The slippery nature of the morality on show coupled with the shifting sands of the narrative makes this an uneasy watch - yet it is also a beautiful and masterfully constructed film.

~ Amber Wilkinson -

The slippery nature of the morality on show coupled with the shifting sands of the narrative makes this an uneasy watch - yet it is also a beautiful and masterfully constructed film.

~ Amber Wilkinson -

Seamlessly balances the scenes that made the band infamous, with the intimate moments and the atmosphere of an era.

~ Daniel Hooper -

Seamlessly balances the scenes that made the band infamous, with the intimate moments and the atmosphere of an era.

~ Daniel Hooper -

This is amazing: ephemeral, illuminating, ingenious.

~ Andrew Robertson -

This is amazing: ephemeral, illuminating, ingenious.

~ Andrew Robertson -

As if the thematic richness and subtlety of The White Space were not enough, it is also directed by Francesca Comencini with style and sensitivity.

~ Anton Bitel -

As if the thematic richness and subtlety of The White Space were not enough, it is also directed by Francesca Comencini with style and sensitivity.

~ Anton Bitel -

If you’re in the mood for an original riff on a familiar tune, you could do worse than hop on board.

~ Jeff Robson -

If you’re in the mood for an original riff on a familiar tune, you could do worse than hop on board.

~ Jeff Robson -

Filippo Timi is excellent as the young, supremely egotistical Mussolini.

~ Val Kermode -

Filippo Timi is excellent as the young, supremely egotistical Mussolini.

~ Val Kermode -

The difficulty with sustaining intensity for any period of time is that it so easily becomes ridiculous, but there is absolutely nothing in this brutal, at times violent film that will have you laughing.

~ Anton Bitel -

The difficulty with sustaining intensity for any period of time is that it so easily becomes ridiculous, but there is absolutely nothing in this brutal, at times violent film that will have you laughing.

~ Anton Bitel -

A quick script and sharp performances all round help deliver an enjoyable, if ultimately sentimental commentary of the times.

~ Paul Griffiths -

A quick script and sharp performances all round help deliver an enjoyable, if ultimately sentimental commentary of the times.

~ Paul Griffiths -

Technically, imaginatively, emotionally, John Lasseter's sequel matches the original.

~ Angus Wolfe Murray -

Technically, imaginatively, emotionally, John Lasseter's sequel matches the original.

~ Angus Wolfe Murray -

The film is a purely visceral experience, which by and large does everything it sets out to do – repel, amuse, horrify, bore – with a sickening but punk-rock panache.

~ David Graham -

The film is a purely visceral experience, which by and large does everything it sets out to do – repel, amuse, horrify, bore – with a sickening but punk-rock panache.

~ David Graham -

It is presented as comedy, and judged as comedy it is only partially successful.

~ Val Kermode -

It is presented as comedy, and judged as comedy it is only partially successful.

~ Val Kermode -

A loving and gently funny take on one of the defining moments of America’s counter-culture era.

~ Jeff Robson -

A loving and gently funny take on one of the defining moments of America’s counter-culture era.

~ Jeff Robson -

Beesley uses his conventional frame to cast light on people who normally have no voice, on issues that have few public champions and on 'inside' perspectives that invert expectation.

~ Anton Bitel -

Beesley uses his conventional frame to cast light on people who normally have no voice, on issues that have few public champions and on 'inside' perspectives that invert expectation.

~ Anton Bitel -

A film that makes sceptics of us all, shaking us from brainwashed passivity into a state of awareness that makes resistance possible.

~ Anton Bitel -

A film that makes sceptics of us all, shaking us from brainwashed passivity into a state of awareness that makes resistance possible.

~ Anton Bitel -

A fine example of the uniquely offbeat, demonstrative, allusive cinema that only Joel and Ethan Coen can deliver.

~ Paul Griffiths -

A fine example of the uniquely offbeat, demonstrative, allusive cinema that only Joel and Ethan Coen can deliver.

~ Paul Griffiths -

The movie works by getting under your skin in ways that you only realise when the situation turns sour.

~ James Benefield -

The movie works by getting under your skin in ways that you only realise when the situation turns sour.

~ James Benefield -

Firth produces a subtle and deeply moving performance.

~ Jeff Robson -

Firth produces a subtle and deeply moving performance.

~ Jeff Robson -

She, A Chinese is slow to build yet powerful throughout, its pumping Chinese pop music soundtrack hinting at the passion that simmers inside mild-faced Mei.

~ Jennie Kermode -

She, A Chinese is slow to build yet powerful throughout, its pumping Chinese pop music soundtrack hinting at the passion that simmers inside mild-faced Mei.

~ Jennie Kermode -

Despite showing a lot of directorial potential, the film is let down somewhat by its story, as Thorne forgets that an audience, like the scouts, need to be prepared for plot developments if we are to fully accept them.

~ Amber Wilkinson -

Despite showing a lot of directorial potential, the film is let down somewhat by its story, as Thorne forgets that an audience, like the scouts, need to be prepared for plot developments if we are to fully accept them.

~ Amber Wilkinson -

Pure, stripped-down bleakness, both in the desaturated drabness of its appearance and in the last-days essentialism of its themes.

~ Anton Bitel -

Pure, stripped-down bleakness, both in the desaturated drabness of its appearance and in the last-days essentialism of its themes.

~ Anton Bitel -

This is an actors' movie through and through, with all of them pulling off the key emotional scenes magnificently.

~ Amber Wilkinson -

This is an actors' movie through and through, with all of them pulling off the key emotional scenes magnificently.

~ Amber Wilkinson -

An unlikely, but highly effective, marriage of arthouse and mainstream sensibilities.

~ Anton Bitel -

An unlikely, but highly effective, marriage of arthouse and mainstream sensibilities.

~ Anton Bitel -

This is no TV-movie style real life horror re-run. It's something whose focus is cultural, moral and - eventually - personal.

~ Jennie Kermode -

This is no TV-movie style real life horror re-run. It's something whose focus is cultural, moral and - eventually - personal.

~ Jennie Kermode -

Green's film, like Verde's, will no doubt seem boring to some, overly intellectual to others, while still others will find it deeply affecting.

~ Anton Bitel -

Green's film, like Verde's, will no doubt seem boring to some, overly intellectual to others, while still others will find it deeply affecting.

~ Anton Bitel -

Despite being slightly reductive, this low budget Argentinean film is still largely a sweet and honest portrayal of two men falling in love.

~ Dan Hooper -

Despite being slightly reductive, this low budget Argentinean film is still largely a sweet and honest portrayal of two men falling in love.

~ Dan Hooper -

Bissonette handles the gradually shifting points of view with such deftness and subtlety that many viewers may find themselves genuinely wrong-footed.

~ Anton Bitel -

Bissonette handles the gradually shifting points of view with such deftness and subtlety that many viewers may find themselves genuinely wrong-footed.

~ Anton Bitel -

Eerie and enigmatic.

~ Anton Bitel -

Eerie and enigmatic.

~ Anton Bitel -

The 'story' is somewhat simplistic, but the state-of-a-nation snapshot it allows to be revealed is complex and highly emotive.

~ Amber Wilkinson -

The 'story' is somewhat simplistic, but the state-of-a-nation snapshot it allows to be revealed is complex and highly emotive.

~ Amber Wilkinson -

There is something a bit bland, a bit kitchen sink, a bit telemovie, about this portrait of the artist as a young man.

~ Anton Bitel -

There is something a bit bland, a bit kitchen sink, a bit telemovie, about this portrait of the artist as a young man.

~ Anton Bitel -

In the central role, Elit Iscan demonstrate a confidence that belies her years.

~ Jennie Kermode -

In the central role, Elit Iscan demonstrate a confidence that belies her years.

~ Jennie Kermode -

For those who think they know what is going on in this once stable and prosperous country, to be faced with the Campbells’ story is a stark reminder that reading opinion pieces in newspapers is like witnessing a massacre from behind a wall.

~ Angus Wolfe Murray -

For those who think they know what is going on in this once stable and prosperous country, to be faced with the Campbells’ story is a stark reminder that reading opinion pieces in newspapers is like witnessing a massacre from behind a wall.

~ Angus Wolfe Murray -

When it comes to subverting the audience’s expectations, Joon-ho proves he is a puppet master, pulling our strings without us ever suspecting it.

~ Amber Wilkinson -

When it comes to subverting the audience’s expectations, Joon-ho proves he is a puppet master, pulling our strings without us ever suspecting it.

~ Amber Wilkinson -

A riot of slapstick humour, bizarre gadgetry, spectacular stunts and unlikely adventures.

~ Jennie Kermode -

A riot of slapstick humour, bizarre gadgetry, spectacular stunts and unlikely adventures.

~ Jennie Kermode -

An enjoyable if uneven feel-good swipe at both US military and human endeavours.

~ Paul Griffiths -

An enjoyable if uneven feel-good swipe at both US military and human endeavours.

~ Paul Griffiths -

Although the layers of symbolism and allegory certainly add to the depth of the film's resonance, those who consider it purely as a more simply magic realist-inflected coming of age tale are unlikely to be disappointed either.

~ Amber Wilkinson -

Although the layers of symbolism and allegory certainly add to the depth of the film's resonance, those who consider it purely as a more simply magic realist-inflected coming of age tale are unlikely to be disappointed either.

~ Amber Wilkinson -

The bleached-to-monochrome palette and rich textures are stunningly beautiful to behold, if also deeply unnerving.

~ Anton Bitel -

The bleached-to-monochrome palette and rich textures are stunningly beautiful to behold, if also deeply unnerving.

~ Anton Bitel -

This is a film with a fine regard for detail, and it is neither mocking nor deferential.

~ Val Kermode -

This is a film with a fine regard for detail, and it is neither mocking nor deferential.

~ Val Kermode -

Emotional explorations are the life-blood of London River, but it is clogged up by the weight of sorrow running through it.

~ Amber Wilkinson -

Emotional explorations are the life-blood of London River, but it is clogged up by the weight of sorrow running through it.

~ Amber Wilkinson -

Recha depicts a hardscrabble existence but finds fleeting moments of beauty, affection, and pleasure by focussing on the things that truly matter to Arnau.

~ Rebecca Naughten -

Recha depicts a hardscrabble existence but finds fleeting moments of beauty, affection, and pleasure by focussing on the things that truly matter to Arnau.

~ Rebecca Naughten -

I suspect even Jarmusch’s most ardent fans will find longeurs.

~ James Benefield -

I suspect even Jarmusch’s most ardent fans will find longeurs.

~ James Benefield -

Offers lashings of humour alongside its damning critique of greed and manipulation.

~ Leanne McGrath -

Offers lashings of humour alongside its damning critique of greed and manipulation.

~ Leanne McGrath -

As a study of the mirage of celebrity and the emptiness of fanaticism, Kicks is frank, insightful and hard-hitting.

~ Anton Bitel -

As a study of the mirage of celebrity and the emptiness of fanaticism, Kicks is frank, insightful and hard-hitting.

~ Anton Bitel -

Soderbergh has great fun playing with the conventions of the conspiracy thriller.

~ Jeff Robson -

Soderbergh has great fun playing with the conventions of the conspiracy thriller.

~ Jeff Robson -

Concentrated insights (without any complicating distractions) into sex, family, the shifts in generations and the continuities of life.

~ Anton Bitel -

Concentrated insights (without any complicating distractions) into sex, family, the shifts in generations and the continuities of life.

~ Anton Bitel -

Events, as they unfold, are both shocking and satisfying.

~ Andrew Robertson -

Events, as they unfold, are both shocking and satisfying.

~ Andrew Robertson -

Clouzot's vivid imagery is quite sufficient on its own to make this film a must-see.

~ Jennie Kermode -

Clouzot's vivid imagery is quite sufficient on its own to make this film a must-see.

~ Jennie Kermode -

For a film about the brimming over of one girl's emotional fervour, it does surprisingly little to elicit a 'gut response' from the audience.

~ Amber Wilkinson -

For a film about the brimming over of one girl's emotional fervour, it does surprisingly little to elicit a 'gut response' from the audience.

~ Amber Wilkinson -

Because it is so self-consciously light, this film never quite has the impact it might have done, but it's still an interesting take on an unusual phenomenon.

~ Jennie Kermode -

Because it is so self-consciously light, this film never quite has the impact it might have done, but it's still an interesting take on an unusual phenomenon.

~ Jennie Kermode -

Engagement with this film requires patience and hinges on the performance of Camandule.

~ Amber Wilkinson -

Engagement with this film requires patience and hinges on the performance of Camandule.

~ Amber Wilkinson -

This haunting ghost story is an old-fashioned family film that will delight both kids and adults. S

~ Leanne McGrath -

This haunting ghost story is an old-fashioned family film that will delight both kids and adults. S

~ Leanne McGrath -

It's an old story, but rarely has it been this appealingly told.

~ Jennie Kermode -

It's an old story, but rarely has it been this appealingly told.

~ Jennie Kermode -

A fantastic adaptation that manages to surpass its source material while staying entirely true to its spirit.

~ Anton Bitel -

A fantastic adaptation that manages to surpass its source material while staying entirely true to its spirit.

~ Anton Bitel -

Hansen-Love prefers to make her points through gesture and nuance and the film is all the better for it.

~ Jeff Robson -

Hansen-Love prefers to make her points through gesture and nuance and the film is all the better for it.

~ Jeff Robson -

A controversial subject that is tackled as full on as is possible within the constraints of Israeli sensibility.

~ Angus Wolfe Murray -

A controversial subject that is tackled as full on as is possible within the constraints of Israeli sensibility.

~ Angus Wolfe Murray -

A minor mumblecore treat.

~ Paul Griffiths -

A minor mumblecore treat.

~ Paul Griffiths -

A day-glo postmortem avant-garde mind-trip that for some will be enlightening, while others will find it to be little more than an endurance test.

~ Andrew Grant -

A day-glo postmortem avant-garde mind-trip that for some will be enlightening, while others will find it to be little more than an endurance test.

~ Andrew Grant -

Some will find the apparently random nature of its early scenes so irritating that they'll just give up. But there will almost certainly be others who will consider this to be one of the best films they have ever seen.

~ Jennie Kermode -

Some will find the apparently random nature of its early scenes so irritating that they'll just give up. But there will almost certainly be others who will consider this to be one of the best films they have ever seen.

~ Jennie Kermode -

It is easy enough to appreciate what Don't Worry About Me might have been, but much harder to like what it is.

~ Anton Bitel -

It is easy enough to appreciate what Don't Worry About Me might have been, but much harder to like what it is.

~ Anton Bitel -

For the most part it’s a clever, solid script with a quirky take on the femme fatale role.

~ Paul Griffiths -

For the most part it’s a clever, solid script with a quirky take on the femme fatale role.

~ Paul Griffiths -

Don't read this review... simply go and see it, for if ever there was a film that is best experienced without knowing a single detail, this unforgettable oddity from Greece is the one.

~ Andrew Grant -

Don't read this review... simply go and see it, for if ever there was a film that is best experienced without knowing a single detail, this unforgettable oddity from Greece is the one.

~ Andrew Grant -

While the result is visually flawless, the film is often very confusing.

~ Leanne McGrath -

While the result is visually flawless, the film is often very confusing.

~ Leanne McGrath -

A stunning little film.

~ Jennie Kermode -

A stunning little film.

~ Jennie Kermode -

Totally charming.

~ James Benefield -

Totally charming.

~ James Benefield -

Juno Temple, building on the early promise she showed in Atonement, is superb as Di, fragile and sympathetic even at her most unpleasant.

~ Jennie Kermode -

Juno Temple, building on the early promise she showed in Atonement, is superb as Di, fragile and sympathetic even at her most unpleasant.

~ Jennie Kermode -

With tongue firmly in cheek Cold Souls thrives off the irony and contradictions that plague its protagonist.

~ Adam Woodward -

With tongue firmly in cheek Cold Souls thrives off the irony and contradictions that plague its protagonist.

~ Adam Woodward -

Rather than pursue a nationalist agenda, director Lu Chuan searches for humanity in all his characters, and all his characters are flawed.

~ Jennie Kermode -

Rather than pursue a nationalist agenda, director Lu Chuan searches for humanity in all his characters, and all his characters are flawed.

~ Jennie Kermode -

Once - and if - you accept that this is a B-movie plot, it is possible to find a level of enjoyment from its undeniably A-movie trappings.

~ Amber Wilkinson -

Once - and if - you accept that this is a B-movie plot, it is possible to find a level of enjoyment from its undeniably A-movie trappings.

~ Amber Wilkinson -

A dreamily picaresque film most of whose flaws stem from a lack of discipline and a tendency to use its expansive potential as an excuse to move on every time it runs out of ideas.

~ Jennie Kermode -

A dreamily picaresque film most of whose flaws stem from a lack of discipline and a tendency to use its expansive potential as an excuse to move on every time it runs out of ideas.

~ Jennie Kermode -

A poignant and rewarding tale.

~ Jeff Robson -

A poignant and rewarding tale.

~ Jeff Robson -

An affecting blend of warm comedy and high pathos, The Boys Are Back brings an unusual all-male perspective to its otherwise familiar themes of domesticity, death and dysfunction.

~ Anton Bitel -

An affecting blend of warm comedy and high pathos, The Boys Are Back brings an unusual all-male perspective to its otherwise familiar themes of domesticity, death and dysfunction.

~ Anton Bitel -

This carefully played comedy sees characters buzz around each other whilst a network of words and expectations, often subtly misunderstood, seems to bind them to mutually frustrating situations.

~ Jennie Kermode -

This carefully played comedy sees characters buzz around each other whilst a network of words and expectations, often subtly misunderstood, seems to bind them to mutually frustrating situations.

~ Jennie Kermode -

Ultimately, this is your basic talking heads documentary, interspersed with footage that redefines cinematic cool.

~ Scott Macdonald -

Ultimately, this is your basic talking heads documentary, interspersed with footage that redefines cinematic cool.

~ Scott Macdonald -

Though well executed, there isn’t a great deal to elevate the story beyond a solid genre piece.

~ Adam Micklethwaite -

Though well executed, there isn’t a great deal to elevate the story beyond a solid genre piece.

~ Adam Micklethwaite -

No film by Herzog has ever been so defiantly mainstream – and yet at the same time this remains one of the director's craziest, most outlandish affairs.

~ Anton Bitel -

No film by Herzog has ever been so defiantly mainstream – and yet at the same time this remains one of the director's craziest, most outlandish affairs.

~ Anton Bitel -

Despite its structural instability, Connolly still manages to find plenty of poignancy and to gather an emotional head of steam.

~ Amber Wilkinson -

Despite its structural instability, Connolly still manages to find plenty of poignancy and to gather an emotional head of steam.

~ Amber Wilkinson -

A film where horror is evaded, elided or merely glimpsed sidelong – but is all the more horrific for that.

~ Anton Bitel -

A film where horror is evaded, elided or merely glimpsed sidelong – but is all the more horrific for that.

~ Anton Bitel -

Simple messages, simply but warmly told.

~ Paul Griffiths -

Simple messages, simply but warmly told.

~ Paul Griffiths -

American: The Bill Hicks Story provides us with a wonderful glimpse behind the curtain of performance and lets us see the sensitive, warm, patriotic and fiercely intelligent man we all suspected lay beneath the act.

~ Robert Munro -

American: The Bill Hicks Story provides us with a wonderful glimpse behind the curtain of performance and lets us see the sensitive, warm, patriotic and fiercely intelligent man we all suspected lay beneath the act.

~ Robert Munro -

There are plenty of incendiary tensions to go round in Ajami, and they fuel one another in unexpected ways, as the personal and the political become horrifically confused.

~ Anton Bitel -

There are plenty of incendiary tensions to go round in Ajami, and they fuel one another in unexpected ways, as the personal and the political become horrifically confused.

~ Anton Bitel -

The intricate detail of the colourful computer animation will wow viewers.

~ Leanne McGrath -

The intricate detail of the colourful computer animation will wow viewers.

~ Leanne McGrath -

Although we are talking age old themes here – first love, dodgy geezers, questions of class – the material is spectacularly well handled.

~ Amber Wilkinson -

Although we are talking age old themes here – first love, dodgy geezers, questions of class – the material is spectacularly well handled.

~ Amber Wilkinson -

Delicately scored by Katsuhiko Maeda, the early part of the film has a real magic about it, its sweet-natured heroine conveying an infectious sense of wonder.

~ Jennie Kermode -

Delicately scored by Katsuhiko Maeda, the early part of the film has a real magic about it, its sweet-natured heroine conveying an infectious sense of wonder.

~ Jennie Kermode -

By allowing a slow-build to his drama, he ensures we get a feel for the extended family dynamic before wrong-footing the characters and his audience with the suddeness and deftness of a heartbeat.

~ Amber Wilkinson -

By allowing a slow-build to his drama, he ensures we get a feel for the extended family dynamic before wrong-footing the characters and his audience with the suddeness and deftness of a heartbeat.

~ Amber Wilkinson -

45365 proves visually delightful and while it may romantically honour the everyday and find beauty in the individual, but it saves a dispiriting, melancholic tone for the whole

~ Paul Griffiths -

45365 proves visually delightful and while it may romantically honour the everyday and find beauty in the individual, but it saves a dispiriting, melancholic tone for the whole

~ Paul Griffiths -

The idea of the bare room, the helpless prisoner and the group of aggressive men is profoundly Pinteresque. Unfortunately it has neither Pinter's wit nor his brevity.

~ Jennie Kermode -

The idea of the bare room, the helpless prisoner and the group of aggressive men is profoundly Pinteresque. Unfortunately it has neither Pinter's wit nor his brevity.

~ Jennie Kermode -

There’s an anarchic silliness about it which suits the science fiction setting, an openness to having fun and delivering a story unselfconsciously, on its own terms.

~ Jennie Kermode -

As Blue Moon progresses it becomes clear that the one thing Hart really wants is to be wanted.

~ Amber Wilkinson -

Ridley may not be in the top league of current action stars but she can handle herself, and she is at any rate more convincing as a former soldier than she is as a member of the working class.

~ Jennie Kermode -

Sandbag Dam is powered by stellar, deeply lived-in performances by the young and budding actors.

~ Marko Stojiljkovic -

The viewer has to be keyed into Akerman's cinematic language, how she portrays boredom, claustrophobia, isolation.

~ Donald Munro -

Fund encourages us to tune in to the energies of the trio, the subtle shifts of mood, shared moments of understanding or joy.

~ Amber Wilkinson -

Without Blanche Gardin, who carries the whole film, The Incredible Snow Woman would be a mix of generic dramedy and equally generic comedy that simply tries too hard to send quirky and “subversive” vibes.

~ Marko Stojiljkovic -

An atmospheric, beguiling piece of work.

~ Jennie Kermode -

A pretty empty and tiresome experience.

~ Marko Stojiljkovic -

A collection of early films by Chantal Akerman.

~ Donald Munro -

Øverbye makes a compelling lead, taking on the chunks of voiceover without any problem but also excelling in terms of conveying her character’s moods via body language

~ Amber Wilkinson -

A moody, unsettling piece.

~ Jennie Kermode -

A sometimes compelling, often baffling work that doesn’t really solve the inherent problem of its subject matter, but swings for the fences trying.

~ Jeremy Mathews -

With a lesser canine star, the film would not have worked, but Nala is sensational.

~ Jennie Kermode -

Easily delivering on the big emotional beats, The Six Triple Eight is a natural crowd pleaser.

~ Jennie Kermode -

[Hart] doesn’t turn up the volume, but uses tone and repetition so effectively that the film becomes a microcosm of the real experience.

~ Jennie Kermode -

Marie-Claire Marcotte’s feature début demonstrates an astute awareness of what it’s like to be eight.

~ Jennie Kermode -

Grittily compelling

~ Amber Wilkinson -

Premo never imposes an overt framing narrative, but interesting things emerge.

~ Jennie Kermode -

Naturalism is the lifeblood of Das’ films and this one is no different

~ Amber Wilkinson -

With a lesser canine star, the film would not have worked, but Nala is sensational.

~ Jennie Kermode -

This is a film that seems somehow subtly different every time you watch it, full of tantalising possibilities.

~ Jennie Kermode -

It’s an anarchic mess – the sort of film the Joker himself might have made, and that’s part of its triumph.

~ Jennie Kermode -

Coppola has style, but sometimes employs too much of it.

~ Amber Wilkinson -

This is a tactile retelling, inviting us to imagine the sticky feel of Coca-Cola on hot skin in the sun or the heat of a sheepskin coat and the love that goes with it being passed from mum to daughter ahead of a trip abroad.

~ Amber Wilkinson -

Cat’s viewpoint predominates, and Zilbalodis has an acute understanding of how the world looks from its point of view, of what catches its attention and how its body follows instinctively.

~ Jennie Kermode -

Hodierne handles the blend of styles within the film with a laid back confidence that makes it easy to lower one’s guard at the wrong moments.

~ Jennie Kermode -

Ridley may not be in the top league of current action stars but she can handle herself, and she is at any rate more convincing as a former soldier than she is as a member of the working class.

~ Jennie Kermode -

Nobody plays lazy like Jeff Bridges. You could say he was born to it. Or rather, he's such a good actor he makes it look as natural as an unmade bed.

~ Angus Wolfe Murray -