Fund encourages us to tune in to the energies of the trio, the subtle shifts of mood, shared moments of understanding or joy.

~ Amber Wilkinson -

Without Blanche Gardin, who carries the whole film, The Incredible Snow Woman would be a mix of generic dramedy and equally generic comedy that simply tries too hard to send quirky and “subversive” vibes.

~ Marko Stojiljkovic -

An atmospheric, beguiling piece of work.

~ Jennie Kermode -

A pretty empty and tiresome experience.

~ Marko Stojiljkovic -

A collection of early films by Chantal Akerman.

~ Donald Munro -

Øverbye makes a compelling lead, taking on the chunks of voiceover without any problem but also excelling in terms of conveying her character’s moods via body language

~ Amber Wilkinson -

A moody, unsettling piece.

~ Jennie Kermode -

A sometimes compelling, often baffling work that doesn’t really solve the inherent problem of its subject matter, but swings for the fences trying.

~ Jeremy Mathews -

With a lesser canine star, the film would not have worked, but Nala is sensational.

~ Jennie Kermode -

Easily delivering on the big emotional beats, The Six Triple Eight is a natural crowd pleaser.

~ Jennie Kermode -

[Hart] doesn’t turn up the volume, but uses tone and repetition so effectively that the film becomes a microcosm of the real experience.

~ Jennie Kermode -

Marie-Claire Marcotte’s feature début demonstrates an astute awareness of what it’s like to be eight.

~ Jennie Kermode -

Grittily compelling

~ Amber Wilkinson -

Premo never imposes an overt framing narrative, but interesting things emerge.

~ Jennie Kermode -

Naturalism is the lifeblood of Das’ films and this one is no different

~ Amber Wilkinson -

Ashcroft’s interpretation steers the story away from simple tragedy as we see Mortensen making gains as well as losses.

~ Jennie Kermode -

Though likely a little too whimsical for some, Boys Go To Jupiter seems destined to develop a cult following.

~ Jennie Kermode -

Carreira shows how quiet desperation can be eroding

~ Amber Wilkinson -

Although it could easily have been played as a farce, it’s friendship and human feeling that is the key to this film.

~ Jennie Kermode -

The director drops her audience into the lives of these two women and lets the rhythm of their lives guide the narrative.

~ Paul Risker -

With a lesser canine star, the film would not have worked, but Nala is sensational.

~ Jennie Kermode -

More than just an extended music video.

~ Jennie Kermode -

Carreira shows how quiet desperation can be eroding

~ Amber Wilkinson -

Coppola has style, but sometimes employs too much of it.

~ Amber Wilkinson -

Hodierne handles the blend of styles within the film with a laid back confidence that makes it easy to lower one’s guard at the wrong moments.

~ Jennie Kermode -

Bonhoeffer struggles with his faith, but less in the manner of a great thinker and more in that of someone who writes quotes for inspirational posters.

~ Jennie Kermode -

Nobody plays lazy like Jeff Bridges. You could say he was born to it. Or rather, he's such a good actor he makes it look as natural as an unmade bed.

~ Angus Wolfe Murray -