alternates with documentary inserts and strange, dreamlike hallucinations.

~ Leo Bankersen -

Unfolds as an epic poem in which the fiction alternates with documentary inserts and strange, dreamlike hallucinations.

~ Leo Bankersen -

Highlander cannot be faulted for its boldness, trying to reinvent the genre by dragging it kicking and screaming into the modern age.

~ Jennie Kermode -

Highlander cannot be faulted for its boldness, trying to reinvent the genre by dragging it kicking and screaming into the modern age.

~ Jennie Kermode -

A film that is confident in visiting the past not only as flashbacks but as repercussions, relations, revelations.

~ Andrew Robertson -

A film that is confident in visiting the past not only as flashbacks but as repercussions, relations, revelations.

~ Andrew Robertson -

An underdog story with bite, and a hymn to the equality movements of the 20th Century.

~ Jennie Kermode -

An underdog story with bite, and a hymn to the equality movements of the 20th Century.

~ Jennie Kermode -

The film is enjoyable enough, but unfortunately Kiefer Sutherland is not Alan Ladd.

~ Robert Munro -

The film is enjoyable enough, but unfortunately Kiefer Sutherland is not Alan Ladd.

~ Robert Munro -

Everything here is sincerely meant but Gobadi struggles to make the stories fit together in any meaningful way, with the scripting paradoxically too loose for most of the film and then suddenly far too on the nose.

~ Amber Wilkinson -

Everything here is sincerely meant but Gobadi struggles to make the stories fit together in any meaningful way, with the scripting paradoxically too loose for most of the film and then suddenly far too on the nose.

~ Amber Wilkinson -

The physicality and fluidity of adolesence are brought to the fore by Anna Rose Holmer in her tightly directed debut feature that avoids the bear traps of American coming-of-age cliche to offer a classy, thoughtful character study.

~ Amber Wilkinson -

The physicality and fluidity of adolesence are brought to the fore by Anna Rose Holmer in her tightly directed debut feature that avoids the bear traps of American coming-of-age cliche to offer a classy, thoughtful character study.

~ Amber Wilkinson -

Balance is the thing and Stanton and MacLane know when to use a well-timed piece of slapstick or visual gag to cut through sentiment.

~ Amber Wilkinson -

Balance is the thing and Stanton and MacLane know when to use a well-timed piece of slapstick or visual gag to cut through sentiment.

~ Amber Wilkinson -

Max Von Sydow's magnificent Emperor Ming is a template against which all future alien rulers have had to measure up.

~ Jennie Kermode -

Max Von Sydow's magnificent Emperor Ming is a template against which all future alien rulers have had to measure up.

~ Jennie Kermode -

For those who are living with a 19th century idea of what art is, dismissing fashion as trivial and frivolous, Bolton counters that sometimes "fashion is easier to understand than language itself."

~ Anne-Katrin Titze -

For those who are living with a 19th century idea of what art is, dismissing fashion as trivial and frivolous, Bolton counters that sometimes "fashion is easier to understand than language itself."

~ Anne-Katrin Titze -

It's worth noting that making a genre film is no excuse for crafting a female character this depressingly weak.

~ Amber Wilkinson -

It's worth noting that making a genre film is no excuse for crafting a female character this depressingly weak.

~ Amber Wilkinson -

What should have been a chamber piece for veteran writer/director Jean-Paul Rappeneau turns out to be a racer, neither in control nor out of breath.

~ Angus Wolfe Murray -

What should have been a chamber piece for veteran writer/director Jean-Paul Rappeneau turns out to be a racer, neither in control nor out of breath.

~ Angus Wolfe Murray -

It showcases Spielberg's gifts for light comedy, spectacle, and fairy tale celuloid sorcery.

~ Scott Macdonald -

It showcases Spielberg's gifts for light comedy, spectacle, and fairy tale celuloid sorcery.

~ Scott Macdonald -

Despite the confusion there is a tremor of excitement that never goes away.

~ Angus Wolfe Murray -

Despite the confusion there is a tremor of excitement that never goes away.

~ Angus Wolfe Murray -

John Phillip Law is a bit wooden in the central role, though, like Roger Moore as Bond, he compensates by doing one particular expression really well.

~ Jennie Kermode -

John Phillip Law is a bit wooden in the central role, though, like Roger Moore as Bond, he compensates by doing one particular expression really well.

~ Jennie Kermode -

The film plays on its clever concept, forgetting that its audience wants the agony to end and the action to begin.

~ Angus Wolfe Murray -

The film plays on its clever concept, forgetting that its audience wants the agony to end and the action to begin.

~ Angus Wolfe Murray -

The film does entertain, even excite at times, but it never creates a sustained atmosphere of dread.

~ Andrew Robertson -

The film does entertain, even excite at times, but it never creates a sustained atmosphere of dread.

~ Andrew Robertson -

After all, what’s so sinister about reading Aesop’s Fables? Everything and nothing, Corbet suggests.

~ Amber Wilkinson -

After all, what’s so sinister about reading Aesop’s Fables? Everything and nothing, Corbet suggests.

~ Amber Wilkinson -

A beautifully crafted piece.

~ Richard Mowe -

A beautifully crafted piece.

~ Richard Mowe -

Though it is Cox's turn that grabs, it is Konig's that delights.

~ Andrew Robertson -

Though it is Cox's turn that grabs, it is Konig's that delights.

~ Andrew Robertson -

This is how Brakes comes across. Cynical and homemade.

~ Angus Wolfe Murray -

This is how Brakes comes across. Cynical and homemade.

~ Angus Wolfe Murray -

Cements Shashank Arora - so good in gritty drama Titli and demonstrating sharp comic timing here - as an up-and-coming Indian star to look out for.

~ Amber Wilkinson -

Cements Shashank Arora - so good in gritty drama Titli and demonstrating sharp comic timing here - as an up-and-coming Indian star to look out for.

~ Amber Wilkinson -

Simply rendered and very effective.

~ Amber Wilkinson -

Simply rendered and very effective.

~ Amber Wilkinson -

So much depends on Freya Park's performance as Tasha. She achieves something many young actors would be afraid to try.

~ Angus Wolfe Murray -

So much depends on Freya Park's performance as Tasha. She achieves something many young actors would be afraid to try.

~ Angus Wolfe Murray -

This energetic film has a lot to recommend it, not least the way music is juxtaposed with action.

~ Rebecca Naughten -

This energetic film has a lot to recommend it, not least the way music is juxtaposed with action.

~ Rebecca Naughten -

It isn't doing anything new, but it does do it well, and entertainingly.

~ Andrew Robertson -

It isn't doing anything new, but it does do it well, and entertainingly.

~ Andrew Robertson -

Betty Blue is a film that hurls itself into being, brash and unbridled and now.

~ Jennie Kermode -

Betty Blue is a film that hurls itself into being, brash and unbridled and now.

~ Jennie Kermode -

Any dedicated film fan would be poorer for overlooking this comic gem.

~ Jennie Kermode -

Any dedicated film fan would be poorer for overlooking this comic gem.

~ Jennie Kermode -

Fonda's resolutely straight-faced performance makes Barbarella a character who can charm you with more than just her physical assets.

~ Jennie Kermode -

Fonda's resolutely straight-faced performance makes Barbarella a character who can charm you with more than just her physical assets.

~ Jennie Kermode -

Light, almost ethereal, despite the weight of its subject matter.

~ Andrew Robertson -

Light, almost ethereal, despite the weight of its subject matter.

~ Andrew Robertson -

Nölle's greatest achievement is to keep the magic realist realm firmly anchored to the real so that reality feels touched by imagination rather than smothered by it.

~ Amber Wilkinson -

Nölle's greatest achievement is to keep the magic realist realm firmly anchored to the real so that reality feels touched by imagination rather than smothered by it.

~ Amber Wilkinson -

Charm' is just one of the words, and others like 'winsome' are right there - it manages this without ever feeling forced, without ever feeling twee - and that makes it a triumph.

~ Andrew Robertson -

Charm' is just one of the words, and others like 'winsome' are right there - it manages this without ever feeling forced, without ever feeling twee - and that makes it a triumph.

~ Andrew Robertson -

Through it all Yasuda brings an excellent game.

~ Amber Wilkinson -

Through it all Yasuda brings an excellent game.

~ Amber Wilkinson -

What makes About A Boy so refreshing is the surprise factor - surprisingly funny, surprisingly unsentimental, surprisingly enjoyable.

~ Angus Wolfe Murray -

What makes About A Boy so refreshing is the surprise factor - surprisingly funny, surprisingly unsentimental, surprisingly enjoyable.

~ Angus Wolfe Murray -

The long wordless opening of 2001 remains one of the most beautiful sequences on film.

~ Nicola Osborne -

The long wordless opening of 2001 remains one of the most beautiful sequences on film.

~ Nicola Osborne -

Coogan is well cast in this tricky role, moving easily from humour to heartbreak..

~ Jennie Kermode -

Manizha Bakhtari may not be a household name but after watching Natalie Halla’s documentary you’re likely to think she ought to be.

~ Amber Wilkinson -

Sung’s own camera plays tricks, placing objects too close in the foreground so that parts of an image are out of focus, like an incomplete memory.

~ Jennie Kermode -

The concept, narrative, dialogue, cinematography and action sequences are elements of Scanners that can't be faulted.

~ Donald Munro -

The film hangs on Pemberton’s performance, and he imbues Doug with a sweetness that makes us feel for him despite his deeply misguided actions.

~ Jennie Kermode -

The screenplay written by the filmmaker and Andrea Piva is a proper masterwork, from the basic plotting to the intelligent, insightful dialogue.

~ Marko Stojiljkovic -

From the start, there is something different about this film.

~ Jennie Kermode -

Despite the anger at the unfairness of what has gone before, this is ultimately a warm-hearted, life-affirming film.

~ Jennie Kermode -

It is a ride, okay, and it is a bit nauseating and therefore not sterile.

~ Marko Stojiljkovic -

It’s also striking to think that when Leila is looking forward into the future, she is already, in some senses, looking at our recent past, which only reinforces the sense of the cyclical and ongoing nature of her themes.

~ Amber Wilkinson -

Thorne still comes across as being at the stage where many aspects of her work are experimental. She’s yet to settle into her style.

~ Jennie Kermode -

The characters work well...but there’s never quite enough energy to events.

~ Jennie Kermode -

Ahmed doesn’t need to include war footage for us to feel its weight and understand its shadow.

~ Amber Wilkinson -

The colour elements prove all the more striking when in contrast to black and white.

~ Amber Wilkinson -

The beautiful cinematography, the bluesy jazz score and the gentle pace of the film are beguiling, but Masciari makes sure that we don’t lose sight of the ridiculous.

~ Jennie Kermode -

Shot over 17 years, it mingles intimate personal moments with visceral concert footage, its musical sequences knitted together with some of the best editing you’re likely to see this year.

~ Jennie Kermode -

History comes alive in the voices of those who remember it.

~ Amber Wilkinson -

The choice of hand-drawn animation and its ability to demonstrate a magical realism allows the film to find the right distance from what is being depicted.

~ Richard Mowe -

Successfully finds insight and social commentary

~ Jeremy Mathews -

The pace of the action helps Handal to pack a lot in and his framing is inventive.

~ Amber Wilkinson -

Having set up all the elements of a thriller, the film proceeds to untangle them in a refreshingly different and mature way.

~ Jennie Kermode -

[Hart] doesn’t turn up the volume, but uses tone and repetition so effectively that the film becomes a microcosm of the real experience.

~ Jennie Kermode -

Anime at its very finest - lightning paced, visually stunning, feverishly creative and overrun by a logic all its own.

~ Anton Bitel -

The action is pacy but that doesn’t mean Courvoisier skims the surface.

~ Amber Wilkinson -