Wim Wenders with Anne-Katrin Titze on using Yasujirō Ozu’s 3:4 format for Perfect Days and Anselm: “I got so much attached to it.”
Eye For Film >> Image Galleries >> Wim Wenders and Anne-Katrin Titze 7
Wim Wenders and Anne-Katrin Titze 7
"A kind of anti-Madame Bovary" Caroline Vignal on celebrating pleasure and ordinary bodies in It's Raining Men
The mongoose and the snake Adam J Graves on bringing a hidden side of Delhi to the screen in Anuja
Pushing boundaries Torill Kove on family relationships, different worlds and Maybe Elephants
The star from the streets Adam J Graves on Salaam Balaak, Sajda Pathan and making Anuja
A little lightness Colman Mac Cionnaith and Michael Whelan on Room Taken
French cinema hits the high notes Rendez-vous opens in Paris with a boost at the box office
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