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Michael Mayer on Tippi Hedren in Marnie: "I think in this film she synthesizes something where she is transparent and revealing something so essentially true about her life-experience in the moment that it's quite extraordinary."
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by Anne-Katrin Titze
'I wanted her to have the space to not know what's right and wrong all the time' Sarah Miro Fischer on the torn loyalties of her protagonist in The Good Sister
'Reality offers impromptu flowers that you’re able to harvest' Iván Fund talks about his loose and intuitive approach to filmmaking and story in The Message
Putting on a happy face Vera Drew on the surprise success and anarchic queerness of The People’s Joker
Anora is a winner at the Independent Spirit Awards Dìdi makes a breakthrough
Dreams come true for Dag Johan Haugerud in Berlin Director becomes first from Norway to lift Golden Bear
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