by Anne-Katrin Titze
Jeremy Thomas on Martin Scorsese giving gravitas to Michael Powell and Emeric Pressburger films: “I mean, The Red Shoes, unbelievable! Of course they’re period, Blimp, very period. And Black Narcissus, which I recently saw restored in a square in Bologna with thousands of people.”
Poetry and loss Géza Röhrig on Terrence Malick, Josh Safdie, and Richard Kroehling’s After: Poetry Destroys Silence
'I’m still enjoying the process of talking about Julie and advocating for her silence' Leonardo van Dijl on Belgian Oscar nominee Julie Keeps Quiet
Clocking in Michael Felker on how he learned to time travel and Things Will Be Different
Dancing to his tune Anthony Waller on guilt, ambiguity and being married to Elizabeth Hurley in Piper
'Help does not have borders' Lidia Duda on the challenges of making refugee crisis documentary Forest
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