Carreira shows how quiet desperation can be eroding

~ Amber Wilkinson -

Although it could easily have been played as a farce, it’s friendship and human feeling that is the key to this film.

~ Jennie Kermode -

The director drops her audience into the lives of these two women and lets the rhythm of their lives guide the narrative.

~ Paul Risker -

More than just an extended music video.

~ Jennie Kermode -

The heat is omnipresent, rippling through the air, distorting what we see, distorting time and identity.

~ Jennie Kermode -

At its most interesting when the robot-building team is in Herat, its hometown, the film addresses aspects of Afghan life not always noticed by outsiders.

~ Jennie Kermode -

A sophisticated palate will discern any number of flavours running through Black Bag, but these are glosses on a traditional recipe.

~ Andrew Robertson -

Establishing shots of boats and docks and archive footage are not only more genuine than the film's version of events but more convincing.

~ Andrew Robertson -

A wild story delivered with verve and a suitable degree of irreverence.

~ Jennie Kermode -

Ott’s interest is not in creating an accurate depiction of exactly what happened in the run-up to the Oklahoma City bombing, but rather in exploring the thought processes behind it.

~ Jennie Kermode -

I laughed, and was not alone in doing so, out loud, and repeatedly.

~ Andrew Robertson -

In this tangled tapestry, Russell has captured the soul of a nation.

~ Jennie Kermode -

It feels as if a collection of fantasy and dystopian science fiction archetypes have been poured into a blender and swirled around to produce the script and visuals.

~ Jennie Kermode -

Manages to squeeze solid performances from actors and to infuse the run of the mill story with some dense and tense atmosphere set against the backdrop of the overall slickness of Frank Griebe’s cinematography

~ Marko Stojiljkovic -

If the humour works for you at all, you’ll find it a hoot.

~ Jennie Kermode -

Director Siobhan McCarthy is adept at using the long-established visual language of the high school movie both to entertain and to show us the world from a perspective that’s relatively new to cinema.

~ Jennie Kermode -

Clown in A Cornfield has a lot of heart, and not just of the bloody variety.

~ Jennie Kermode -

Bong loses the thread in numerous half-baked sub-plots whose inflation takes its toll on the bloated runtime.

~ Marko Stojiljkovic -

Every frame feels like the product of conscious decision-making, with nothing merely carrying us from one point to another.

~ Jennie Kermode -

Hallow Road is an Irish co-production, and it shows both in theme and in quality.

~ Jennie Kermode -

Every frame feels like the product of conscious decision-making, with nothing merely carrying us from one point to another.

~ Jennie Kermode -

Ashcroft’s interpretation steers the story away from simple tragedy as we see Mortensen making gains as well as losses.

~ Jennie Kermode -

More than just an extended music video.

~ Jennie Kermode -

Comic invention rides shotgun on a screenplay that runs wild.

~ Angus Wolfe Murray -

Carreira shows how quiet desperation can be eroding

~ Amber Wilkinson -

Bong loses the thread in numerous half-baked sub-plots whose inflation takes its toll on the bloated runtime.

~ Marko Stojiljkovic -

Bonhoeffer struggles with his faith, but less in the manner of a great thinker and more in that of someone who writes quotes for inspirational posters.

~ Jennie Kermode -

A sophisticated palate will discern any number of flavours running through Black Bag, but these are glosses on a traditional recipe.

~ Andrew Robertson -