Thomas Hamilton on Boris Karloff in Roy William Neill’s The Black Room: “He’s both good and evil and you see him as the evil version playing the good guy …”
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Poetry and loss Géza Röhrig on Terrence Malick, Josh Safdie, and Richard Kroehling’s After: Poetry Destroys Silence
'I’m still enjoying the process of talking about Julie and advocating for her silence' Leonardo van Dijl on Belgian Oscar nominee Julie Keeps Quiet
Clocking in Michael Felker on how he learned to time travel and Things Will Be Different
Dancing to his tune Anthony Waller on guilt, ambiguity and being married to Elizabeth Hurley in Piper
'Help does not have borders' Lidia Duda on the challenges of making refugee crisis documentary Forest
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