Her experience is, of course, only that of an individual, and cannot represent what happened to all of the other hostages, but it still has significance.

~ Jennie Kermode -

A feat of patience.

~ Amber Wilkinson -

It’s the mass of minor incidents along the way which give it power, and it’s Charbonneau’s commitment to presenting them in this way that makes this an important work.

~ Jennie Kermode -

Lucid is surprisingly coherent once the pieces start to come together, and it’s among the more successful experiments in this sort of portraiture.

~ Jennie Kermode -

It holds nothing back – it’s funny, violent, suspenseful and tense while still discussing our current cultural moment, both locally and globally, and being very incisive and dangerous about it.

~ Dimitrije Vojnov -

Like many of the best documentaries, this is primarily about human relationships, and it doesn’t take long to see the value of the community that has grown up amongst bigfoot enthusiasts.

~ Jennie Kermode -

Playful biopic that rips up chronology and frequently tears down the fourth wall so that we’re never sure if we’re going to be the ones looking into the fishbowl of his life or the ones being inspected.

~ Amber Wilkinson -

The lads’ delight at their early success is engaging, and both stars acquit themselves well.

~ Jennie Kermode -

It’s clear from the start where most of this is going but that doesn’t make it any less of a joy to watch.

~ Jennie Kermode -

The choice of child protagonists not only adds to Lost Land’s emotional heft but also brings home the extra level of uncertainty and confusion felt by youngsters across the globe forced to make these sorts of dangerous odysseys in hope of safe haven.

~ Amber Wilkinson -

Bizhan M Tong opens up the setting and lets in more light, giving viewers more room to breathe whilst making his characters seem more exposed.

~ Jennie Kermode -

There’s an action sequence towards the end which is among the director’s best.

~ Jennie Kermode -

A thoughtful, shrewd examination of the impact of rapidly developing technologies.

~ Jennie Kermode -

At its heart, this Netflix comedy drama hinges on what we put a price on in life.

~ Amber Wilkinson -

There’s a careful balance between real thrills and the inescapable comedy of these situations. This is managed by way of an ineffable sense of cool.

~ Jennie Kermode -

What marks Trier out is his ability to take on intellectual ideas like this but make them play out in ways that don’t feel forced or overly constructed.

~ Amber Wilkinson -

The Tree Of Knowledge is handsomely shot, intelligent, self-conscious and unabashedly peculiar.

~ Jennie Kermode -

Adjani's performance has an ethereal, otherworldly quality about it.

~ Donald Munro -

Cotillard is at her very best as a character we see only from the sidelines – earthy and opinionated in flashes, yet frozen by her art.

~ Jennie Kermode -

Bright, white-painted spaces give way to slowly deepening blues as the story progresses, so that when we see the colour red, it leaps out at us.

~ Jennie Kermode -

There’s a careful balance between real thrills and the inescapable comedy of these situations. This is managed by way of an ineffable sense of cool.

~ Jennie Kermode -

Bizhan M Tong opens up the setting and lets in more light, giving viewers more room to breathe whilst making his characters seem more exposed.

~ Jennie Kermode -

Boy meets nun, boy loses nun, boy marries nun, boy and nun go on the run.

~ Nicky Falkof -

Like many of the best documentaries, this is primarily about human relationships, and it doesn’t take long to see the value of the community that has grown up amongst bigfoot enthusiasts.

~ Jennie Kermode -

The plot is not the film’s strongest point, but it functions well enough as a device through which to explore a troubled relationship.

~ Jennie Kermode -