If you don't know Orry-Kelly's contributions to cinema and even if you do, Women He's Undressed is a must-see.

~ Anne-Katrin Titze -

If you don't know Orry-Kelly's contributions to cinema and even if you do, Women He's Undressed is a must-see.

~ Anne-Katrin Titze -

There is a sense of the freshness of freedom but this a film that mainly deals in big emotions as though worried about getting down to specifics.

~ Amber Wilkinson -

There is a sense of the freshness of freedom but this a film that mainly deals in big emotions as though worried about getting down to specifics.

~ Amber Wilkinson -

Moore is hopeful for the US, too, as he strolls along the remnants of the Berlin Wall, built to last and tumbled nevertheless.

~ Anne-Katrin Titze -

Moore is hopeful for the US, too, as he strolls along the remnants of the Berlin Wall, built to last and tumbled nevertheless.

~ Anne-Katrin Titze -

It is more like a primer on her life than an in-depth study.

~ Amber Wilkinson -

It is more like a primer on her life than an in-depth study.

~ Amber Wilkinson -

This is a bold little film with a lot of attitude.

~ Jennie Kermode -

This is a bold little film with a lot of attitude.

~ Jennie Kermode -

Though the impression is of something collected in a very informal way, the whole is skillfully assembled.

~ Jennie Kermode -

Though the impression is of something collected in a very informal way, the whole is skillfully assembled.

~ Jennie Kermode -

Oppenheimer boils down the atrocity to the experience of a single family, leaving us to extrapolate back up.

~ Amber Wilkinson -

Oppenheimer boils down the atrocity to the experience of a single family, leaving us to extrapolate back up.

~ Amber Wilkinson -

Morgen creates a vivid, colourful and quite poignant rush through a life that was, at once, explosively creative and deeply troubled.

~ Owen Van Spall -

Morgen creates a vivid, colourful and quite poignant rush through a life that was, at once, explosively creative and deeply troubled.

~ Owen Van Spall -

The director has uncovered a wealth of archive material.

~ Richard Mowe -

The director has uncovered a wealth of archive material.

~ Richard Mowe -

Hitchcock/Truffaut has the intriguing aura of a first episode with all the questions answered easily producing 500 more to be asked.

~ Anne-Katrin Titze -

Hitchcock/Truffaut has the intriguing aura of a first episode with all the questions answered easily producing 500 more to be asked.

~ Anne-Katrin Titze -

Even if Dick took away the interviewees and voiceovers from this film, the statistics alone would make for startling reading.

~ Owen Van Spall -

Even if Dick took away the interviewees and voiceovers from this film, the statistics alone would make for startling reading.

~ Owen Van Spall -

Her energy is remarkable and what this film shows is the humility, intelligence and bravery of a girl lucky to be alive

~ Angus Wolfe Murray -

Her energy is remarkable and what this film shows is the humility, intelligence and bravery of a girl lucky to be alive

~ Angus Wolfe Murray -

If you have a love of maths, or even just a love of puzzles, there are parts of this film that you will find compelling.

~ Jennie Kermode -

If you have a love of maths, or even just a love of puzzles, there are parts of this film that you will find compelling.

~ Jennie Kermode -

Informative - and frequently worrying - although not particularly cinematic.

~ Amber Wilkinson -

Informative - and frequently worrying - although not particularly cinematic.

~ Amber Wilkinson -

Unflinching but uplifting, Longinotto's film shows how even one person, if they put their minds to it, can make an enormous difference.

~ Amber Wilkinson -

Unflinching but uplifting, Longinotto's film shows how even one person, if they put their minds to it, can make an enormous difference.

~ Amber Wilkinson -

Having created such an important historical record, Lanzmann himself has become a historical subject, and there are distinct parallels between the interview techniques he describes using and he gentle way he is prompted to push his own boundaries.

~ Jennie Kermode -

Having created such an important historical record, Lanzmann himself has become a historical subject, and there are distinct parallels between the interview techniques he describes using and he gentle way he is prompted to push his own boundaries.

~ Jennie Kermode -

One person's armed vigilante is another person's guardian angel and the border between these two ideas is wafer thin and easily crossed as Matthew Heineman's beautifully shot and probing documentary shows.

~ Amber Wilkinson -

One person's armed vigilante is another person's guardian angel and the border between these two ideas is wafer thin and easily crossed as Matthew Heineman's beautifully shot and probing documentary shows.

~ Amber Wilkinson -

It's not that there's no value to Balaker's argument, rather that the elision of alternative viewpoints and seriously challenging material undermines it and makes it look naive.

~ Jennie Kermode -

It's not that there's no value to Balaker's argument, rather that the elision of alternative viewpoints and seriously challenging material undermines it and makes it look naive.

~ Jennie Kermode -

The film is an interesting, timely, though ultimately dispiriting look at how the twin forces of institutional bigotry and internal discord fragmented one of the key organising forces in black America.

~ Owen Van Spall -

The film is an interesting, timely, though ultimately dispiriting look at how the twin forces of institutional bigotry and internal discord fragmented one of the key organising forces in black America.

~ Owen Van Spall -

Neville and Gordon wisely embed the verbal duels into the surroundings.

~ Anne-Katrin Titze -

Neville and Gordon wisely embed the verbal duels into the surroundings.

~ Anne-Katrin Titze -

An intensely sad and affecting look at a hugely talented young woman, ill equipped for the all-consuming fame which her soulful voice would bring her.

~ Robert Munro -

An intensely sad and affecting look at a hugely talented young woman, ill equipped for the all-consuming fame which her soulful voice would bring her.

~ Robert Munro -

Tomanová, making her debut here, shows rather than tells their story, leaving us to interpret.

~ Amber Wilkinson -

Tomanová, making her debut here, shows rather than tells their story, leaving us to interpret.

~ Amber Wilkinson -

If this weren’t a documentary, these five people would surely find themselves nestled in the pages of some postmodern epic.

~ Luke Shaw -

If this weren’t a documentary, these five people would surely find themselves nestled in the pages of some postmodern epic.

~ Luke Shaw -

Ahmed doesn’t need to include war footage for us to feel its weight and understand its shadow.

~ Amber Wilkinson -

The colour elements prove all the more striking when in contrast to black and white.

~ Amber Wilkinson -

The beautiful cinematography, the bluesy jazz score and the gentle pace of the film are beguiling, but Masciari makes sure that we don’t lose sight of the ridiculous.

~ Jennie Kermode -

Shot over 17 years, it mingles intimate personal moments with visceral concert footage, its musical sequences knitted together with some of the best editing you’re likely to see this year.

~ Jennie Kermode -

History comes alive in the voices of those who remember it.

~ Amber Wilkinson -

The choice of hand-drawn animation and its ability to demonstrate a magical realism allows the film to find the right distance from what is being depicted.

~ Richard Mowe -

Successfully finds insight and social commentary

~ Jeremy Mathews -

The pace of the action helps Handal to pack a lot in and his framing is inventive.

~ Amber Wilkinson -

A Teacher is not the most finely crafted film, but it is a cri de cœur.

~ Jennie Kermode -

The filmmaker and her crew deserve a lot of credit for even managing to capture this lifestyle – not to mention following it for five years.

~ Amber Wilkinson -

Breslin, as so often, is the standout.

~ Jennie Kermode -

The observational approach works against the director, slowing down proceedings and making it hard to see the wood for the trees

~ Amber Wilkinson -

Lotus may love pretty things, but he doesn’t hold back on the gore.

~ Jennie Kermode -

With so much going on the only shame is that at this length the pirouettes in various directions are so brief, giving us a taste for ideas that are begging to be dug into further.

~ Amber Wilkinson -

While the film is generally a delight, the increasingly surreal third act can be hard to track.

~ Antoni Konieczny -

A patient, affecting study of human connection in unusual circumstances

~ Antoni Konieczny -

The irreverent score, the gothic art direction, and Mario Tosi’s kaleidoscopic, slithering cinematography coalesce into something mesmeric.

~ Antoni Konieczny -

Like its subject, the film is a fusion of styles.

~ Jennie Kermode -

Fiennes is lean in look and in performance, bringing an intensity that proves compelling.

~ Amber Wilkinson -

An overflowing life is presented to us through archival interviews and film clips, and most revealingly through on-camera insights from O’Brien herself.

~ Anne-Katrin Titze -

Fiennes is lean in look and in performance, bringing an intensity that proves compelling.

~ Amber Wilkinson -

I Am Love is social melodrama in the best traditions of Italian cinema.

~ Chris -

Anime at its very finest - lightning paced, visually stunning, feverishly creative and overrun by a logic all its own.

~ Anton Bitel -

The action is pacy but that doesn’t mean Courvoisier skims the surface.

~ Amber Wilkinson -