'I wanted her to have the space to not know what's right and wrong all the time'
Sarah Miro Fischer on the torn loyalties of her protagonist in The Good Sister
'Reality offers impromptu flowers that you’re able to harvest'
Iván Fund talks about his loose and intuitive approach to filmmaking and story in The Message
Putting on a happy face
Vera Drew on the surprise success and anarchic queerness of The People’s Joker
Tales from the tundra
Zacharias Kunuk on telling traditional stories in Wrong Husband
Dreams come true for Dag Johan Haugerud in Berlin
Director becomes first from Norway to lift Golden Bear
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