Wonderland

In 1981, four people were murdered at a drug dealer's house on Wonderland Avenue, Los Angeles. The LAPD described it as the bloodiest crime scene since the Manson killings, but the case was notorious for another reason, the mystery surrounding the involvement of John Holmes, also known as Johnny Wadd, who had been one of the world's biggest porn stars before cocaine took a hold.

James Cox's film, in the style of Rashomon, presents conflicting versions of these events, as narrated by a number of characters. We learn that the murders were almost certainly committed by Eddie Nash (Eric Bogosian), a local nightclub owner, who had recently been robbed by the Wonderland drug dealers. The question concerns what role Holmes (Val Kilmer) played, both in setting up Nash for the robbery and the murders themselves.

Refreshingly, the film makes no attempt at glamourising the tedium and selfishness of drug addiction. Holmes is pathetic and childlike, a man whose life is solely dedicated to scoring his next hit. Kilmer gives a typically mannered performance, but Holmes's charm and humanity is reflected in two fine supporting turns from Lisa Kudrow, as his wife - the moral centre of the film - and Kate Bosworth, as his girlfriend.

Cox employs a range of tricks to turn in an undeniably stylish feature, but the fractured narrative and grainy desaturation seem like genre staples and, as a result, the film feels directionless. This lack of purpose is evident in the screenplay, which delights in showing the same scenes of drug use and horrendous violence from numerous angles, while simultaneously inviting us to condemn them. We see the human side of only the female characters, so Holmes remains curiously blank, despite the fact that this is clearly a film about him.

Wonderland owes an obvious debt to GoodFellas, both in style and subject matter, but where that film excelled in seeking out the moral decency of even the shadiest characters, Wonderland simply divides into good and bad, resulting in little interest in its outcome.

Cox displays real visual flair, but would do better applying it to characters he cares about.